I am an Octagonal Mustard Glaze Bowl. I have many sides to me but one thing that remains the same, is my love for serving delicious meals to your family and friends.

Curator's Notes

Rina Ono looks to traditional forms from Japanese pottery and modernizes the vessel with an uneven golden hued glaze. The warm colour and slightly elevated base makes a beautiful backdrop for serving during family meals but I especially love the size for individual portions of noodles of pasta.

Octagonal Mustard Glaze Bowl was curated by Angélique Chmielewski

Designer/Maker

Maker: Tsudoi

Designer: Rina Ono

Specifications

Dimensions: 7” (w) x 7” (l) x 2” (h) or 180mm (w) x 180mm (l) x 50mm (h)

Weight: 16 oz or 445 g

Materials: Porcelain

Details

Made in Gifu, Japan "Tsudoi" means a "gathering bowl" in Japanese
Has a semi-matte texture with rich mustard yellow color glaze
Made using wax mold technique
Slightly elevated base
Hand wash with soft sponge
Brown glazed rim

Each bowl is handmade and may have irregularities and differences in surface texture and colour

Nalata Nalata is founded on the belief that purchasing and learning about the product should go hand-in-hand. We believe in the transparency of design process and strive to showcase the people and stories behind our products. 

Nalata Nalata

Octagonal Mustard Glaze Bowl

Title

Home Decor

I am a small kakudo board. I come from wholesome roots so I know how to be a loyal sidekick. I'll always be there to catch your spills and play an essential part in your daily routines… cutting, serving and eating. So let me assist you, we will make a great team.

Curator's Notes

Beautifully crafted from solid cherry, Kakudo boards can be used as a cutting board, serving tray or even as a plate. Each board features has a ½” groove to catch run-offs and a rounded base to elevate the hardwood platform. The small board is particularly convenient for small chopping and slicing tasks, bar, picnic or individual servings.

Kakudo Board Small was curated by Stevenson Aung

Designer/Maker

Maker: Takahashi Kougei

Designer: Masanori Oji

Specifications

Dimensions:
7.13” (w) x 7.13” (l) x 0.88” (h) or
181mm (w) x 181mm (l) x 22mm (h)

Weight:
0.68 lbs or 0.31 kg

Materials:
Cherry Hardwood

Details

Made in Japan
Also available in a Large and Medium size
Can be used as a cutting board or plate
Every corner and edge is rounded
Shapes of the boards match a variation of food servings
Grooves all around the rim catches liquids and crumbs
Occasional sanding (320 grit) will return the board to a smooth luster
Apply mineral oil periodically to seal against bacteria and to moisturize wood "Kakudo" means angle in Japanese and is in reference to the variation of angles that give tableware its unique functions and forms

Kakudo Board - Small

Home & Furniture

I am a Glass Straw. When I’m around you don’t need to be grasping. In my own small way, I’ve got the environment’s back.

Curator's Notes

We’re so happy when we can contribute to reducing the waste driving climate change, and we’re excited when our designers give it as much consideration as Sugahara has with this glass straw. Beautifully handcrafted to be simple and reusable, this straw ensures that our iced coffee drinking habits will no longer add to plastic and paper waste.

Glass Straw was curated by Angélique Chmielewski

Designer/Maker

Maker: Sugahara

Specifications

Dimensions:
Approximately: 0.3” (d) x 7.8” (h) or 0.8cm (d) x 19.8cm (h)

Weight:
Approximately: 0.5oz or 13g

Materials: Glass

Details

Made in Japan
We recommend hand-washing with the use of a straw cleaner
Each straw is individually made by hand and slight variations in the diameter of the hole and general size of the straw will occur
Packaged in a paper box with recycled paper padding

Glass Straw

I am Kikuchichi Spoon. Not all spoons are created the same way. Let’s just say, some spoons are curvier while others, like myself are a bit more flat.

Curator's Notes

This spoon was originally designed by wood artisan Takashi Tomii as a spoon for eating yogurt. It’s flat head, thin edges and oval bowl are ideal for scraping the walls of containers and scooping the perfect bite of yogurt. In general it has many applications and can even be used to taste sauces or for pudding and other desserts!

Kikuchichi Spoon was curated by Stevenson Aung

Designer/Maker

Maker: Takashi Tomii

Designer: Takashi Tomii

Specifications

Dimensions:
1.2” (w) x ” 5.9 (l) x 0.4" (h) or 30mm (w) x 149mm (l) x 10mm (h)

Weight:
0.2 oz or 5.7 g

Materials:
Cherry wood

Details

Made in Japan
Hand carved by Takashi Tomii
Finished with natural oil and bee's wax
Crafted from solid cherry wood
The back of the spoon is carved flat allowing the spoon to rest flush against a tabletop surface
Apply natural mineral oil periodically to seal against bacteria and to hydrate wood
These spoons are made by hand and will vary slightly in dimension and shape
Hand washing recommended
Do not soak in water for prolonged periods of time

Kikuchichi Spoon (out Of Stock)

I am a Round Mirror. Take some time to size me up because my reflection is your biggest competition.

Curator's Notes

An iconic design by the famed Sori Yanagi, this handmade mirror is timeless, providing a nice addition to a variety of spaces. The minimal piece consists of mirrored glass surrounded by a classic curved frame, created by high-quality bent wood specialists.

Round Mirror was curated by Stevenson Aung

Designer/Maker

Maker: Akita Mokko

Designer: Sori Yanagi

Specifications

Dimensions:
15.5” (w) x 15.5” (l) x 1.3” (h) or 39mm (w) x 39mm (l) x 3.2mm (h)

Weight:
4.0 lbs or 1.8 kg

Materials:
Beech wood, Mirrored glass, Steel, Lacquer

Details

Handmade in Japan
Constructed from solid bent wood
Wall hanging
Back key-hole mount

Round Mirror (out Of Stock)

Mirrors

I am Oil Blotting Sheets. Your complexion need not be so complicated – within my compact size, I’ll keep it all clear.

Curator's Notes

A common sight in Asia where the humidity is constantly high, these sheets soak up the oils on your face and keep you fresh through the day. Compact and kept in a convenient package, these sheets are great for cleaning up your look on the go without disturbing your make-up.

Oil Blotting Sheets was curated by Angélique Chmielewski

Designer/Maker

Designer: Mihoko Seki

Specifications

Dimensions:
2.6” (w) x 3.7” (l) or 6.5 cm (w) x 9.5 cm (l)

Weight:
0.4oz or 12g

Materials: Paper

Details

Made in Kanazawa, Japan
Each pack consists of 40 sheets
Packaging design is by Kyoto based katazome artist Mihoki Seki.

Oil Blotting Sheets

I am a Large Kaico Canister. My story is airtight!

Curator's Notes

This lidded canister is part of the award-winning Kaico series of cookware. It’s a simple way to store anything from coffee beans to snacks conveniently and beautifully. Made with a semi-gloss enamel coated steel exterior, the container and lid is durable and easy to wash. The added bonus is the silicon gasket around the lid that helps keep the container closed tightly and aid in keeping food fresh. Collect all three sizes as a great way to stack and store.

Large Kaico Canister was curated by Angélique Chmielewski

Designer/Maker

Maker: Shoei Industrial (iron) and Nitto (enamel)

Designer: Makoto Koizumi

Specifications

Dimensions:
4.88” (w) x 4.888” (l) x 4” (h)  or
124mm (w) x 124mm (l) x 102mm (h)

Volume:
25 fl oz or 0.75 L
Weight:
1.0 lbs or 0.47 kg

Materials:
Enamel coated steel with silicon gasket

Details

Made in Japan
Also available within the Kaico Canister Set
Winner of the 2006 Good Design Award in Japan
White enamel over steel with silicon gasket

Scratch resistant
Easily stackable
Hand wash recommended

Kaico Canister - Large

I am a Champagne Flute. I’m not tooting my own horn here, but I’m really the life of a party. Every drink with me is a celebration.

Curator's Notes

Special occasions call for champagne, and it calls for glassware that can convey how momentous it is. We love the spiral twist in the glass, which gives a unique dimension to an already elegant shape. As with all Sghr glassware, this champagne flute is crafted by hand, making it all the more reason to celebrate.

Champagne Flute was curated by Angélique Chmielewski

Designer/Maker

Maker: Sugahara

Specifications

Dimensions: 1.7” (w) x 1.7” (l) x 4.6” (h) or 42mm (w) x 42mm (l) x 116mm (h)

Weight: 2.7 oz or 77 g

Volume: 3 fl oz

Materials: Glass

Details

Made in Japan
Individually mouth-blown and hand finished
Slight variations in contour and form may occur from one glass to another due to their handcrafted nature
Bowl is slender and elongated with a spiral contoured form
Finished with a beautiful spiral textured handle for easier grip
We recommend hand washing

Champagne Flute

Wine & Champagne Glasses

I am a Natural White Cocktail Napkin. You can scribble a few words on a napkin when you have a great idea, just don't do it on me.

Curator's Notes

The drink will always be the star of a cocktail party, but we’ve come to realize that the cocktail napkin is the unsung hero. This cotton napkin by Akiko Ando is the perfect petite size for shared meals and small bites, and helps keep your hands dry of condensation that inevitably builds on a glass. We love the subtlety of the hand finished edges that also hold up well in the washing machine. This serviette is machine washable and reusable to accompany you in many occasions and celebrations for years to come.

Natural White Cocktail Napkin was curated by Angélique Chmielewski.

Designer/Maker

Maker: Akiko Ando

Designer: Akiko Ando

Specifications

Dimensions:
8.5” (w) x 8.5” (l)  or 21.6cm (w) x 21.6cm (l)

Weight:
0.4 oz or 5 g

Materials: 100% Cotton

Details

Handmade in Japan
Square shape
Edges are plain-seamed with no visible stitching
Made with 100% organic cotton
Sold individually
Reusable
Machine washable
We recommend laying flat to dry
Can be ironed

Cocktail Napkin - Natural White

Napkins

I am a Natural White Dinner Napkin. Pyramid, fan, pocket and crown — I’ll bend over backwards for you in any shape, because I’ll do anything just to be by your plate.

Curator's Notes

Table linens always makes a meal seem more sophisticated and thought through. We love setting out this beautiful cotton napkin out for our guests to make any dinner party feel a little more special, as well as for our own meals to cut down on waste at home. The dense weave of the cotton keeps the napkin durable to easily wash, while still being soft to the touch for that stain on the corner of your mouth.

Natural White Dinner Napkin was curated by Angélique Chmielewski

Designer/Maker

Maker: Akiko Ando

Designer: Akiko Ando

Specifications

Dimensions:

17.5” (w) x 17.5” (l) or 44.5cm (w) x 44.5cm (l)

Weight:

1.3 oz or 38 g

Materials: Cotton

Details

Handmade in Japan
Square shape
Edges are plain-seamed with no visible stitching
Made with 100% organic cotton
Sold individually
Reusable
Machine washable
We recommend laying flat to dry
Can be ironed

Dinner Napkin - Natural White

I am a small brass tray. I’m a small object with a big job. I can hold precious items and keep them organized and I’ll do it with grace. Watch me age and transform right before your eyes!

Curator's Notes

The classic shape and IHADA crude casting surface on these trays gives them a sophisticated appearance. Their weight feel substantial and appropriate for daily use while the slow oxidization of the brass keeps its coloration and texture looking richer over many years of usage.

Small Brass Stationary Tray was curated by Stevenson Aung

Designer/Maker

Maker: Futagami

Designer: Masanori Oji

Specifications

Dimensions: 2.75” (w) x 3.5” (l) x 0.5” (h) or 70mm (w) x 89mm (l) x 13mm (h)

Weight: 0.35lbs or 0.15kg

Materials: Brass and Velvet

Details

Made in Japan
Also available in a set with the large and medium stationary tray here

Curved facet edges
Velvet underside
Ideal as holder of clips, pins and erasers
Copper acquisition from Toyama Prefecture
Molding in Takaoka City
Brass is an alloy of copper and zinc
Brass products gradually change their color over the course of many years due to oxidization
A camel colored patina is expected to develop within 5 years
A russet brown color patina is expected to develop at approximately 30 years
Casted brass surface

Brass Stationary Tray - Small

Decorative Trays

I am a large Octagonal Dish. It is a very delicate job to hold precious items for it involves not just the trust of the user but also the touch of a gentle petal. Be rest assured, whether it be plump berries or exquisite diamond rings, your items are safe with me!

Curator's Notes

Porcelain petals converge to form a beautifully decorative dish that adds a bit of artistry to any setting. The refined shape is a perfect container for precious items or a serving dish during dinner settings.

Large Octagonal Petal Dish was curated by Angélique Chmielewski

Designer/Maker

Maker: Jicon

Designer: Masanori Oji

Specifications

Dimensions:
6.5” (w) x 6.5” (l) x 1.25” (h) or
165mm (w) x 165mm (l) x 32mm (h)

Weight:
0.75 lbs or 0.34 kg

Materials:
Porcelain

Details

Made in Japan
Debossed Jicon logo on the bottom surface
8 petal design around the slope of the dish
Also available within the Octagonal Petal Dish Set
The brand name means "porcelain (JI) in modern times (CON)"
Porcelain is created in the house of IMAMURA of the Touetsugama Kiln, founded 350 years ago
The Touetsugama Kiln originated in Sasebo City in the Nagasaki prefecture but was redeployed to Arita in the Saga prefecture and succeded by IMAMURA Kenichi XIV
The kiln makes porcelain pieces for daily life with its traditional white porcelain techniques using Amakusa Touseki (porcelain stone)

Octagonal Petal Dish - Large

I am a Teaspoon. Ahhh! Now this is the life! Everyday is a spa day with all these wonderful aroma baths - Everything from green tea and chamomile to earl gray and oolong.

Curator's Notes

This mixed metal teaspoon is entirely handmade by Mitsuhiro Konishi in his Okinawa based workshop. We love seeing the irregularities in the hand hammered aged steel heads in contrast to the smooth brass handles. A substantial weight is balanced with an intricate attention to detail with small rivets and subtly curved handles. Holding each piece in your hand truly allows you to savor the sculpted nature the forms have to offer! View the whole collection here.

Teaspoon was curated by Stevenson Aung

Designer/Maker

Maker: Mitsuhiro Konishi

Designer: Mitsuhiro Konishi

Specifications

Dimensions:
1.1” (w) x 5.3” (l) x 0.8” (h) or
29mm (w) x 133mm (l) x 19mm (h)

Weight:
0.7 oz or 20 g

Materials:
Stainless steel and Brass

Details

Made in Okinawa, Japan
Composed of two metal components – A brass handle and steel head joined together with rivets
Hand wash only with mild soap and soft sponge
Do not wash in dishwasher
Dry with soft cloth after washing
Each spoon is individually handcrafted by a solo artisan. Contact us for lead times at 

Teaspoon

I am a set of Tsurugi Porcelain Chopstick Rests. You have done enough today, chopsticks. Now it’s time to rest.

Curator's Notes

Forms often found in Japanese motifs inspire these chopstick rests. The three shapes in this series, designed by Oji Masanori, include Tsurugi (sword), Omodaka (leaf) and Futaba (sprout). Chopsticks lay comfortably on the notches but they are also designed to act as small dishes that can hold ginger, wasabi, spices or soy sauce in personal portions. Each set includes two Omodaka chopstick rests.

Porcelain Chopstick Rests was curated by Angélique Chmielewski

Designer/Maker

Maker: Jicon

Designer: Masanori Oji

Specifications

Dimensions:
2.7” (w) x 1.4” (l) x 0.5” (h) or
69mm (w) x 36mm (l) x 12mm (h)

Weight:
Each: 1.0 oz or 28 g

Materials:
Porcelain

Details

Made in Japan
One set includes two chopstick rests
We recommend hand washing these rests
The brand name means "porcelain (JI) in modern times (CON)"
Porcelain is created in the house of IMAMURA of the Touetsugama Kiln, founded 350 years ago
The Touetsugama Kiln originated in Sasebo City in the Nagasaki prefecture but was redeployed to Arita in the Saga prefecture and succeded by IMAMURA Kenichi XIV
The kiln makes porcelain pieces for daily life with its traditional white porcelain techniques using Amakusa Touseki (porcelain stone)

Porcelain Chopstick Rests - Tsurugi

Flatware

We are Dark Gray Zen Charcoal Towels. Nobody likes smelly towels combined with wetness. We've harnessed the power of charcoal to provide luxury and freshness.

Curator's Notes

Gauze is interwoven with fibers of charcoal extracted from ubame oak to create a naturally gentle surface with the capability to absorb odor molecules. On the opposite side, the pile surface functions to create a high absorbency in the towels, while drying quickly. The textile is soft and thick providing a luxe drying experience.

Zen Charcoal Towels was curated by Angélique Chmielewski

Designer/Maker

Maker: Uchino

Specifications

Dimensions:
Body: 39” (w) x 64” (l) or 99cm (w) x 163cm (l)
Hand: 24" (w) x 40" (l) or 61cm (w) x 102cm (l)
Face: 13.3" (w) x 15.8" (l) or 34cm (w) x 40cm(l)

Weight:
Body: 0.9 lbs or 0.4 kg
Hand: 0.6 lbs or 0.3 kg
Face: 0.2 lbs or 0.1 kg

Materials: 86% Cotton, 14% Rayon

Details

Made in Japan
Towel set includes the body, hand and face towel
Woven gauze front, terry pile back
Charcoal powder from ubame oak kneaded into fabric
Darker shade band detail on the edge with lattice topstitching
Machine wash with mild detergent
Tumble dry low

Zen Charcoal Towels - Dark Gray

I am an Elica Wine Glass. You may be having your drink straight, but I’m taking it with a twist.

Curator's Notes

Known for the elegant shapes of their handcrafted glassware, SGHR took this all-purpose wine glass to another level by adding a spiraled stem. The stem is created by adding bubbles during production, making a textured column of tight spirals that feels so nice to hold.

Elica Wine Glass was curated by Angélique Chmielewski

Designer/Maker

Maker: Sugahara

Specifications

Dimensions: 2.6” (w) x 2.6” (l) x 8.8” (h) or 65mm (w) x 65mm (l) x 223mm (h)

Weight: 5.4 oz or 153 g

Volume: 10 fl oz or 300 ml

Materials: Glass

Details

Made in Japan
Individually mouth-blown and hand finished
Finished with a spiral textured stem for easy grip
We recommend hand washing

Elica Wine Glass

I am an Hors D’oeuvre Fork. The man of the hour has arrived. I come with gleaming teeth bearing a yummy surprise!

Curator's Notes

For the little bites of food served before the main course there is a style of cutlery designed to add just the right amount of help – meet the Hors D’oeuvre fork! What better way to break into the heart of a meal than with heart-warming hand carved wood utensils! Adding warmth and one-of-a-kind woodwork to the dining room or cocktail party, each fork is a beautiful pairing for a canapé or the like.

Hors D'oeuvre Fork was curated by Stevenson Aung

Designer/Maker

Maker: Takashi Tomii

Designer: Takashi Tomii

Specifications

Dimensions:
0.5” (w) x 6.0” (l) x 0.3" (h) or 13mm (w) x 152mm (l) x 8mm (h)

Weight:
0.1 oz or 2.8 g

Materials:
Birch wood

Details

Made in Japan
Hand carved by Takashi Tomii
Finished with natural oil and bee's wax
Crafted from solid birch wood
The back of the fork is carved flat allowing the fork to rest flush against a tabletop surface
Apply natural mineral oil periodically to seal against bacteria and to hydrate wood
These forks are made by hand and will vary slightly in dimension and shape
Hand washing recommended
Do not soak in water for prolonged periods of time

Hors D'oeuvre Fork

I am a Pewter Calligraphy Brush Stand. Enough of typing on the com-pewter! There's nothing like real ink and paper.

Curator's Notes

Masanobu Ando's deep appreciation for the concepts of Zen culture takes physical form as he sculpts his own versions of traditional tools that aid in meditative practice. Similar to Japanese tea ceremony and flower arrangement, the art of Japanese calligraphy encourages harmonious thought and feelings of peace. The skill emphasizes fluidity and spontaneity, echoed in the irregular slopes of Ando-san's brush stand. Brushes wet with sumi ink are meant to rest in the valleys between each ceramic peak. It's a convenient spot to place your writing utensil, and adds visual interest to your desktop as a sculptural paperweight. You could also use the stand as a unique chopsticks rest!

Pewter Calligraphy Brush Stand was curated by Angélique Chmielewski

Designer/Maker

Maker: Masanobu Ando

Designer: Masanobu Ando

Specifications

Dimensions:

1.4” (w) x 4 .5 ” (l) x 2.3 ” (h) or 35 mm (w) x 114 mm (l) x 57 mm (h)

Weight: 11 oz or  304 g r

Materials: Ceramic, Pewter Overglaze

Details

One-of-a-kind functional sculpture handmade by Masanobu Ando in Tajimi, Japan

Designed to function as a brush rest in the practice of traditional Japanese calligraphy
Formed by hand from slabs of clay in the Japanese "tatara" technique

Pewter overglaze will develop a natural patina over time

Hand wash only with mild soap and soft sponge

Dry with soft cloth after washing

Do not place in dishwasher

Calligraphy Brush Stand - Pewter (out Of Stock)

I am a small Cast Iron Baker Pan. I’m not just a one-trick pony, I’m an all-rounder! On top of prepping food in me, you can also cook, sear, bake and simmer.

Curator's Notes

Nambu tekki cast iron is renown for use as cookware because of its superior heat retention and versatility. Produced in Iwate, these two handled pans are suitable for an oven, gas stovetop or induction range, along with over the grill for an oven-to-table convenience. In Japan, these particular pans are often used to cook various sukiyaki dishes that require being left in the oven for long periods of time, but we use them in our home for anything from bacon and eggs to cornbread. They are available in three different sizes and stack within each other for ease of storage.

Small Cast Iron Baker Pan was curated by Stevenson Aung

Designer/Maker

Maker: Kamasada

Designer: Nobuho Miya

Specifications

Dimensions:
6” (w) x 7.5” (l) x 1.75” (h) or 152mm (w) x 191mm (l) x 44mm (h)

Weight:
2 lbs or 0.90 kg

Materials:
Nambu Tekki Cast Iron

Details

Made in Japan
Hand washing is recommended
Recommended to wash pan in hot water after each use and dry the pan completely
Avoid splashing cold water onto a hot pan to prevent warping over time
Never submerge in water for long periods of time
Wooden cooking utensils are recommended to prevent scratching
Use oven mitts handling hot pan

Cast Iron Baker Pan - Small

I am a Hard Long Body Brush. I’m a bit rougher then my peers. My bristles are made of sturdy boar hair that will hold up for many years.

Curator's Notes

This line of brushes is the ultimate luxury in body cleansing tools. The firm bristles of boar hair build a foamy lather similar to shaving brushes. The brushes make daily skin care routines special, high quality and relaxing – like bringing a spa to your very own home!
Handcrafted with natural boar hair and solid walnut wood, they are built to last and hold up against scrubbing and daily use in the bath. The bristles help to gradually smooth the skin’s surface and increase blood circulation over time. Boar bristles offer a supple feel that is resilient to the skin. This harder version is recommended for thorough cleansing and sebum removal, compared to the soft and semi-hard version.

Long Body Brush was curated by Angélique Chmielewski

Designer/Maker

Maker: Mizuho Brush Company

Designer: Suvé

Specifications

Dimensions:
2.1” (w) x 2.2” (l) x 11.3” (h) or 53mm (w) x 56mm (l) x 288mm (h)

Weight:
5.0 oz or 142 g

Materials:
Boar hair bristles, Walnut wood

Details

Made in Japan
Handcrafted in Kumano, a region that specializes in natural hair brushes
Can be used dry or wet with cleansers
Features a removable satin hanging loop
Can be used daily

Brush head connects to the handle at an angle for increased control

Long Body Brush - Hard

I am the book Insular Insight. Insulated in my pages, I've got the inside scoop on a different kind of island time.

Curator's Notes

In all of our travels, the islands of the Seto Inland Sea are some of our favourite places in the world. Consisting of Naoshima, Teshima and Inujima, the islands hold some of the world's best contemporary art and architecture, including works by Tadao Ando, James Turrell and Hiroshi Sugimoto. This compendium delves into the unique interplay of art, architecture and nature on the island by exploring the historical context of its development, specific sites and projects and the cultural concepts that the islands take on. Featuring essays by Peter Sloterdijk and beautiful photography that captures the small details of an artwork and expansive views of the landscape, Insular Insight offers a comprehensive look into a place like no other.

'Insular Insight' was curated by Angélique Chmielewski

Designer/Maker

Author: Akiko Miki, Lars Müller

Specifications

Dimensions:
6.5" (w) x 9.5"(l) or 17.7cm (w) x 25.4cm (l)

Weight:
2 lb or 0.9 kg

Materials:
Paper

Details

Edited by Lars Müller

Photographs by Iwan Baan
464 pages
259 photographs
Hardback
DAM Architectural Book Award 2011

Insular Insight (out Of Stock)

I am a Circle Washi Paper Card. Round and round we go until we get our message across.

Curator's Notes

A unique card with distinct indigo dyed patterns is the perfect handmade touch to send along with greetings. We use gel pens to write on these cards because heavy ink pens tend to soak through. They don’t come with envelopes, but sometimes envelopes aren't needed anyway! I especially love the edges, how they are uneven and showcase the handmade nature of the handmade paper making process. It’s so interesting to see all the paper fibers and the use of different colored fibers to create the patterns. See all patterns here.

Washi Paper Card was curated by Angélique Chmielewski

Designer/Maker

Maker: Chiaki Morita

Designer: Chiaki Morita

Specifications

Dimensions:
4” (w) x 6” (l) or 102mm (w) x 152mm (l)

Weight:
0.1 oz or 3 g

Materials:
Washi paper

Details

Made in Japan
The card has indigo dyed fibers embedded into plain white fibers to create a pattern
Back is blank (all white)
The edges of the cards are irregular
Each card is handmade and may feature irregularities in indigo colour and slight variations in pattern
Does not include envelope
See all patterns here

Washi Paper Card - Circles

I am a Brass Pig Pin. Who ya calling a slob? The last time I checked, I was the one making this outfit fresh.

Curator's Notes

Both the face and backing of these little pins by Proof of Guild are so intricately crafted. They add personality to an outfit or accessory while remaining sophisticated and classic. Small, precious and handcrafted in brass they are a charming way to showcase your inner spirit animal!

Brass Pig Pin was curated by Angélique Chmielewski

Designer/Maker

Maker: Proof of Guild

Designer: Minoru Takeuchi

Specifications

Dimensions:
Approximately: 0.5” (w) x 0.5” (l) x 0.75" (h) or 19mm (w) x 13mm (l) x 13mm (h)

Weight:
Approximately: 0.2 oz or 5.7 g

Materials:
Brass

Details

Handmade in Japan
Crafted from solid brass
Pin stem is fully covered with a screw on backing

Brass Pig Pin

I am Leather Lotion. They say that beauty is only skin deep, and I'm a firm believer of it.

Curator's Notes

Leather is such a beautiful material that can age so well with love and care. This bottle of leather lotion is made to repair cracks and prevent tears. Perfect for all leather goods, from shoes to Hender Scheme's signature leather bowls, regular application of the lotion will maintain our beloved leather items and help them age with grace. The bottle comes in an all-in-one kit that contains a white, soft microcloth mitt to apply the lotion on with ease.

Leather Lotion was curated by Daniel Chmielewski

Designer/Maker

Maker: Hender Scheme

Designer: Ryo Kashiwazaki

Specifications

Dimensions:
Bottle: 1.5” (w) x 2.25” (l) x 6.7" (h) or 38mm (w) x 57mm (l) x 170mm (h)

Weight:
8 oz or 228 g

Materials:
Organic Solvents, Wax, Fats, Oils, Microcloth, Vegetan Leather

Details

Made in Japan
Volume: 150 ml
To apply, squeeze lotion on cloth and rub the surface of leather to clean and condition
Prevents the leather from cracking and deteriorating
Bottle is covered in Hender Scheme's signature vegetan leather
Comes in a micro cloth "bag" that also acts as a mitten that can be used to apply the lotion

Leather Lotion

I am a Short Tooth Boxwood Comb. The more I'm used, the better for us both... My teeth will feel smooth and your hair will too!

Curator's Notes

Boxwood combs have a long history in Japan as both supernatural objects and cosmetic accessories. Today the combs are appreciated, as much for their aesthetic beauty as their functionality and Jusun-Ya has become renowned for their high-quality versions. Since 1875, the company has been using original production methods from the Nara period (8 th C.). They gather boxwood boards, fumigate the wood, then store the bundles for ten years making them thoroughly dry and warp resistant. When the wood is ready, each comb tooth is measured by eye and sawed by hand. The combs are resistant to static electricity and help promote healthy hair. We love how the teeth will smooth out and glide easier with frequent use and how the amber colour of the wood deepens with age! In contemporary times, many of the combs have a multi-purpose function. The Short Tooth Boxwood Comb is used to fine tune traditional Japanese coiffures.

Short Tooth Boxwood Comb was curated by Stevenson Aung

Designer/Maker

Maker: Jusan-Ya

Designer: Jusan-Ya

Specifications

Dimensions: 2.9” (w) x 7.8” (l) x 0.2” (h) or 74mm (w) x 198mm (l) x 5mm (h)

Weight: 0.3 oz or 8.5 gr

Materials: Boxwood

Details

Handmade in Japan
Do not dip combs in water
Avoid combing wet hair
Coat liberally with vegetable oil (camellia or olive) and place in plastic bag for 2-3 days to clean comb

Short Tooth Boxwood Comb

I am the book 'Nenge'. I want to show you how floral arrangements are turning over a new leaf.

Curator's Notes

Having first collaborated on the interior design of Green Finger’s Setagaya store, Simplicity designer Shinichiro Ogata and plant artist Satoshi Kawamoto collaborate again on the book 'Nenge'. Motivated by the desire to adapt and redefine Japanese culture for the modern ages, the two designers develop the concept of contemporary flowers that fits neither the style of ikebana and Western floral arrangements. Printed in both Japanese and English, the book features lush photographs that illustrate what flower arrangements can be when you eschew conventions and traditions.

'Nenge' was curated by Angélique Chmielewski

Designer/Maker

Author: Shinichiro Ogata and Satoshi Kawamoto

Specifications

Dimensions:
7.3" (w) x 10.1"(l) x 0.8" (h) or 18.5cm (w) x 25.7cm (l) x 2.0cm (h)

Weight:
1.6 lb or 0.7 kg

Materials:
Paper

Details

Made in Japan
Co-authored by Shinichiro Otaga, founder and designer of Simplicity, and plant artist Satoshi Kawamoto
Features photographs by Eisuke Komatsubara and Yuichi Ikeda
Art Direction by Shinichiro Ogata
Published by Seigensha Art Publishing Inc.
The title "Nenge" comes from the Buddhist legend of "Nenge Misho" who represents the wonder of "heart-to-heart communication"
Contains photographs and writing

Nenge

I am the book Reset Beyond Fukushima. Out of the ashes of such tragedy, I hope to find resilience, reflection and renewal for a better future.

Curator's Notes

As we reflect on the ten year anniversary of the Fukushima nuclear disaster, it is hard not to think about its continued impact on the communities around the site. Reset Beyond Fukushima by photojournalist Kazuma Obara captures the human toll of this man-made tragedy and poses the question of responsibility, for both the disaster itself as well as for rebuilding the future. Featuring photos from the site and interviews with workers at the power plant, the book sheds much light into the actions and lack thereof that led to Fukushima and how its consequences will be felt for years to come.

'Reset Beyond Fukushima' was curated by Angélique Chmielewski

Designer/Maker

Author: Kazuma Obara

Specifications

Dimensions:
9" (w) x 11.8" (l) or 23cm (w) x 30cm (l)

Weight:
1.5 lb or 0.7 kg

Materials:
Paper

Details

Designed by Integral Lars Müller and written by Kazuma Obara

Edited by Adriano A. Biondo, Lars Müller

Photographs by Kazuma Obara
216 pages, 130 photographs
Paperback

Contains both English and Japanese

Reset Beyond Fukushima

I am a Katsubako Bonito Shaver. Something smells fishy around here. I'm here to crack the case, flake by flake.

Curator's Notes

The bonito shaver is essential in the making of "katsuobushi" - dried, fermented, and smoked bonito tuna, known as "bonito flakes" when smaller bonito tuna are used. Like a carpenter's plane, the kitchen tool shaves thin layers of tuna and catches them handily in the wooden basin. These flakes are then used for the creation of basic Japanese dishes such as dashi stock. De signed by Makoto Koizumi, th is bonito shaver assembles like a wooden puzzle, but its angled blade is definitely not a toy! Made by a specialized steel manufacturer in the Gifu prefecture of Japan, the blade is made of blue steel or "aogami" in Japanese. This metal is hard and durable due to its chromium and tungsten content and very effective at shaving thin pieces of bonito.

Katsubako Bonito Shaver was curated by A ng élique Chmielewski

Designer/Maker

Maker: Ambai

Designer: Makoto Koizumi

Specifications

Dimensions:

2.8" (w) x 8.0" (l) x 2.8" (h) or 70mm (w) x 203mm (l) x 70mm (h)

Weight:

1.1 lb or 0.5 kg

Materials:

Oak Wood, Blue Steel

Details

Made in Japan

Used for the creation of bonito flakes
Comprises four separate pieces that assemble together
Inner layer provides a protective barrier to prevent your fingertips from catching on the blade
Can be used as a mandolin as well
Wooden basin catches the shavings
Blade is made of "aogami" blue steel, one of the hardest, most durable steels
Blade can be sharpened periodically
Not dishwasher safe
Hand wash with soft sponge and mild soap, and wipe to dry

Katsubako Bonito Shaver

I am an Ear Pick. I’ll help you keep your hearing crystal clear, so that whatever you’re listening to, you’ll be smiling ear to ear.

Curator's Notes

The clean lines and shape of this ear pick is as satisfying as the feeling of cleaning your ears with it. This pick is made from stainless steel to keep it antiseptic and the cap keeps it clean and portable. We appreciate that the cap also adds length if needed by popping it onto the back end of the pick.

Ear Pick was curated by Stevenson Aung

Designer/Maker

Maker: Kiya

Designer: Kiya

Specifications

Dimensions:
0.3” (w) x 3.3"/4.5"(extended) (l) x 0.3” (h) or 8mm (w) x 84mm/114mm(extended) (l) x 8mm (h)

Weight:
0.2 oz or 7g

Materials:
Sterling Silver, Stainless Steel

Details

Made in Japan
Head is sterling silver
The lid can also be used to extend as a handle
Easy to carry around with its compact size

Store in a cool place to prevent rusting
Wipe off after each use and do not soak in water

Ear Pick

I am a Red Camellia Paper Flower. The love I have runs as deep as my hue and endures as long as my petals do.

Curator's Notes

At first glance, these paper flowers seem as delicate as their real counterparts; however, these intricately cut and shaped blooms are made of innovative Naoron paper construction to be waterproof and tear resistant. Each flower has distinctive symbolism and these blossoms are an enduring way of communicating them. Arranged together or with real flowers, or standing on their own, these paper flowers make an elegant statement in your home.

The Red Camellia symbolizes love and passion.

Red Camellia Paper Flower was curated by Angélique Chmielewski

Designer/Maker

Maker: Onao Co.

Designer: Edenworks

Specifications

Dimensions:
Approximately 8.7” (w) x 13.0” (l) or 220mm (w) x 330mm (l)

Weight:
Approximately 1.2 oz or 25 g

Materials:
Naoron Paper

Details

Made in Japan
Naoron is a strong and highly water resistant paper made from recycled plastic bottles, wood pulp and polyolefin.
Created using the Japanese washi-suki paper manufacturing method
Paper-like texture

The flower is water resistant and tear resistant