I am a non-slip Fish Bone Tweezer. Never worry about a slip, my groovy surface will help you grip.

Curator's Notes

Prep work for fish can get messy at times but these tweezers help get the job done quick and easy while keeping the filet intact. These commercial grade stainless steel versions feature a blunt flat edge that prevents hard to reach bones from splitting or breaking on contact. Their grooved surface creates a non-slippery grip allowing greater control and accuracy when it comes to removing small bones.

Grip Fish Bone Tweezer was curated by Stevenson Aung

Designer/Maker

Maker: Tsubame

Specifications

Dimensions: 1.4” (w) x 4.5” (l) x 0.5” (h) or 36mm (w) x 114mm (l) x 13mm (h)

Weight: 0.1 lb or 0.01 kg

Materials: Stainless steel

Details

Made in Japan
Features grooved textured surface for a non-slip grip
Stainless steel

Nalata Nalata is founded on the belief that purchasing and learning about the product should go hand-in-hand. We believe in the transparency of design process and strive to showcase the people and stories behind our products. 

Nalata Nalata

Fish Bone Tweezer - Grip

Title

Home & Furniture

I am a Cloud patterned Tenegui Cloth. Get your head out of the clouds. I’m the multipurpose cloth of your dreams come true!

Curator's Notes

Tenugui cloths are one of Japan’s old traditions but when we first received one as a gift, we had a lot of questions about this seemingly plain cotton cloth... Why are the ends frayed? What is it used for? Why the rectangular shape? A friend explained that tenuguis are a multipurpose cloth used for decorating, wrapping gifts, carrying items, wiping and drying hands. They can also be used as handkerchiefs, napkins, bandanas or kitchen cloths. The edges are frayed to allow quicker drying and are antiseptic as bacteria will not be as prone to build up as it would if the cloth had seams.
Once we discovered their versatility, we began to appreciate the meaning behind such a simple household object. We now have a large collection of tenuguis on rotation in our home and often give them as souvenirs when we return from Japan. Tenuguis by Kamawanu are handcrafted using traditional techniques. The labour-intensive process can be seen in this video.

Cloud Tenugui Cloth was curated by Angélique Chmielewski

Designer/Maker

Maker: Kamawanu

Specifications

Dimensions: 13” x 35” or 33cm x 90m

Weight: 2 oz or 57 gr

Materials: 100% Cotton

Details

Made in Japan
No seams
Ends are left raw
Selvage-edged sides
Ends will fray with time and stop at around 1cm of fraying
Cloth will soften with each wash
Tenugui are dyed by hand and variations in the dye color or pattern may occur
Color fading is expected over time and can be reduced by hand washing
Multi-purpose function

Tenugui Cloth - Cloud

I am Ride on a Small Boat, a tsutsugaki painting. I'm not afraid of capsizing this vessel. The message I'm shipping keeps me going with a can-oe attitude.

Curator's Notes

Michiaki Mochizuki's ( 望月 通陽) art practice is known for reinterpreting traditional craft for fine art, so it is fitting that he interprets a traditional Chinese poem for this beautiful artwork. As part of a series of original artwork made for Nalata Nalata that expresses Mochizuki's notions of love, this one-of-a-kind piece transcribes a poem by Wei Yingwu that he had sent to a friend during a time of solitude. Using traditional tsutsugaki resist-dyeing, ink soaks through the fibers of washi paper to create the rich dark navy tones in this piece. It comes in an elegant white oak frame designed by the artist's wife that also holds a calligraphy of the poem in the back.

View the full series here.

Designer/Maker

Artist: Michiaki Mochizuki

Specifications

Dimensions:
16” (w) x 21.5” (l) or 40.6cm (w) x 54.6cm (l)

Weight:
3.5 lb or 1.6 kg

Materials:
Ink, Rice Paste, Washi Paper, White Oak Wood Frame, Off-White Matte, Museum Glass

Details

Tsutsugaki resist-dye on washi paper

Creation year, 2020
Original work
Ancient Chinese poem by Wei Yingwu is featured on the front of the artwork
Japanese translation of the poem is transcribed in ink on washi paper and affixed to back of frame
Hand signed by Michiaki Mochizuki on reverse
Label with the artist name, title and creation date (17 May 2020) is affixed to back of frame
Housed in a white oak custom wood frame with UV filtering museum glass

Ride On A Small Boat (2020)  (out Of Stock)

I am Toenail Clippers. To keep your feet from looking grim, I’ll make sure your toes are trimmed and prim.

Curator's Notes

For any job that’s big or small, the appropriate tool will make sure it’ll get done right. Renowned for the quality and precision of their knives, Kiya applies this logic to this toenail clipper. With the contours of our toes and feet in mind, this clipper is made to easily get at thick nails, and hard to reach areas, preventing ingrown nails at the same time.

Toenail Clippers was curated by Stevenson Aung

Designer/Maker

Maker: Kiya

Designer: Kiya

Specifications

Dimensions:
1.8” (w) x 5.0" (l) x 0.3” (h) or 48mm (w) x 127mm (l) x 8mm (h)

Weight:
2.2 oz or 62 g

Materials:
Stainless Steel

Details

Made in Japan
Cuts thick nails smoothly without tears
Easily clips toenails with its scissor-like grip
Blades open wide
Handles cause minimal stress to the hands
Resistant to corrosion

Wipe off after each use and do not soak in water

Toenail Clippers

I am the book Ex-formation. As a book, you might think I'll have all the information, but like all good reads, I'm only formed out of questions.

Curator's Notes

As we are connected to more information with the internet everyday, Kenya Hara argues for the importance of unknowing in design and creative thinking. Ex-formation continues his ideas around emptiness and the void as developed in Designing Design and White. Based on classes he taught at the Musahino Art University, Hara develops the concept of exformation to describe how little we actually know and how to take that as the starting point of design. This book has been instructive in the way we approach our own projects and for understanding our continued fascination with design. As Hara states, "what moves people's hearts, in every case, is the unknown. Things that people already know don't excite them".

'Ex-formation' was curated by Stevenson Aung

Designer/Maker

Author: Kenya Hara

Specifications

Dimensions:
4.8" (w) x 6.3"(l) or 11.8cm (w) x 16cm (l)

Weight:
2 lb or 0.9 kg

Materials:
Paper

Details

Written by Kenya Hara

Designed by Kenya Hara and Tomoko Nishi
480 pages
ca 500 illustrations
Paperback

Ex-formation

I am ‘Bo’, a door chime. I get a little shaken up at times, especially when people come and go as they please.

Curator's Notes

Hearing a door chime is such a welcoming sound! Whether at a shop or a home, what a lovely way to greet guests! The sounds of Timbre bells are gentle and pleasant. The ‘Bo’ chime has a soft treble sound as the solid aluminum sticks clang together. We love the easy installation! The magnetic back attaches to any iron door or can be easily mounted to non-metal doors with the plate included.

Bo Door Chime was curated by Angélique Chmielewski

Designer/Maker

Maker: Timbre

Designer: Mikiya Kobayashi

Specifications

Dimensions:
1.1” (w) x 2.1” (l) x 6.3” (h) or 28mm (w) x 53mm (l) x 160mm (h)

Weight:
7.1 oz or 200 g

Materials:
Zinc die cast (body), Alluminum (bars), Neodymium magnet

Details

Made in Japan
Four aluminum bars dangle on a t-shape body and clang together with movement to create a soft chime
Easily sticks to metal doors with a strong neodymium magnet that is attached on the back of the chime
Mounting kit with metal plate, screw and double-side tape included for attachment to non-metal doors

Bo Door Chime - White

I am a Quick Dry Marshmallow Bathmat. I'm oh so soft enough for your teeth to sink into, but it's your feet that will think I'm the sweet treat.

Curator's Notes

Made from similarly soft, absorbent yarn as their towels, Uchino's quick drying bathmat is incredibly light and plush. It may be the cushiest thing my feet have ever touched. It's soft texture is the perfect contrast against a hard tiled bathroom floor, making it more comfortable to ease into your mornings and your bedtime routine.

Quick Dry Marshmallow Bathmat was curated by Angélique Chmielewski

Designer/Maker

Maker: Uchino

Specifications

Dimensions:
Small: 13.8” (w) x 19.7” (l) or 35cm (w) x 50cm (l)

Large: 19.7” (w) x 28” (l) or 50cm (w) x 70cm (l)

Weight:
Small: 10oz or 283 g
Large: 18 oz or 500 g

Materials: 100% Polyester

Details

Highly absorbent and quick drying
Designed to be ultra soft and durable
Non-slip surface on back of mat
Edges are bound
Wash dark colours separately
Avoid using fabric softeners

Machine wash cold gentle cycle
Do not tumble dry
Do not iron

Quick Dry Marshmallow Bathmat (out Of Stock)

Size

Bath Mats & Rugs

I am a french-grey briefcase. I’m made from a specialty paper called Naoron that’s highly durable and water resistant. I’m a great companion for all your commutes and function well as a carrier for your belongings, including your laptop. Bring me to work, play or travel, I’ll be glad to follow you on your journeys.

Curator's Notes

The Siwa briefcase is lightweight with a beautiful texture that develops uniquely with usage. Made from a specialty washi paper manufacturing process, the innovative Naoron paper is flexible with a soft but leathery like feel. Onao Co. in Japan first developed the material and later partnered with the famed Japanese designer Naoto Fukasawa to produce the line of bags and accessories.

Siwa Briefcase was curated by Angélique Chmielewski

Designer/Maker

Maker: Onao Co.

Designer: Naoto Fukasawa

Specifications

Dimensions:
4” (w) x 14.5” (l) x 11” (h) or
102mm (w) x 168mm (l) x 279mm (h)

Weight:
1.54 lbs or 0.20 kg

Materials:
Naoron Paper

Details

Made in Japan
Naoron is a strong and highly water resistant paper made from recycled PET fibers, wood pulp and polyolefin.
Created using the washi-suki paper manufacturing method
Zipper closure
Cross stitch reinforcement at handle
Interior pocket
Reinforced fabric handles
Reinforced cushioned bottom
We recommend that you do not iron
We recommend that you do not wash in washing machine or dryer
We recommend that you do not store wet objects inside the items overnight

Siwa Briefcase (out Of Stock)

I am Yuzu Body Lotion. Sometimes you need thick skin to handle a joke. Orange you glad I'm here to protect and soothe?

Curator's Notes

This yuzu body lotion is the perfect companion to use after cleaning with the yuzu soap. Made with soothing ingredients like shea butter, sunflower oil and witch hazel, this moisturizer nourishes skin while exuding a fresh and zesty fragrance. Great for use all year round, we particularly enjoy yuzu scent in the winter as a reminder of spring days ahead.

Yuzu Body Lotion was curated by Angélique Chmielewski

Designer/Maker

Maker: Tangent GC

Specifications

Weight:
14 oz or 400 g

Volume:
11.8 fl oz or 350 ml

Ingredients:

Aqua, Caprylic/Capric Triglyceride, Sorbitan Stearate, C12-15 Alkyl benzoate, Butyrospermum Parkii Butter, Stearyl Alcohol, Glycerin, Oleyl Erucate, Sucrose Cocoate, Helianthus Annuus Seed Oil, Hamamelis Virginiana Water, Phenoxyethanol, Parfum, Xanthan Gum, Tocopherol, Benzoic Acid, Limonene, Dehydroacetic Acid, Citric Acid, Alpha-Isomethyl Ionone, Hexyl Cinnamal, Linalool, Citral, Potassium Sorbate, Sodium Benzoate

Details

Made in France
Made with organic shea butter, sunflower oil and witch hazel water

Natural ingredients help hydrate and nourish skin of all types
Comes with a screw top pump
Great paired with the Yuzu Soap

Yuzu Body Lotion

I am a Large Siwa Brown Clutch Bag. Paper always beats rock, but did you know that in my case, I'm strong enough to hold my own against scissors?

Curator's Notes

For all those years I brought a lunch bag to school, I never would've thought it could look so cool. Siwa combines innovative material with traditional techniques to create bags that age beautifully over time. These bags are made of recycled fibers using the washi-suki paper manufacturing method, resulting in a durable and water-resistant material. Continued use of the bag creates creases that develop a leather-like look and feel over time. The small size is ideal for lunches, the wide shape is a good size for a laptop and work documents, and the large bag has a generous capacity for bringing home groceries.

Siwa Clutch Bag was curated by Angélique Chmielewski

Designer/Maker

Maker: Onao Co.

Designer: Naoto Fukasawa

Specifications

Dimensions:

5.3" (w) x 11.8" (l) x 19.1" (h) or

135mm (w) x 300mm (l) x 485mm (h)

Weight:
3 oz or 85 g

Materials:
Naoron Paper

Details

Made in Japan
Naoron is a strong and highly water resistant paper made from recycled PET fibers, wood pulp and polyolefin.
Created using the washi-suki paper manufacturing method
Roll top with two snap closure buttons

Surface is naturally creased and will obtain more creases with time and use
Ironing not recommended

Machine washing or drying is not recommended
If cleaning is needed, we recommend using a damp cloth to spot clean and dry thoroughly afterwards
Storing wet objects inside for long periods of time is not recommended

Siwa Brown Clutch Bag - Large

I am a brass tool holder. I am like the old sturdy tree with strong roots that won’t sway in the wind or topple over in a storm. I’m sure-footed in that sense and will be perfect for your precious kitchen tools!

Curator's Notes

The weight and water-resistance of the solid brass make it an ideal object for holding kitchen tools on a counter. It’s heavy enough to counterbalance the height of long objects, which makes it great for daily use. The brass material also keeps the coloration looking richer over many years of usage due to oxidization.

Brass Tool Holder was curated by Stevenson Aung

Designer/Maker

Maker: Futagami
Designer: Masanori Oji

Specifications

Dimensions: 4” (w) x 4” (l) x 6” (h) or 102mm (w) x 102mm (l) x 152mm (h)
Weight: 2.65lbs or 1.2kg
Materials: Brass

Details

Made in Japan
Faceted edges
Clear silicone feet
Ideal holder for kitchen tools
Copper acquisition from Toyama Prefecture
Molding in Takaoka City
Brass is an alloy of copper and zinc
Brass products gradually change their color over the course of many years due to oxidization
A camel colored patina is expected to develop within 5 years
A russet brown color patina is expected to develop at approximately 30 years
Silver colored interior
Casted brass exterior surface

Brass Tool Holder

I am a White Calligraphy Brush Stand. The pen is mightier than the sword, but the calligraphy brush deserves the real reward.

Curator's Notes

Masanobu Ando's deep appreciation for the concepts of Zen culture takes physical form as he sculpts his own versions of traditional tools that aid in meditative practice. Similar to Japanese tea ceremony and flower arrangement, the art of Japanese calligraphy encourages harmonious thought and feelings of peace. The skill emphasizes fluidity and spontaneity, echoed in the irregular slopes of Ando-san's brush stand. The shape reminds me of a whimsical crown, and the sugar-white overglaze makes me think of fresh icing. Brushes wet with sumi ink are meant to rest in the valleys between each ceramic peak. It's a convenient spot to place your writing utensil, and adds visual interest to your desktop as a sculptural paperweight. You could also use the stand as a unique chopsticks rest!

White Calligraphy Brush Stand was curated by Angélique Chmielewski

Designer/Maker

Maker: Masanobu Ando

Designer: Masanobu Ando

Specifications

Dimensions:

4.8 ” (w) x 0. 5 ” (l) x 1.4 ” (h) or 121 mm (w) x 13 mm (l) x 35 mm (h)

Weight: 3.1 oz or  87 g r

Materials: Ceramic

Details

One-of-a-kind functional sculpture handmade by Masanobu Ando in Tajimi, Japan

Designed to function as a brush rest in the practice of traditional Japanese calligraphy
Formed by hand from slabs of clay in the Japanese "tatara" technique

Hand wash only with mild soap and soft sponge

Dry with soft cloth after washing

Do not place in dishwasher

Calligraphy Brush Stand - White

I am a Large Stacking Pot. Keeping a pantry neat and organized is my passion, so you won't have to blow your stack in the kitchen.

Curator's Notes

Adding to its roster of jars and the pasta case, MokuNeji's stacking pots provide the perfect storage solutions for kitchens with limited shelf space. The lids not only have wood screw threads but the tops also have narrow ledges carved in to prevent jars that are stacked on top from slipping and sliding. The stacking pots come in two sizes, small and large, that easily mix and match with other MokuNeji containers to meet your pantry's needs.

Large Stacking Pot was curated by Stevenson Aung

Designer/Maker

Maker: MokuNeji

Designer: Hiroshi Yamasaki

Specifications

Dimensions:

3.5" (w) x 3.5" (l) x 4.6" (h) or 88mm (w) x 88mm (l) x 118mm (h)

Weight:

9 oz or 255 g

Materials: Zelkova wood, Glass

Details

Made in Japan
Capacity: 510ml
Small Stacking Pot available here

Wood lids are finished with a food-safe urethane coating
Lids are crafted from natural wood and are not suitable for refrigeration
Hand wash recommended
Do not twist lid too tightly as this may damage the wood screw-threads
Not microwave safe

Stacking Pot - Large

I am a Nail Brush. Dirt just bristles at the thought of me around.

Curator's Notes

For anyone like me who works with their hands all day, you’ll appreciate how handy this brush is for giving your digits some much-needed TLC. As with all their brushes, Kanaya Brush created this double-sided brush with stiff natural materials that effectively remove dirt underneath your nails while massaging your fingertips.

Nail Brush was curated by Angélique Chmielewski

Designer/Maker

Maker: Kanaya Brush

Specifications

Dimensions:
1.3” (w) x 2.8" (l) x 1.1” (h) or 3.3cm (w) x 7.1cm (l) x 2.8cm (h)

Weight:
0.8oz or 24g

Materials:
Wood, Boars hair

Details

Made in Japan
Double sided brush, one with shorter and one with longer bristles
Bristles are rough
Cleans thoroughly under and around nails
Can be used wet or dry

Nail Brush

I am a pair of small black household scissors. Some may say I’m small and have a lot of learning to do. But I’m sharp and focused and will leave you with a clean cut every time.
Curator's Notes

This version of the Tajika household scissors is a classic with it’s sharp steel blades and black handles. The smaller version in particular is great for transporting, and makes for a handy tool to carry around for special projects. Designed as everyday scissors, they are versatile and do not rust easily. The ideal application is for stationary and lightweight fabrics but they will fit many of your other household cutting needs. They are beautiful, but are not just for show... they have a smooth firm cut.

Small Household Scissors was curated by Stevenson Aung

Designer/Maker

Maker: Tajika
Designer: Daisuke Tajika

Specifications

Dimensions: 2.4” (w) x 6.2” (l) x 0.375” (h)or 61mm (w) x 157mm (l) x 10mm (h)

Weight: 0.125 lbs or 0.06 kg

Materials: Copper

Details

Made in Japan
2.5" or 64mm Blade
Steel Blade
For rust prevention, part of the blade is greased when the products are shipped from Japan
Please wipe clean with a soft cloth before use.
Comes with a protective plastic case for the blade
Typically used as stationary scissors
Design is the second iteration of Tajika's most popular scissors with back plow
Tajika branding is stamped onto the scissors
Screw may need occasional lubrication if difficulties opening over time develop

Household Scissors - Small (out Of Stock)

I am Harmony in Solitude, a tsutsugaki painting. We may be spending a lot of time solo these days, but I'll make sure to keep us in tune.

Curator's Notes

Michiaki Mochizuki ( 望月 通陽) is one of our favorite artists reimagining Japanese traditional arts and craft, so we are honored to feature a series of his original artwork made specifically for Nalata Nalata. Each unique piece in this series is centered around Mochizuki's idiosyncratic understanding of love, which we feel is pertinent in such times of loneliness and uncertainty. The rich tones of this artwork is made using traditional tsutsugaki resist-dye technique, allowing ink to penetrate the fibers of its material base while playing with negative and positive space. This piece comes in a white oak frame designed by Mochizuki's wife and assembled by their friends, ensuring that love is carried through each process of the artwork before it enters your home.

View the full series here.

Designer/Maker

Artist: Michiaki Mochizuki

Specifications

Dimensions:
16” (w) x 21.5” (l) or 40.6cm (w) x 54.6cm (l)

Weight:
3.5 lb or 1.6 kg

Materials:
Ink, Rice Paste, Washi Paper, White Oak Wood Frame, Off-White Matte, Museum Glass

Details

Tsutsugaki resist-dye on washi paper

Creation year, 2020
Original work

Hand signed by Michiaki Mochizuki on reverse
Artwork features the name of artist and creation date, "1 July 2020"
Label with the artist name, title and date is affixed to back of frame
Housed in a white oak custom wood frame with UV filtering museum glass

Harmony In Solitude (2020) (out Of Stock)

I am a Fritillaria Verticillata Paper Flower. My bulbs shine a spotlight on any arrangement I’m in.

Curator's Notes

At first glance, these paper flowers seem as delicate as their real counterparts; however, these intricately cut and shaped blooms are made of innovative Naoron paper construction to be waterproof and tear resistant. Each flower has distinctive symbolism and these blossoms are an enduring way of communicating them. Arranged together or with real flowers, or standing on their own, these paper flowers make an elegant statement in your home.

The Fritillaria Verticillata is a native to Asia bulb flower that is part of the lily family. It represents shining nobility.

Fritillaria Verticillata Paper Flower was curated by Angélique Chmielewski

Designer/Maker

Maker: Onao Co.

Designer: Edenworks

Specifications

Dimensions:
Approximately 8.7” (w) x 13.0” (l) or 220mm (w) x 330mm (l)

Weight:
Approximately 1.2 oz or 25 g

Materials:
Naoron Paper

Details

Made in Japan
Naoron is a strong and highly water resistant paper made from recycled plastic bottles, wood pulp and polyolefin.
Created using the Japanese washi-suki paper manufacturing method
Paper-like texture

The flower is water resistant and tear resistant

Paper Flower - Fritillaria Verticillata (out Of Stock)

I am Emerged from a Myth, a tsutsugaki painting. All the stories you've heard about me are true. I'm on my way to becoming a legend.

Curator's Notes

Michiaki Mochizuki ( 望月 通陽) is one of our favorite artists reimagining Japanese traditional arts and craft, so we are honored to feature a series of his original artwork made specifically for Nalata Nalata. Each unique piece in this series is centered around Mochizuki's idiosyncratic understanding of love, which we feel is pertinent in such times of loneliness and uncertainty. The rich tones of this artwork is made using traditional tsutsugaki resist-dye technique, allowing ink to penetrate the fibers of its material base while playing with negative and positive space. This piece comes in a white oak frame designed by Mochizuki's wife and assembled by their friends, ensuring that love is carried through each process of the artwork before it enters your home.

View the full series here.

Designer/Maker

Artist: Michiaki Mochizuki

Specifications

Dimensions:
16” (w) x 21.5” (l) or 40.6cm (w) x 54.6cm (l)

Weight:
3.5 lb or 1.6 kg

Materials:
Ink, Rice Paste, Washi Paper, White Oak Wood Frame, Off-White Matte, Museum Glass

Details

Tsutsugaki resist-dye on washi paper

Creation year, 2020
Original work

Hand signed by Michiaki Mochizuki on reverse
Artwork features the name of artist and creation date, "11 June 2020"
Label with the artist name, title and date is affixed to back of frame
Housed in a white oak custom wood frame with UV filtering museum glass

Emerged From A Myth (2020) (out Of Stock)

I am Shio Okaki Rice Crackers. Made by hand from sliced mochi that is sliced one by one, and then placed on a charcoal fire, lightly salted… yum!

Curator's Notes

We tried these crackers for the first time in Kyoto with tea and got hooked! We knew immediately we needed to carry them – not just to share with clients, but also to have an endless supply for ourselves! They are hand made by one man, who produces them in a traditional way, before food companies started to use big factory machines. He first makes the mochi rice cakes in a stone mortar with a wood pestle. Then he cuts the mochi into thin slices and lets them dry in the sun and air. Afterwards they are roasted by hand, ten slices at a time.

This pack is lightly flavoured with coarse salt (shio). It has a hint of sweetness from the rice and is well suited alongside tea.

Okaki Rice Crackers were curated by Angélique Chmielewski

Designer/Maker

Maker: Nichinichi

Specifications

Dimensions:
5” (w) x 9” (l) or 127mm (w) x 229mm (l)

Weight:

3 oz or 80 g

Ingredients:

Koganemochi and Hanaechizen Rice, Salt

Details

Handmade in Kyoto, Japan
Cooked on a charcoal fire

Store away from direct sunlight, heat and humidity

Okaki Rice Crackers - Shio (salt)

I am an Chinese Quince Business Card Case. I'll make a case for any networking party.

Curator's Notes

Norio Tanno's way of crafting intricate wood objects continues to amaze me. For many years Tanno-san told us that he would be retiring from woodworking and handing down the ranks to his son, Masakage Tanno, but we're relieved to see that he is back at it! What amazes me the most about these business card cases are that they are carved out of a single piece of wood with no other materials except for one spring that securely closes the box with a satisfying click. A barely visible diagonal cut line indicates the lid of the case while never interrupting the continuous wood grain. Each one has a natural warm wood presence enhanced by smooth rounded edges that conform to the hand.

Chinese Quince Business Card Case was curated by Stevenson Aung

Designer/Maker

Maker: Norio Masakage

Designer: Norio Masakage

Specifications

Dimensions: 0.6” (w) x 3.0” (l) x 4.1” (h) or 1.4cm (w) x 7.6cm (l) x 10.5cm (h)

Weight: 1.8 oz or 51 g

Materials: Chinese Quince, Walnut, Padouk

Details

Handmade in Asahikawa, Japan
Made out of solid wood, including all wood joinery except for a miniature hidden spring for the wood clasp to close securely
Case is mainly chinese quince wood
Closure is walnut wood
Branded with a small signature of the artisan “Tanno” on the bottom of the case
Holds standard business card and credit card dimensions

Business Card Case - Chinese Quince (out Of Stock)

I am Delicate Detergent. When you see how delicate life can be, all else dissolves with the water.

Curator's Notes

I’m beginning to take the less is more path with my wardrobe. With that comes a bit more maintenance but it's a sustainable approach that forces you to be conscious about how you wash and care for clothes in order to prolong a garment’s lifespan. I like how this all-natural ingredient line of detergent is specially formulated for a variety of textiles, providing the proper care a cherished garment deserves.

The Delicate Detergent containing orange oil, treats natural fabrics gently. It is specially adapted to be used on materials like sheep wool, silk, mohair, cashmere and down.

Delicate Detergent was curated by Angélique Chmielewski

Designer/Maker

Maker: Tangent GC

Specifications

Dimensions:
2.5” (w) x 2.5” (l) x 5.9" (h) or 64mm (w) x 64mm (l) x 149mm (h)

Weight:
12.6 oz or 357 g

Volume:
10.1 fl oz or 300 ml

Details

Made in Germany
Machine wash method: Use 20ml per 2-3kg load
Handwash method: Use 10ml per 5 litres of water
100% natural origin ingredients
Lightly scented
Contains orange oil
Certified by ECOCERT Greenlife

Delicate Detergent

I am Hinoki Cypress Room Fragrance. Even in tight and tiny spaces, I'm always able to make some breathing room.

Curator's Notes

The practice of "forest bathing"—or being immersed in nature—is proven to be beneficial for mental health, and this hinoki room fragrance brings the experience as close to home as possible in times when we can't leave the city. Drawing on the hinoki essence's natural properties that calm our central nervous system, the concentrated room fragrance exudes a bright and citrusy evergreen scent to freshen a room and create a relaxing atmosphere. The fragrance comes with solid hinoki wood balls to diffuse the scent and create a more authentic, immersive experience.

Hinoki Cypress Room Fragrance was curated by Stevenson Aung

Designer/Maker

Maker: Kiso Labo

Specifications

Dimensions:
Spray bottle: 1.4" (w) x 1.4" (l) x 6.9" (h) or 36mm (w) x 36mm (l) x 175mm (h)
Each wood ball: 1.4" (dia) or 175mm (dia)
Cardboard packaging: 1.8” (w) x 1.8” (l) x 11.0” (h) or 45mm (w) x 45mm (l) x 280mm (h)

Weight: 6oz or 170g

Materials: Aluminum Spray Bottle, Hinoki Cypress Essential Oil, Hinoki Cypress Wood

Details

Made in Japan
Contains Kiso hinoki cypress essential oil extract
Includes hinoki cypress essence in a spray bottle with two hinoki wood aroma balls
Packaged in a cardboard tube
Hinoki balls can be used as a diffuser
Mist the wood balls occasionally with a few spritzes to diffuse the scent of natural hinoki into the room
We recommend placing the wood aroma balls on an open tray or coaster for maximum scent diffusion

Hinoki Cypress Room Fragrance

I am a Hinoki Bath Stirrer. Rub a dub dub, I love spending my day in the tub. Let's make some bubbles to melt away our toil and troubles.

Curator's Notes

With its large number of hot springs and public baths, Japan is serious about its bathing rituals. Adding salts and essential oils creates a soothing bath, and taking the time to stir the mixture helps release its full aroma that permeates the bathroom's atmosphere. We love the design of this hinoki bath stirrer, which has holes in the paddle to easily stir and circulate water. Consisting of all wood joinery, this stirrer is made from hinoki cypress, which is renowned for its warm scent and mold-and-mildew resistant properties.

Hinoki Bath Stirrer was curated by Angélique Chmielewski

Designer/Maker

Maker: Azmaya

Specifications

Dimensions: 3.75” (w) x 7” (l) x 23.8” (h) or 9.5cm (w) x 17.8cm (l) x 60.5cm (h)

Weight: 8 oz or 227 g

Materials: Cypress Wood

Details

Made in Japan
Handcrafted

Has the natural fragrance of hinoki wood
Rinse with warm water to remove soap residue
Do not use soap to scrub or clean
Dry thoroughly before storing by leaning against a wall or hanging to naturally allow excess water to drip off
All wood joinery
Has two holes in paddle to help stir and circulate water
Hole on upper handle allows the stirrer to be hung to enable drying
Wood is not sealed to enhance the natural scent and water repellency of the wood

Hinoki Bath Stirrer

I am a walnut french rolling pin. On a normal day, I just roll out of bed and head to work where all I do is get pampered. Who else gets massaged on the job? They say the French know how to live. Well,  I can't complain, I'm living the life. Bon appétit!

Curator's Notes

There is an understated elegance to the long and balanced line of the French rolling pin that makes it the perfect addition to any kitchen. The ends are gently tapered and rounded off to facilitate an easy circular rotation, while the hollow brass insert allows it to be hung on pot racks or hooks.
French Walnut Pin was curated by Stevenson Aung

Designer/Maker

Maker: Tomnuk Industrial Design

Designer: Jordan Tomnuk

Specifications

Dimensions:
1.50” (w) x 20.50” (l) x 1.50” (h) or
38mm (w) x 521mm (l) x 38mm (h)

Weight:
0.55 lbs or 0.25 kg

Materials:
Walnut Hardwood and Brass

Details

Made in Canada
Brass hollow insert allows for pins to be hung
Made from FSC certified walnut
Finished using a natural bee's wax
To maintain the longevity of the pin, we recommend that it should be wiped clean after every use and should avoid being submerged in water
Occasional re-application of mineral oil may be necessary to return luster
Click here for more information on Tomnuk Design

French Pin - Walnut

I am Ikebana Trimmers. All living things need love and care. When flowers call for trimming, I’ll be there!

Curator's Notes

What stands out the most about these specialty handcrafted trimmers is how comfortable the handles are to hold for long periods of time, making them ideal for intricate work like floral arranging. They are typically used for the art of Japanese Ikebana arranging although they can be just as useful for miniature bonsai pruning. The very sharp blades create the cleanest cuts, without bruising or traumatizing the plant or flower stem. As amateur ikebana enthusiasts, we're starting to really understand and appreciate why specialty scissors is important when constructing the delicate arrangements.

Ikebana Trimmers was curated by Stevenson Aung

Designer/Maker

Maker: Tajika

Designer: Daisuke Tajika

Specifications

Dimensions:
3.0” (w) x 8.0” (l) x 0.8” (h) or
76mm (w) x 203mm (l) x 19mm (h)

Weight:
6 oz or 170 g

Materials:
Steel, Nickel plated

Details

Made in Japan
Smooth Steel finish
Screw may need occasional lubrication if difficulties opening over time develop
Typically used for ikebana flower arranging but can be used as small garden clippers and bonsai trimmers

Ikebana Trimmers

I am a Wrought-Iron S-Hook. You'll be Shook to the ore when you see how much weight I can carry.

Curator's Notes

The letter "s" has to be one of the hardest working elements of the alphabet; it can hold up so much more than plurals. Takayoshi Narita's wrought-iron hook highlights the simple beauty of its shape and practical possibilities. The hook is carefully crafted by hand to create a rich, well-worn texture, and It features a bigger loop on one end to hang and hold items straighter. Although it is ideal for hanging one of Narita-san's cooking pans, the hook pairs beautifully with any tool at home to keep them easily within hand's reach.

Wrought-Iron S-Hook was curated by Stevenson Aung

Designer/Maker

Designer: Takayoshi Narita

Maker: Takayoshi Narita

Specifications

Dimensions:

2.2” (w) x 3.8” (l) or 56mm (w) x 67mm (l)

Weight:

0.5 oz or 14 g

Materials:
Stainless Steel

Details

Handcrafted in Japan
Large side of hook is 2.25" wide
Small side of hook is 0.75" wide
Hooks are 1mm in thickness
Composed of one piece of forged iron
Each piece is uniquely handcrafted and will have slight variations in dimensions and weight

Wrought-iron S-hook

I am a Camera Strap. It's during those on-camera moments that I really do my best work.

Curator's Notes

This is one well-made camera strap. Finely grained leather is plush and soft on your neck, and the strap attaches and detaches quickly with black fasteners. Though, with a strap this handsome, I think you'd want to keep it securely attached to your camera always! As you use your camera, the leather will show signs of wear and patina, capturing its own story as you capture your images.

Camera Strap was curated by Daniel Chmielewski

Designer/Maker

Maker: Hender Scheme

Designer: Ryo Kashiwazaki

Specifications

Dimensions:
1.0” (w) x 48” (l)

Weight:
4.8 oz or 136 g

Materials:
Cow Leather, Waxed Cotton Thread, Plastic

Details

Made in Japan
Plastic push tabs at each end attach securely to the camera
Thick leather pad can be adjusted for comfortable placement along the strap
Hand-stitched with waxed thread
Padded portion of strap is about 0.3" or 7mm thick
Small scratches and imperfections can be expected from the raw cow hide
The leather will develop a patina over time and showcase unique traces of everyday use

Camera Strap

I am a Silver Round Teapot. I may have a cold metal handle, but I have a warm ceramic heart.

Curator's Notes

The hammered handle and sculptural lid of this teapot bring it close to the realm of decorative sculpture, without ever sacrificing its beautiful functionality. It's dripless spout and interior strainer show the emphasis Masanobu Ando puts on usability in his teaware. Most importantly, this teapot can be safely used atop any open flame or tea warmer.

Silver Round Teapot was curated by Angélique Chmielewski.

Designer/Maker

Maker: Masanobu Ando

Designer: Masanobu Ando

Specifications

Dimensions: 4.0" (w) x 5.5” (l) x 3.5" (h) or 10.2cm (w) x 14.0cm (l) x 8.9cm (h)

Weight: 0.6 lb or 0.3 kg

Materials: Ceramic, Silver overglaze, Stainless Steel

Details

Handcrafted in Tajimi, Japan
Dripless spout
Hammered stainless steel handle
Interior strainer
Lid has a steam hole
Interior and exterior is silver overglazed
Silver overglaze will patina to develop a black matte surface over time
The blackish patina is harmless and is a sulfide film that occurs when silver combines with hydrogen sulfide in the air
The pot can be polished to remove the patina with toothpaste or baking soda and a damp cloth.
Can be used on a gas stovetop or portable teapot warmer
Handwash
Wipe with a cloth and dry well after use
Each piece is uniquely handcrafted and will have variations
Do not place in dishwasher
Do not microwave

Silver Round Teapot

Teapots & Kettles

I am a Long Flower Showcase. Place a flower in my case and observe till its last breath, in such a way to preserve its beauty from life till death.

Curator's Notes

One of our favorite products from 10¹² Terra, the Long Flower Showcase embodies the brand’s pursuit to create objects that allow you to enjoy plant life in various stages. Often times we’re given bouquets of flowers from loved ones with the longing to preserve its memory. With this showcase, you can do so by taking a single stem and placing it on a pin at the base of the vessel. Turn it upside down and observe as the flower changes. When it is fully dry, flip the case. The dried flower will stand naturally upright while maintaining its beautiful form.

Long Flower Showcase was curated by Stevenson Aung

Designer/Maker

Maker: 10¹² Terra

Designer: Daisuke Tsumanuma and Kenichi Yamada

Specifications

Dimensions:
2.4” (w) x 2.4” (l) x 8.3” (h) or 60mm (w) x 60mm (l) x 210mm (h)

Weight:
0.7 lb or 0.3 kg

Materials:
Copper, Glass, Oak

Details

Handmade in Japan
Copper metal edges
Glass top rests on an oak base that has a pin in the center for placing a flower stem
When drying the flower upside down, we suggest leaving a small opening with the lid to allow moisture to escape
Each showcase is handmade and small variations in their color and shape may exist
Due to the nature of the product, it may be damaged if handled roughly or washed. Please handle with care
Flowers not included

Flower Showcase - Small Copper

I am a pair of SIRO Steel Fabric Scissors. Don’t underestimate my abilities, I have brains and brawn. My steel is incredibly strong and I’m equally as sharp from the left side.

Curator's Notes

These fabric scissors are manufactured for cutting a range of fabrics, including heavy weight materials. The extremely sharp blades are made of high quality tempered SIRO steel, creating an even cut along the entire length of the blade all the way to the tip. The two blades are joined with a tiny screw, so they can be adjusted, sharpened or repaired if damaged. I also like the angle of the handle to the blade, so they can rest flat on the cutting surface during use and relieve the tension in your hands. The heavy blades make cutting fabric effortless.

SIRO Steel Fabric Scissors was curated by Angélique Chmielewski

Designer/Maker

Maker: Tajika

Designer: Daisuke Tajika

Specifications

Dimensions:
3.25” (w) x 10” (l) x 0.5” (h) or
83mm (w) x 254mm (l) x 13mm (h)

Weight:
0.56 lbs or 0.26 kg

Materials:
SIRO Steel

Details

Made in Japan
4.75" Blade
Both the handles and blades are manufactured for left handed use
This left handed version of their popular SIRO Fabric Scissor is a custom product especially made on the request of Nalata Nalata.
High tungsten content in the steel to create a harder blade
Ideal for all weights of fabric, especially medium-light
Excellent durability and abrasion resistance
Blade stays sharp for longer with SIRO steel
Comes with container of lubricant oil
For application of oil, apply a thin layer and wipe clean
Black metal handle
Please wipe clean with a soft cloth before use.
If you experience difficulties over time opening the blade, lubricate under the screw
Tajika branding stamped on scissors
Protective plastic case for the blade