I am a Fabric Softener. Imagine the things that can happen when you have a soft heart.

Curator's Notes

I’m beginning to take the less is more path with my wardrobe. With that comes a bit more maintenance but it's a sustainable approach that forces you to be conscious about how you wash and care for clothes in order to prolong a garment’s lifespan. I like how this all-natural ingredient line of detergent is specially formulated for a variety of textiles, providing the proper care a cherished garment deserves.

The Fabric Softener containing peach oil and aloe vera, reduces detergent residue and lime deposits – it is especially suitable for people with allergies or sensitive skin. The formula makes garments clean, soft and easy to iron.

Fabric Softener was curated by Angélique Chmielewski

Designer/Maker

Maker: Tangent GC

Specifications

Dimensions:
2.5” (w) x 2.5” (l) x 5.9" (h) or 64mm (w) x 64mm (l) x 149mm (h)

Weight:
12.6 oz or 357 g

Volume:
10.1 fl oz or 300 ml

Details

Made in Germany
Machine wash method: Use 20ml per 2-3kg load
Handwash method: Use 10ml per 5 litres of water
100% natural origin ingredients
Lightly scented
Contains peach oil and aloe vera
Certified by ECOCERT Greenlife

Nalata Nalata is founded on the belief that purchasing and learning about the product should go hand-in-hand. We believe in the transparency of design process and strive to showcase the people and stories behind our products. 

Nalata Nalata

Fabric Softener

Title

Home & Furniture

I am a Clock. Time and time again, I get asked the same question. Well, if you wanna know, just look at me!

Curator's Notes

We adore the versatility of this clock. Whether standing on it's base or hung on a wall, it's an attractive wood addition to the home. The clock is non-ticking and has beautiful subtle details like carved indents for dial marks.
“Kime” means texture or wood grain in Japanese and each Kime product features the unique qualities of the wood it is made from. The sleek shapes and smooth texture highlight the outstanding skill of the craftsmen who make each piece in Asahikawa, Japan.

Clock was curated by Stevenson Aung

Designer/Maker

Maker: Dreamy Person Inc.

Designer: Mikiya Kobayashi

Specifications

Dimensions:
Clock: 1.2” (w) x 4.7” (l) x 4.7” (h) or 31mm (w) x 120mm (l) x 120mm (h)
Stand: 2.0" (w) x 1.1" (l) x 0.4" (h) or 50mm (w) x 29mm (l) x 10mm (h)

Weight: 5 oz or 142 g

Materials: Maple or Walnut or Cherry

Details

Made in Asahikawa, Hokkaido
Includes a small base that the clock can stand on to be used as a table clock
Clock can hang
Non-ticking
Requires one AA battery
Carved indents indicate hour marks
Each piece features a unique wood grain and distinct smooth texture

Clock

Clocks

I am Matchbox Stickers. I’m not a stick but I’m sticky, not to mention, rather cute.

Curator's Notes

We’ve had these matchbox stickers available in store for quite some time and their online release has been long overdue. I’ve always felt like they needed a bit of explanation since these little boxes contain stickers, not matchsticks - a nice element of surprise if you’re into nostalgic stickers and art on boxes. As a collector of miniature anything, I immediately fell in love! Collect them or stick them on to mail, computers, phones and other plain things that could use a bit of life.

Matchbox Stickers was curated by Angélique Chmielewski

Designer/Maker

Maker: Yonagadou

Specifications

Dimensions:
1.4” (w) x 2.3” (l) x 0.6” (h) or 37mm (w) x 57mm (l) x 16mm (h)

Weight:
0.2 oz or 6.0 g

Materials: Paper

Details

Made in Japan
Each box consists of approximately 50-75 individual stickers

Die-cut sticker has a backing that can be removed to expose a sticky backside

Matchbox Stickers

Size

I am a Doorknob Sign. If you see me hangin’, don’t come a knockin’.

Curator's Notes

This piece really reminds us of a ‘do not disturb sign’ during our college days. We’re sure many of you know where we’re coming from!

"Doorknob" was curated by Daniel Chmielewski

Designer/Maker

Maker: Hender Scheme

Designer: Ryo Kashiwazaki

Specifications

Dimensions:
3.5” (w) x 7.9” (l) x 0.1" (h) or 89mm (w) x 200mm (l) x 3mm (h)

Weight:
1.6 oz or 45 g

Materials:
Cow Leather

Details

Made in Japan
Circular cutout
Rounded corners
Debossed Hender Scheme logo on front
Small scratches and imperfections can be expected from the raw cow hide
The leather will naturally develop a patina over time and showcase unique traces of everyday use

"doorknob"

I am an Ayous Umbrella Stand. Some things can’t stand being wet. I’m not one of those things.
Curator's Notes

It’s proven hard for us to find an umbrella stand that isn’t ‘loud’. Most umbrella stands out there are overly decorative or made out of plastic. We live in a home with a lot of wood so it’s really nice to be able to find the right wood to match whatever your décor is and luckily these stands come in a variety of wood types. A lot of umbrella stands are actually unnecessarily big too! I don’t understand why umbrella stands need to hold more than a few umbrellas unless it’s for a giant office building. This one fits maybe 4 umbrellas comfortably – 6 if you really want to pack them in there. It looks the best with 2, to be honest!

Ayous Umbrella Stand was curated by Stevenson Aung
Designer/Maker

Maker: Saito Wood Co.

Designer: Isamu Saito

Specifications

Dimensions:
8.3” (w) x 8.3” (l) x 18.9” (h) or 210mm (w) x 210mm (l) x 480mm (h)

Weight:
3.6 lbs or 1.6 kg

Materials: Ayous wood veneer and plywood, Metal

Details

Made in Japan
Exposed plywood edges
Includes a black metal tray that lines the bottom of the stand. This helps protect umbrella tips and collects water

Umbrella Stand - Ayous

Umbrella Stands

I am a Cherry Blossom Wood Tray. The petals of the sakura tree fade in a week, but my beauty will deepen with the years.

Curator's Notes

We love wood surfaces as an attractive way to display or serve, and it was a great pleasure to work with Makoto Koizumi to create our own version of something we use every day. It’s remarkable how much work lies behind an end product that’s so minimal. With the use of traditional hand tools, each tray is carved from a single piece of wood carefully selected by Makoto Koizumi for grain pattern, resulting in a continuous form with softly rimmed edges and a shallow concavity. We wanted something that looked fresh and new, but with an appeal that wouldn’t expire. We feel that this tray holds the essence of Koizumi-san's ethos – a beautiful fixture of everyday life with its own whimsical character. Holding the tray in my hands, I admire how the grain moves across the wooden surface like ripples in a pool of water, and I’m reminded of an old Japanese proverb that Koizumi-san himself passed on to us: “Spare no trouble on anything you do, and put your whole heart into everything.”

Cherry Blossom Wood Tray was created by Makoto Koizumi x Nalata Nalata

Designer/Maker

Designer: Makoto Koizumi

Specifications

Dimensions:

12.25 ” (w) x 14.5 ” (l) x 1.15 ” (h) or 311 mm (w) x 368 mm (l) x 29 mm (h)

Weight:
16.08 oz or 456 gr

Materials:
Cherry Blossom Wood

Details

Made in Japan

This piece is an exclusive collaboration between Makoto Koizumi and Nalata Nalata

Hand-carved from a single piece of wood

Slight variations in wood grain and dimensions will occur due to the hand-made nature of the piece – each piece is one-of-a-kind

Lightweight and portable

To clean, wipe with a damp, soft cloth and dry immediately

Oil periodically

Wood Tray - Cherry Blossom

Decorative Trays

I am a Wood Drop Lid. Help! I’m falling and I can’t get up! But I guess since I’m here I might as well simmer down.

Curator's Notes

The drop lid is known as an ‘otoshibuta’ in Japan. Its diameter is meant to be smaller than the diameter of the saucepan so it can fall into the pot and lay directly on the ingredients being cooked. This serves to trap flavours into the broth and ingredients as they simmer in the pot. The lid works by circulating and increasing heat underneath it while the broth bubbles up, cooking the ingredients quicker and more evenly. The higher temperature also works to concentrate flavours by evaporating liquid and caramelizing sugars in the broth. It also provides a barrier that will stabilize ingredients so they don’t break apart and require less stirring. The drop lid is key for this traditional Japanese way of simmering called “nimono” and will enhance any dish! When the ingredients start to boil, simply lay the drop lid on top and infuse your dish with the best flavours with ease. These lids can be used for any pot but are ideally sized for the Yukihira Pots found here.

Wood Drop Lid was curated by Stevenson Aung

Designer/Maker

Maker: Ambai

Designer: Makoto Koizumi

Specifications

Dimensions:
Small: 4.5 ” (w) x 4.5” (l) x 1.2” (h) or 11.5cm (w) x 11.5cm (l) x 3cm (h) - (Ideal for '14cm' Yukihira Pot)
Medium: 5.1” (w) x 5.1” (l) x 1.2” (h) or 13cm (w) x 13cm (l) x 3cm (h) - (Ideal for '16cm' Yukihira Pot)
Large: 5.9” (w) x 5.9” (l) x 1.2” (h) or 15cm (w) x 15cm (l) x 3cm (h) - (Ideal for '18cm' Yukihira Pot)

Extra Large: 6.7” (w) x 6.7” (l) x 1.2” (h) or 17cm (w) x 17cm (l) x 3cm (h) - (Ideal for '20cm' Yukihira Pot)

Weight:

Small: 1.4oz or 40g - (Ideal for '14cm' Yukihira Pot)

Medium: 1.7oz or 48g - (Ideal for '16cm' Yukihira Pot)

Large: 2.3oz or 65g - (Ideal for '18cm' Yukihira Pot)

Extra Large: 3.0oz or 85g - (Ideal for '20cm' Yukihira Pot)

Materials:
Sawara Cypress

Details

Made in Japan
Made from water resistant sawara cypress with natural food safe resin content
Soak the lid with water before use to ensure it will not absorb cooking broth
Dry immediately after washing
The drop lid is reusable
Features a handle and hole to release steam
Please note that the drop lids are meant to be smaller than the diameter of the pot and lay directly on top of the ingredients

Wood Drop Lid

I am a White Oak Candy Box. Within my wooden frame, I can barely hold the joy that I contain — I’ve got something you’ll definitely want to sink your teeth into!

Curator's Notes

Perhaps it’s my sweet tooth talking, but it’s true what they say about kids in a candy store! The sight of this box alwa ys brings me uncontainable joy. The clean lines of its white oak veneer act as an elegantly understated backdrop for bright, colorful candies. You can already vividly picture how sweet it would be to lift up the lid of this box and see it filled with littl e bonbons.

Candy Box was curated by Stevenson Aung

Designer/Maker

Maker: Saito Wood Co.

Designer: Isamu Saito

Specifications

Dimensions:
6.5” (d) x 5” (h) or 16.5cm (d) x 12.7cm (h)

Weight:
11.4 oz or 320 g

Materials:
White-washed oak wood veneer, Plywood, M etal

Details

Made in Japan
Lid features a silver metal knob with ridges for easy grip
Occasional oiling may be necessary to return luster to wood
Food safe

White Oak Candy Box (out Of Stock)

I am a Maple Paper Towel Holder. A fresh roll of paper towels is my favorite accessory.

Curator's Notes

A paper towel holder is an object you might not give much thought to, despite interacting with one frequently but having one that's well-designed improves your day in a subtle way. This version by Makoto Koizumi mounts on the wall to maximize counter space and doesn't clutter your kitchen view. Its understated profile fits quietly into your daily routine.

Maple Paper Towel Holder was curated by Stevenson Aung

Designer/Maker

Designer: Makoto Koizumi

Specifications

Dimensions:

3.0” (w) x 5.0 ” (l) x 1.25 ” (h) or 76 mm (w) x 127 mm (l) x 32 mm (h)

Weight:

3.5 oz or 99 gr

Materials:

Maple Wood, Aluminum

Details

Made in Japan

Inherent flexibility of aluminum allows the wooden holder to attach and detach easily
Screws are included

Paper Towel Holder - Maple

Paper Towel Holders

I am an Otona Wood Spoon. I was carved to help you feast. When I see food before my eyes, I’m prepared for what’s to come so please, don’t be shy, grab a spoonful.

Curator's Notes

We love the comforting feeling of eating with wooden cutlery, especially a beautiful version like this one by Akarino-Tane. This wooden spoon is handcrafted from trees of the Hokkaido region in Japan. The gentle curves of the handle combined with a smooth finish make the Otana cutlery series great for daily use.

Otona Wood Spoon was curated by Stevenson Aung

Designer/Maker

Maker: Akarino-Tane

Designer: Hiroyuki Inoue

Specifications

Dimensions: 0.4” (w) x 7.5” (l) x 0.6” (h) or 10mm (w) x 191mm (l) x 15mm (h)

Weight: 0.5 oz or 14.2 g

Materials: Birch

Details

Handmade in Japan
Finished with food safe walnut oil and bees wax
Wash with warm water and wipe dry
Do not soak in water for prolonged periods
Washing in a dishwasher is not recommended

Otona Wood Spoon

Home Decor

I am kitchen shears. Anything those tools in your drawers can do, I can do better! Including cutting food, cracking nuts, opening cans and even removing bottle caps. If I’m not a showstopper, I don’t know who is.

Curator's Notes

Made of stainless steel, these heavy-duty shears are hygienic, strong and don’t rust. The blades have finely honed edges for precise cutting so taking apart a whole chicken or snipping dried fruits won’t ever be an issue. Its unique shape allows for it to be used as a bottle opener, while tabs near the bottom act as leverage to open up cans. The shears also come apart for easy cleaning and sharpening.

Kitchen Shears was curated by Stevenson Aung

Designer/Maker

Maker: Tajika

Designer: Daisuke Tajika

Specifications

Dimensions:
3” (w) x 8” (l) x 0.375” (h) or
76mm (w) x 203mm (l) x 10mm (h)

Weight:
0.33 lbs or 0.15 kg

Materials:
Stainless Steel

Details

Made in Japan
Two separating components for easy cleaning
2.5" or 64mm blade
Smooth stainless steel finish
Will not rust
Dishwasher safe
Features a bottle opener in the middle
Tabs at the bottom are used for opening cans

Kitchen Shears

I am a ‘Sumi’ Octagonal Plate. Not all people like things handed to them on a silver platter. Some prefer white porcelain.

Curator's Notes

The traditional style corners of the ‘Sumi’ series of plates was designed by Oji Masanori to reflect 18 th -19 th century Western-style porcelain. We like them because the ‘Sumi’ style pinched corners give them an air of sophistication, which is a feature fit serving platters.

Octagonal Serving Plate was curated by Angélique Chmielewski

Designer/Maker

Maker: Jicon

Designer: Masanori Oji

Specifications

Dimensions:
15.3” (w) x 10.4” (l) x 1.2” (h) or
389mm (w) x 263mm (l) x 30mm (h)

Weight:
2.5 lb or 1.1 kg

Materials:
Porcelain

Details

Made in Japan
We recommend hand washing
The brand name means "porcelain (JI) in modern times (CON)"
Porcelain is created in the house of IMAMURA of the Touetsugama Kiln, founded 350 years ago
The Touetsugama Kiln originated in Sasebo City in the Nagasaki prefecture but was redeployed to Arita in the Saga prefecture and succeded by IMAMURA Kenichi XIV
The kiln makes porcelain pieces for daily life with its traditional white porcelain techniques using Amakusa Touseki (porcelain stone)

Octagonal Serving Plate

Serving Platters

I am a Large Sugitate Boxwood Comb. The more I'm used, the better for us both... My teeth will feel smooth and your hair will too!

Curator's Notes

Boxwood combs have a long history in Japan as both supernatural objects and cosmetic accessories. Today the combs are appreciated, as much for their aesthetic beauty as their functionality and Jusun-Ya has become renowned for their high-quality versions. Since 1875, the company has been using original production methods from the Nara period (8 th C.). They gather boxwood boards, fumigate the wood, then store the bundles for ten years making them thoroughly dry and warp resistant. When the wood is ready, each comb tooth is measured by eye and sawed by hand. The combs are resistant to static electricity and help promote healthy hair. We love how the teeth will smooth out and glide easier with frequent use and how the amber colour of the wood deepens with age! In contemporary times, many of the combs have a multi-purpose function. The Large Sugitate Boxwood Comb is used to straighten the sides and back of a coiffure.

Large Sugitate Boxwood Comb was curated by Stevenson Aung

Designer/Maker

Maker: Jusan-Ya

Designer: Jusan-Ya

Specifications

Dimensions: 3.4” (w) x 8.5” (l) x 0.2” (h) or 86mm (w) x 216mm (l) x 5mm (h)

Weight: 0.4 oz or 11.3 gr

Materials: Boxwood

Details

Handmade in Japan
Do not dip combs in water
Avoid combing wet hair
Coat liberally with vegetable oil (camellia or olive) and place in plastic bag for 2-3 days to clean comb

Large Sugitate Boxwood Comb (out Of Stock)

I am a Hazuki Tapered Glass Vase. My friends Rose, Violet and I can be placed in a variety of settings and we'll fit right in with the crowd.

Curator's Notes

This vase is appealing because of its transparency. It doesn't have any surface texture or structural frame so it's actually barely visible. Whenever we don't want to break the lines of a shelf or window sill but still want to add a bit of floral life, we place a Hazuki vase in that spot. It adds a lightweight, fresh detail without being the dominant object.

Hazuki Tapered Glass Vase was curated by Angélique Chmielewski

Designer/Maker

Designer: Time and Style

Specifications

Dimensions:
3.7” (w) x 3.7” (l) x 2.9” (h) or 95mm (w) x 95mm (l) x 74mm (h)

Weight:
2.3 oz or 65 g

Materials:
Glass

Details

Made in Japan
Base is convex, creating a swaying motion when tapped
Hand wash recommended

Hazuki Tapered Glass Vase

Vases

I am a Face Cleansing Brush. You can use me as your skin’s magic wand, to keep your face fresh for now and far beyond.

Curator's Notes

This line of brushes is the ultimate luxury in body cleansing tools that we’ve come across. Their silky bristles are shockingly soft when you first touch them. The brushes make daily skin care routines special, high quality and relaxing – like bringing a spa to your very own home!
The face cleansing brush gently scrubs without being overly abrasive and the bristles create a rich lather that helps to retain moisture in your pores, leaving skin soft and radiant. Massage into the epidermis to gradually smooth and increase blood circulation over time. It can be used with face cleansers such as the Binchotan Charcoal Facial Soap.

Face Cleansing Brush was curated by Angélique Chmielewski

Designer/Maker

Maker: Mizuho Brush Company

Designer: Suvé

Specifications

Dimensions:
1.4” (w) x 1.7” (l) x 2.7” (h) or 35mm (w) x 44mm (l) x 68mm (h)

Weight:
2.0 oz or 57 g

Materials:
Goat hair bristles, Synthetic bristles, Walnut wood

Details

Made in Japan
Handcrafted in Kumano, a region that specializes in natural hair brushes
Can be used dry or wet with cleansers
Features a removable satin hanging loop
Wood handle is cut at an angle allowing the brush to stand while drying

Can be used to lather creams, facial cleansers or shaving balms or dry to message the skin’s surface

Please see third image for usage instructions

Face Cleansing Brush

I am a Cast Iron Oval Pan. Oblong food like zucchini and fish, come on in you’re gonna make for a tasty dish.

Curator's Notes

Superior heat retention, versatility and a sleek design. Can’t ask for more in a pan!

Cast Iron Oval Pan was curated by Stevenson Aung

Designer/Maker

Maker: Kamasada

Designer: Nobuho Miya

Specifications

Dimensions:
9.5” (w) x 11.5” (l) x 1.75 (h) or 24cm (w) x 27.9cm (l) x 4.4cm (h)
Pan depth: 1.75" or 4.4cm
Bottom oval pan dimension (without handle): 9.5" (w) x 6.8" (l) or 24cm (w) x 17cm (l)

Weight:
3.6 lb or 1.6 kg

Materials: Nambu Tekki Cast Iron

Details

Made in Japan

High heat retention

Oven proof

Highly durable

Can be used on gas or induction stovetop

Extra thick cast iron evenly distributes heat

Pan should be seasoned before use
After each use, wash the pan in hot water and dry completely. Putting it in the oven briefly or on a stovetop flame can help dry the pan fully before storing it
Avoid splashing cold water onto a hot pan to prevent warping over time
Never submerge in water for long periods of time
Wooden cooking utensils are recommended to prevent scratching

Cast Iron Oval Pan (out Of Stock)

I am a Filament Light Bulb. If you're stuck in a rut, you won't be for long because I have an idea that will shine some light on your situation.

Curator's Notes

It’s interesting to think that not much has changed with a light bulb since 1879 when Edison invented the first commercially viable model. When we discovered that Yoshiki Tsukamoto designed his own light bulbs, it was refreshing to say the least. Although these bulbs come in standard shapes and screw bases, their carbon or tungsten filaments are completely unique! Each blown glass bulb glows with slender filaments that wrap and wind into distinct sculptural patterns. Used for sconces, lamps, overhead pendants, exposed light bulb fixtures and anywhere creative accent lighting is needed.

Filament Light Bulb was curated by Stevenson Aung

Designer/Maker

Maker: Sklo

Designer: Yoshiki Tsukamoto

Specifications

Dimensions:
3.8” (w) x 3.8” (l) x 5.2” (h) or 95mm (w) x 95mm (l) x 132mm (h)

Weight:

1.9 oz or 54 g

Materials:
Glass, Carbon Filament

Details

Made in Japan
Features a specially designed and produced carbon filament
40 watt power consumption
Medium E-26 base
Has a screw base that can easily fit into the socket of a light fixture
Globe shape

Carbon Filament Light Bulb - Globe 'k-95' (out Of Stock)

Light Bulbs

I am a medium Cast Iron Baker Pan. I’m not just a one-trick pony, I’m an all-rounder! On top of prepping food in me, you can also cook, sear, bake and simmer.

Curator's Notes

Nambu tekki cast iron is renown for use as cookware because of its superior heat retention and versatility. Produced in Iwate, these two handled pans are suitable for an oven, gas stovetop or induction range, along with over the grill for an oven-to-table convenience. In Japan, these particular pans are often used to cook various sukiyaki dishes that require being left in the oven for long periods of time, but we use them in our home for anything from bacon and eggs to cornbread. They are available in three different sizes and stack within each other for ease of storage.

Medium Cast Iron Baker Pan was curated by Stevenson Aung

Designer/Maker

Maker: Kamasada

Designer: Nobuho Miya

Specifications

Dimensions:
7.5” (w) x 9.5” (l) x 1.87” (h) or 191mm (w) x 241mm (l) x 47mm (h)

Weight:
3.3 lbs or 1.45 kg

Materials:
Nambu Tekki Cast Iron

Details

Made in Japan
Hand washing is recommended
Recommended to wash pan in hot water after each use and dry the pan completely
Avoid splashing cold water onto a hot pan to prevent warping over time
Never submerge in water for long periods of time
Wooden cooking utensils are recommended to prevent scratching
Use oven mitts when handling hot pan

Cast Iron Baker Pan - Medium

I am a Tetu Casting Iron Tape Cutter. Tape can get you into a sticky situation, but I'm here to make sure everything stays in line.

Curator's Notes

This cast iron tape cutter has an incredible weight that will help keep it in place when you’re tearing the tape. One hand needed only! It fits most standard sized paper or plastic tapes. We love the combination of heavyweight, stark black cast iron with the warmth of walnut wood.

Tetu Cast Iron Tape Cutter was curated by Stevenson Aung

Designer/Maker

Maker: Tetu

Designer: Makoto Koizumi

Specifications

Dimensions: 1.75” (w) x 3.75” (l) x 4.75” (h) or 44mm (w) x 95mm (l) x 121mm (h)
Wheel diameter: 3" or 76mm
Wheel width: 0.75" or 1.7cm

Weight: 2.4 lbs or 1.1 kg

Materials: Nambu Cast Iron, walnut wood

Details

Made in Japan
Made from Nambu Cast Iron
4 silicon feet on the underside prevents scratching and offer a non-slip surface
Has a smooth but pebbly surface texture

Tape cutter can fit tape rolls that are up to 18mm in width

Tetu Cast Iron Tape Cutter

I am Kaico Pasta Pot. A big pot of pasta makes everything better.

Curator's Notes

This large pot is just as much functional as it is beautiful. Its semi-gloss enamel coated steel exterior keeps it easy to wash, durable and heat retaining. If that’s not enough, the pot comes with a strainer that rests inside and can be easily lifted with its handle. We love how an item like this can cut down cooking time in the kitchen. Preparing meals becomes a breeze with this easy to use, all-in-one pot and strainer.

Kaico Pasta Pot was curated by Angélique Chmielewski

Designer/Maker

Maker: Shoei Industrial (iron) and Nitto (enamel)

Designer: Makoto Koizumi

Specifications

Dimensions:
9.75” (w) x 9.75” (l) x 7.75” (h) or
248mm (w) x 248mm (l) x 197mm

Volume:
193 fl oz or 5.7L

Weight:
5.05 lbs or 2.29 kg

Materials:
Enamel coated steel, maple wood knob and metal strainer

Details

Made in Japan
Winner of the 2006 Good Design Award in Japan
Maple knob handle on top of the lid
White enamel exterior and interior
Metal pasta strainer rests inside with two handles
Holds up to 5.7L
Hand wash recommended
Suitable for use on induction, gas and electric stovetops

Kaico Pasta Pot

I am a brass chopping board holder.  Those boards get chopped all day long. They deserve five star accommodations.

Curator's Notes

This chopping block holder is one of those items that is simple yet makes life so much better! Clean up in the kitchen becomes smooth and easy when you have a designated place for all your items. This object in particular is functional and stunning! It is heavy and stable making it ideal for quick organization on any kitchen top surface.
Brass Chopping Board Holder was curated by Stevenson Aung

Designer/Maker

Maker: Futagami

Designer: Masanori Oji

Specifications

Dimensions: 2.87” (w) x 3.35” (l) x 2.59” (h) or 73mm (w) x 85mm (l) x 66mm (h)

Weight: 3lbs or 1.32kg

Materials: Brass

Details

Made in Japan
Holds boards up to 30mm (1.2") thickness
Silicon padding on the underside
Ideal with the Kakudo Chopping Board

Nickel plated interior surface
Copper from Toyama Prefecture
Molding in Takaoka City
Brass is an alloy of copper and zinc
Brass products gradually change their color over the course of many years due to oxidization
A camel colored patina is expected to develop within 5 years
A russet brown color patina is expected to develop at approximately 30 years
Casted brass exterior surface

Brass Chopping Board Holder

I am a Cast Iron Mosquito Coil Case. Don’t think you can outwit me, I have a mind like a steel trap.

Curator's Notes

Mosquito traps and repellants can be pretty hideous at times. This version by Simplicity is a completely different story. It’s actually aesthetically appealing and makes for a beautiful decorative piece either hung on the wall or flat on a table. It is typically used with organic Kikka Senko Mosquito Coil Incense available in 30 piece packs here. Produced by Suzuki Morihisa studio, the piece features the foundry’s renown cast iron rich rust colored iron and subtle surface texture.

Cast Iron Mosquito Coil Case was curated by Stevenson Aung

Designer/Maker

Maker: Suzuki Morihisa Studio Ltd.

Designer: Simplicity

Specifications

Dimensions:
Case: 5.9” (w) x 5.9” (l) x 1.2” (h) or 150mm (w) x 150mm (l) x 30mm (h)
Rod Length: 36" or 914mm

Weight:
1.3 lbs or 0.6 kg

Materials:
Nanbu Cast Iron

Details

Made in Japan
Includes a long removable iron stick that attaches to the case for hanging purposes
Can be hanged or the case can lie flat on a table
Top of the hanging stick is hooked
Can be used indoors or outdoors
Produced in the Suzuki Morihisa foundry, renown for their skilled Nanbu Tekki cast iron manufacturing techniques
Subtle textured surface
Incense coils not included. Organic mosquito incense coils can be found here

Coiled incense attaches to a pin built into the middle of the case
Circular shape with flat back

Cast Iron Mosquito Coil Case

I am a Teak Wood Waste Basket. Fill me up with your litter and I won’t complain. I’m low maintenance and always at your disposal.
Curator's Notes

Trash containers are often hidden or an after-thought as a product, kept far away from public sight. We like the idea that a frequently neglected household item can also be beautiful and worthy of display.

Teak Paper Waste Basket was curated by Stevenson Aung
Designer/Maker

Maker: Saito Wood Co.

Designer: Isamu Saito

Specifications

Dimensions:
Large: 11” (w) x 11” (l) x 16” (h) or 279mm (w) x 279mm (l) x 406mm (h)
Small: 10" (w) x 10" (l) x 12" (h) or 254mm (w) x 254mm (l) x 305 (h)

Weight:
Large: 1.84 lbs or 0.83 kg
Small: 1.30 lbs or 0.59 kg

Materials: Ayous wood veneer, Plywood

Details

Made in Japan
Exposed plywood edges
Occasional oiling may be necessary to return luster

We recommend that you only dispose dry waste in the wastebasket

Paper Waste Basket - Teak

Curator

Waste Baskets

I am a ‘Ten Ten’ Painted Deep Bowl. The artist’s world is limitless, as clear and deep as me.

Curator's Notes

‘Ten Ten’ in Japanese translates to ‘dab dab’ relating to the hand-painted dabs of white that playfully pattern these factory zoomer works. A great surface for serving brightly colored desserts and snacks. They add such an artful touch to table settings. The pieces are mouth-blown, hand-painted with white glass enamel, then re-fired to create a permanent pattern that won’t scratch off or wash away. This pattern is also sometimes known as the “Snow Snow” pattern.

Ten Ten Painted Deep Bowl was curated by Stevenson Aung

Designer/Maker

Maker: factory zoomer

Designer: Kazumi Tsuji

Specifications

Dimensions: 5.4” (dia) x 3.2" (h) or 13.7cm (dia) x 7.9cm (h)

Weight: 7.9 oz or 224 g

Materials: Glass

Details

Handmade in Kanazawa, Japan
Mouth-blown
Features large hand-painted white dots all over the exterior surface
Dots are irregular in shape and size
This bowl is ideal for party snacks or pasta
Each glass has handmade characteristics that are unique. Slight variations in form, pattern and size will occur
The 'Ten Ten' pattern has fine scratches on the exterior that are intentional marks by the artist
Hand wash recommended
The pattern is permanent and will not scratch off or wash away

'ten Ten' Painted Deep Bowl (out Of Stock)

I am Block Wood Trivet. When you've been around the block as many times as I have, not much burns you anymore.

Curator's Notes

Considered damaged to some, designer Yamazaki Yoshiki has transformed Japanese oak that’s been naturally weathered, discoloured and insect-bored, into everyday useful objects. The grooved channels, small holes and winding dark striations in the spalted wood vary to create a one-of-a-kind piece. This trivet is composed of five wood blocks that can be arranged randomly to protect surface tops from hot pans. It can be hung from its leather string on the wall for easy access.

Block Wood Trivet was curated by Angélique Chmielewski

Designer/Maker

Maker: RetRe

Designer: Yamazaki Yoshiki

Specifications

Dimensions: 2.0” (w) x 14” (l) x 0.8” (h) or 50mm (w) x 360mm (l) x 21mm (h)

Weight: 4 oz or 28 g

Materials: Spalted Japanese Oak, Leather

Details

Handmade in Japan
Each piece has unique variations of wood grain
As a brand RetRe aims to transform abandoned wood from village forests into functional tools
A leather string is inserted through the five block woods
Flexible placement of the block woods

Block Wood Trivet (out Of Stock)

Trivets

I am a Thermos Bottle. I’ve been keeping it bottled up for too long… I have to let you know! I think you’re hot and I just can’t contain it.

Curator's Notes

The wood lid of the thermos has a wood screw-thread closure that is a difficult to achieve wood carving process made by wood artisans in Ishikawa, Japan. This technique combined with the high-performance thermal bottle provides a superior portable container for all seasons – for both hot and cold drinks. Whether on the go or at the office, we love taking a break and enjoying a warm tea in the lid that acts as a little tea cup that is at once enjoyable to hold and to drink from.

Thermos Bottle was curated by Stevenson Aung

Designer/Maker

Maker: MokuNeji

Designer: Hiroshi Yamasaki

Specifications

Dimensions:
Small: 2.2” (w) x 2.2” (l) x 7.2” (h) or 56mm (w) x 56mm (l) x 182mm (h)
Medium: 2.2” (w) x 2.2” (l) x 8.7” (h) or 56mm (w) x 56mm (l) x 222mm (h)

Large: 2.2” (w) x 2.2” (l) x 10.7” (h) or 56mm (w) x 56mm (l) x 272mm (h)

Weight:
Small: 5 oz or 142 g

Medium: 7 oz or 198 g

Large: 11 oz or 312 g

Volume:
Small: 6.8 fl oz or 200 ml

Medium: 9.1 fl oz or 270 ml

Large: 12.2 fl oz or 360 ml

Materials: Stainless steel, Zelkova wood

Details

Made in Japan
Thermal bottle can contain hot or cold drinks
Stainless steel thermal vacuum vessel body
Interior airtight cap has an open and close tab
Liquids can be poured directly from the airtight lid when the tab is in the open position

Wood screw-thread lid can also be used as a cup

Lid is coated with a food-safe urethane finish

Hand wash recommended

Do not twist lid too tightly as this may damage the wood screw-threads

Thermos Bottle

I am Winged Candle Stand. When you light a candle in me, I soar with a fiery glow.

Curator's Notes

It seems that I can never grow tired of watching the flame of a candle, the way it stretches and quivers and points. Lit candles imbue the sparsest of rooms with a warm and friendly spirit. These candle holders are minimal yet detailed, and provide a beautiful base from which the smooth pillar of a candle can extend. The wings reach up almost as if they are eagerly awaiting the fall of molten wax. A few set in the middle of your dining table will make any meal a ceremony, and any evening a cozy night in.

Winged Candle Stand was curated by Angélique Chmielewski

Designer/Maker

Maker: Kasahara Shoundo Co.

Designer: Yuka Arii

Specifications

Dimensions:
3.2” (w) x 2.2” (l) x 0.8" (h) or 82mm (w) x 55mm (l) x 21mm (h))

Weight:

3 oz or 85 gr

Materials:
Brass (60% copper, 40% zinc)

Details

Made in Japan
Features a pricket to hold the candle in place
Blackened antique brass finish
Supplied in a paulownia (kiri) wood box
Wipe with diluted dishwashing detergent and a soft cloth or gentle sponge after use if needed
Wipe dry with a dry cloth
Do not use a metal polisher
The color may fade slightly over time

Winged Candle Stand

Candles

We are a set of three brass trays. We can be arranged neatly into a compact unit for all your precious items or displayed in endless arrangements to your heart’s content. The more we're used, the more interesting we get!

Curator's Notes

The classic shape and IHADA crude casting surface on these trays gives them a sophisticated appearance. Their weight feel substantial and appropriate for daily use while the slow oxidization of the brass keeps its coloration and texture looking richer over many years of usage

Brass Stationary Tray Set was curated by Stevenson Aung

Designer/Maker

Maker: Futagami
Designer: Masanori Oji

Specifications

Dimensions: 2.75” (w) x 3.5” (l) x 0.5” (h) or 70mm (w) x 89mm (l) x 13mm (h) - small tray
3.5” (w) x 6.5” (l) x 0.5” (h) or 89mm (w) x 165mm (l) x 13mm (h) - med tray
3.5” (w) x 9.5” (l) x 0.5” (h) or 89mm (w) x 241mm (l) x 13mm (h) - large tray

Weight: 0.35lbs or 0.15kg - small tray
0.75lbs or 0.35kg - medium tray
1.1lbs or 0.50kg - large tray

Materials: Brass and Velvet
Details

Made in Japan
Small, medium and large stationary trays
Curved facet edges
Velvet underside
Ideal for display of stationary items - pens, cards and clips
Each tray rest nicely within and besides each other
Copper acquisition from Toyama Prefecture
Molding in Takaoka City
Brass is an alloy of copper and zinc
Brass products gradually change their color over the course of many years due to oxidization
A camel colored patina is expected to develop within 5 years
A russet brown color patina is expected to develop at approximately 30 years
Casted brass surface

Brass Stationary Tray Set

We are Hako, a series of Wide Red Canisters. Warning! Wide load coming through.

Curator's Notes

Hatashikki and Mute Studio combine forces to create a colorful series of containers that emanate traditional Japanese craft techniques and modern design. The straightforward shapes and charming colors lend well to the natural grain of castor aralia wood that is faintly visible through the lacquered exteriors of each container. The wide red “Hako” containers align nicely when multiples are stacked and feature a food safe urethane coating making them suitable for food storage. They’re also great for organizing small household objects and mementos.

"Hako" Soji Wide Red Containers were curated by Stevenson Aung

Designer/Maker

Maker: Hatashikki

Designer: Mute Studio

Specifications

Dimensions:
Small: 4.3” (w) x 4.3” (l) x 2.4” (h) or 109mm (w) x 109mm (l) x 61mm (h)
Large: 6.3” (w) x 6.3” (l) x 2.4” (h) or 160mm (w) x 160mm (l) x 61mm (h)

Weight:
Small: 0.3 lbs or 123 g
Large: 0.5 lbs or 243 g

Materials: Castor Aralia

Details

Handmade in Japan
Wash in warm water after food use and immediately dry with soft cloth
Do not leave product in water for a long time
Do not place in dish washer, microwave, oven or over direct flame
Coated with food safe urethane

"hako" Soji Wide Red Containers

I am a n Enzo Tea Pot. Here’s a pot of tea to clear your mind, so that your body can be free.

Curator's Notes

This teapot has such a classic profile, but charming details give it a special character that I love. The bent bamboo handle adds that touch of warm tradition against the shining white porcelain of the body. Braided bamboo twine secures each end of the handle, the metal strainer sits perfectly inside the pot, and the end of the spout tapers downwards to prevent dripping. Its name, “ enzo ”, comes from the Japanese word ens ō . Signified by a brush-stroke in the form of a circle, the ens ō is a powerful symbol for enlightenment, elegance, and strength—all things we feel are embodied by this minimalist, graceful tea pot!

Enzo Teapot was curated by Angélique Chmielewsi

Designer/Maker

Maker: Kihara

Designer: Makoto Koizumi

Specifications

Dimensions:

4.8 ” (w) x 6.3 ” (l) x 5.9 ” (h) or 121 mm (w) x 159 mm (l) x 150 mm (h)

Weight:

1.2 lb or 0.5 kg

Materials:

Porcelain , Bamboo, Stainless Steel

Details

Made in Japan

Bamboo handle does not fold down
Small hole in circular lid to release steam
Stainless steel strainer is included and is designed to fit inside the body of the teapot
Handle is crafted from unique segments of bamboo, each will have variations

Designed to be paired with the Enzo Teacup, available here

Not dishwasher safe
Not microwave safe
Hand wash with soft sponge and mild soap, and dry components separately