Description
Designer

Finn Juhl designed the Baker Sofa in 1951. The sculptural forms are inspired by the modern free art, which interested Finn Juhl very much. The sofa has an upholstered body divided in two, resting upon an elegant and light construction of wood - a typical example of how Finn Juhl separated the elements in order to create a visual lightness.
The sofa is upholstered in your choice of fabric or leather; the upper back, lower back and seat cushions may be different colors.

Material & Feature:

Structure: Molded fiberglass shell with highly resilient urethane foam
Solid ash wood frame with natural or walnut finish
Fabric upholstery (C.O.M available)
All materials are fire-resistant & non-toxic (Baby Friendly)

Dimensions:

Width: 76.8" x Depth: 31.5" x Height: 38.6"
Seat Height: 17.5"

* All measurements are approximations.

When you look at the graceful shapes and sensual curves of Finn Juhl's work, you may be shocked to realize that he designed these pieces 60 to 70 years ago. A pioneering force in his own country, Finn Juhl is also credited, along with fellow Danes Arne Jacobsen, Hans Wegner, Borge Mogensen and Poul Kjaerholm, with introducing Danish modern to midcentury America.
Although he initially wanted to become an art historian, his father persuaded him to attend the Royal Danish Academy of Fine Arts School of Architecture. By 1934, he had a prestigious position with architect Vilhelm Lauritzen and was exploring the functionalism movement by creating clean, geometrical buildings like the broadcasting house Radiohuset, a pinnacle of Danish architecture that now houses the Royal Danish Academy of Music.
Juhl considered himself an architect of the interior as well as the exterior. He began designing furniture like the Poet Sofa (1941) for use in his own home, located north of Copenhagen. Juhl felt that furniture, handicraft and art should create a completeness of the house, which in his case was decorated with works by the Danish painters of the time. Today, the Finn Juhl House, an early example of open-plan design with views to its garden from every room, is part of the Ordrupgaard Museum.
In 1937, Juhl began collaborating with master cabinetmaker Niels Vodder, and the pair was the buzz of the 1945 Cabinetmakers' Guild exhibition with their expressive, sculptural pieces. One such item was the Model 45 Armchair (1945), which broke from tradition by freeing the upholstered areas from the wood frame.
At age 39, Juhl made his U.S. debut in 1951 at the Good Design exhibit in Chicago and at MoMA in New York, and he represented Denmark in creating the interior of a meeting hall at the United Nations headquarters. A few years later, SAS asked Juhl to redesign the interior of its air terminals in Europe and Asia.
Finn Juhl is still winning awards decades after his death: The Wallpaper Design Award 2010 was awarded to the Baker Sofa (1951) in the category of Best Reissue.

Eternity Modern - Mid-century modern, modern Nordic and modern contemporary style furniture will be sold for up to 80% off. The selection includes over 2000 overstocked

Eternity Modern

Baker Sofa

Material

Leg Finish

Sofas

Description
Designer

The Three-Arm Ceiling Lamp is a hanging interpretation of Serge Mouille's original Three-Arm Floor Lamp and maintains the original's kinetic, sculptural aesthetic.

Material & Feature:

Pivoted arms made from curved steel
Black lacquered aluminium reflector with a white interior
Brass ball joints
Compatible with E12 Standard light bulb base
Rated for a standard 50W maximum incandescent bulb, not included
Compatible with a wide range of 5W Max LEDs

Dimensions:

Height 23.5" x Diameter: 88"
Size of the Celling Plate: 4.7"
Diameter of the rod: 2.4"

* All measurements are approximations.

Serge Mouille's parents, a policeman and a seamstress, were disappointed by his decision, at the age of 13, to enroll in the School of Applied Arts" silver workshop. The youngest student there, he embraced metallurgy and silversmithing" and was so gifted at the trade, he started teaching at 25. After getting his degree, he worked for a few different companies and apprenticed under Gabriel Lacroix before starting his own workshop.
trung

Serge Mouille Three-arm Ceiling Lamp

Color

Ceiling Lights

Description
Designer

With Ro Lounge Chair (JH2 Easy Chair), Jaime Hayon has created a lounge chair that is comfortable and sculptural at the very same time. Ro Lounge Chair gives you the opportunity to immerse yourself - and have a moment to yourself. Choose between an array of Designer Selection colours in fabric for your Ro Lounge Chair with a base in walnut / natural oak / black / silver finish. Since Spanish Jaime Hayon became part of the staff of designers with Fritz Hansen, he has shown humor and personality in all his designs - from the sheltered Ro Lounge Chair to the playful dining table, Analog.

Material & Feature:

Molded fiberglass shell with highly resilient urethane foam
Medium firm cushion seat feel (cushion softness customizable)
Top Grain/Aniline Leather upholstery (C.O.M available)
Mix and match colors/materials of the chair components available
Solid wood legs with walnut / silver / black / natural oak finish
All materials are fire-resistant & non-toxic (Baby friendly)
Complete Customization available and welcome! - Request with Customer Service

Dimensions:

Width: 32" x Depth: 37" x Height: 44.5"
Seat Height: 17"

* All measurements are approximations.

As a teenager, he submerged himself in skateboard culture and graffiti art, the foundation of the detailed, bold-yet-whimsical imagery so imminent in his work today. After studying industrial design in Madrid and Paris he joined Fabrica in 1997, the Benetton-funded design and communication academy, working closely with the legendary image-maker and agitator Oliviero Toscani. In a short time he was promoted from student to head of their Design Department. Eight years later, Jaime broke out on his own, first with his collections of designer toys, ceramics and furniture, later followed by interior design and installations.

Ro Lounge Chair

Lounge Chairs

Description
Designer

With its gentle curves and an iconic welded wire base the Warren Platner dining table is carefully constructed from reinforced stainless steel rods and a thick tempered glass top. It serves as both an ornamental artpiece as well as a functional dining table. Available in Metallic Bronze and Nickel Finish.

Material & Feature:

Top: 10mm thickness tempered glass
Flat beveled edge underneath
Base: Polished #304 grade stainless steel with chrome / gold / gun metal black finish

Dimensions:

Width: 36" x Depth: 36" x Height: 15.25"
Product Weight: 62lbs

* All measurements are approximations.

American architect and interior designer Warren Platner was born in Baltimore, Maryland in 1919. Platner attended Cornell University, graduating with a degree in architecture in 1941. Shortly after, he began working with legendary architects Raymond Loewy and I.M. Pei from 1945 to 1950, and with Eero Saarinen from 1960 to 1965. During this time he was part of the design process of many historically important projects including the Dulles International Airport, in Washington, D.C., the Repertory Theater at Lincoln Center, and several dormitories for Yale University. Platner joined Kevin Roche's firm as the head of interior design, becoming more involved with interior and industrial design, as he believed that the essence and character of a building's design should come from within.
In 1967, having gained a wealth of expertise and knowledge from working for architect-design luminaries, Platner decided to open his own firm, Platner Associates. Not limiting itself to architecture, it also experimented in furniture design, lighting, textiles, and interiors. From the late 1960s onwards, he exhibited widely and worked on a variety of interior design and architecture projects, including the interior design of the Ford Foundation headquarters (1967) in New York, the Georg Jensen Design Center (1968) also in New York, the interior to the American Restaurant in Kansas (1974), the interiors for Water Tower Place (1976) in Chicago, and the Windows on the World Restaurant (1976) atop the World Trade Center in New York.
In the 1960s, as the modernist movement became more expressive, Platner focused on a quieter aesthetic, wishing to create more graceful structures. In 1966 Platner, in collaboration with Knoll , unveiled the Platner Collection - a series of sleek modern chairs, ottomans and tables that rest on an intricately sculpted base of cylindrical steel rods replicating a moir pattern. Requiring over 1,000 welds for one piece alone, the complex design is a close marriage of architecture and industrial design. Though Platner designed other pieces, the Platner Collection was his most renowned collection that ultimately made a name for himself in furniture design.

Platner Coffee Table - 36"

Frame Finish

Coffee Tables

Description
Designer

In the 1930s, Eero Saarinen created a range of organically-shaped plywood chairs. These went on to win the MoMA-sponsored 1940 Organic Design in Home Furnishings competition. This work inspired Saarinen to design a chair that would provide exceptional comfort from its shell alone, and not just from the furnishing. His luxurious and sculptural Executive Side Chair and the matching Executive Armchair were the results. The design won the 1969 Museum of Modern Art Award and the West Germany Federal Award for Industrial Design.

Material & Feature:

Seat: Molded fiberglass shell
High elasticity dacron-wrapped foam with genuine down feather layer
Premium Fabric, Top Grain / Aniline Leather upholstery (C.O.M available)
Polished #304 grade stainless steel legs with chrome finish
Leveling floor glides
All materials are Flame resistant & non-toxic (Baby Friendly)
Customization available - Request with Customer Service

Dimensions:

Width: 26" x Depth: 24.75" x Height: 31.5"
Seat Width: 18.9" x Depth: 18.1" x Height: 19"
Armrest Height: 25.2"

* All measurements are approximations.

Eero Saarinen, the son of influential Finnish architect Eliel Saarinen and his second wife, Louise, was born on his father's 37th birthday, August 20, 1910. They emigrated to the United States of America in 1923, when Eero was thirteen.He grew up in Bloomfield Hills, Michigan, where his father was a teacher at the Cranbrook Academy of Art and he took courses in sculpture and furniture design there. He became good friends with Florence Knoll.
Beginning in September 1929, he studied sculpture at the Acadmie de la Grande Chaumire in Paris, France. He then went on to study at the Yale School of Architecture, completing his studies in 1934. Subsequently, he toured Europe and North Africa for a year and returned for a year to his native Finland, after which he returned to Cranbrook to work for his father and teach at the academy. He became a naturalized citizen of the United States in 1940. Saarinen was recruited by Donal McLaughlin, an architectural school friend from his Yale days, to join the military service in the Office of Strategic Services (OSS). Saarinen was assigned to draw illustrations for bomb disassembly manuals and to provide designs for the Situation Room in the White House. Saarinen worked full-time for the OSS until 1944. After his father's death in 1950, Saarinen founded his own architect's office,"Eero Saarinen and Associates". Eero Saarinen died of a brain tumor in 1961 at the age of 51.

Saarinen Executive Armchair - Steel Legs

Office Chairs

Description

Evocative of the nautical coast, the Nanton Lantern is an elevated version of the contemporary floor lantern. Gorgeous grey textilene rope is intricately woven and illustrates a sophisticated diamond pattern.
To ensure that your furniture is made to the highest quality standards, every piece is custom made. Hence, our lead time is typically 12 weeks.

Set Specification

Small lantern x 1
Medium lantern x 1
Large lantern x 1

5 Years Warranty

High UV

Outdoors

Green Energy

Nanton Lantern Set

Nanton Lantern is the perfect companion to any garden or terrace setting or even matter interior decor. The round form gives a soft and cosy look to the lantern. With the Nanton Lantern made of an innovative LED outdoor lighting system in the woven Textilene® rope frame, design your outdoor furniture setting and enjoy and extend the evenings with a warm and soft atmosphere. Create variety by alternating the 3 available sizes. Fully suited for both indoor and outdoor use year round.

Material & Feature

Lanterns

Textilene® rope - HF18-52 Grey color
IP 65 water proof build LED in Lamp
LED color temperature 1900K-2200K
Interpon® powder coated 6063 Aluminum tube frame

Dimensions

Small lantern : Diameter: 12" x Height: 11"
Medium lantern: Diameter: 12" x Height: 16"

Large lantern : Diameter : 12 " x Height: 20.5 "

The length of the cord: 78.7"

6063 Aluminum

Textilene ®

IP65 Waterproof LED

Nanton Outdoor Patio Wicker Lantern Set

Title

Lanterns

Description

An update on the classic patio style, the Citadel outdoor set embodies a tranquil and coastal ambiance. Featuring a sleek anthracite powder coated aluminum frame with the teak accented armrests, it makes for an ideal modern space for al fresco entertainment and cool evening lounging.

Set Specification

Single chair x 1
2 seater sofa x 1
3 seater sofa x 1
Ottoman x 1
Coffee table x 1

5 Years Warranty

High UV

Outdoors

Recyclable Materials

Water Repellent

Citadel Sofa Set

A new classic, Citadel brings an unconditional level of longevity, function and comfort to outdoor furniture. Aligning cultivated design detail with elegant materials, Citadel ensures a lasting impression. the Citadel Sofa fuses brave design detail, generous forms and sumptuous upholstery. Showcasing a striking tubular frame manufactured with exterior-grade aluminium, Citadel incorporates a laser-cut sofa base to ensure water drainage in the event of heavy rainfall.

Material & Feature

Sofa

Interpon® powder coated 6063 Aluminum frame; Color: Anthracite
100% solution dyed olefin fabric - Water repellent
Fabric color : olefin 15838624A Dark grey
Every cushion is removable and all cushion covers are machine washable

Coffee Tables

Teak top with Interpon® powder coated 6063 Aluminum frame Frame color: Anthracite

Dimensions

Single chair: Width: 35.4" x Depth: 33.5" x Height: 26.7"
2 seater sofa: Width: 70.9" x Depth: 35.4" x Height: 26.7"
3 seater sofa: Width: 87.8" x Depth: 35.4" x Height: 26.7"
Ottoman: Width: 33.5" x Depth: 33.5" x Height: 12.2"
Coffee table: Width: 49.2" x Depth: 31.5" x Height: 14.5"

6063 Aluminum

Olefin Fabric

Citadel Outdoor Modular Couch Set

Outdoor

Description
Designer

The sectional elements of Camaleonda sofa can be used freely and apart from one another. The backs and armrests are provided with rings and carabiners, which allows the user to create a perfect 'seating landscape.' The sofa is very comfortable and the fact this wonderful piece is modular, provides endless flexible solutions for any project or living room.

Material & Feature:

Structure: Frame made from naturally rot resistant Merbau wood; No chemical treatment
Constructed of shaped polyurethane foam with 3 distinct dense layers
Solid wood legs with black stain
Fabric, Aniline/Vintage Leather Leather upholstery (C.O.M available)
All materials are Flame resistant & non-toxic (Baby Friendly)

Dimensions :

Width: 37.75" x Depth: 37.75" x Height: 26.37"
Seat Height: 15.75"
Arm Height: 21.62"

* All measurements are approximations.

Mario Bellini is an Italian architect and designer known for his sleek and sophisticated couches, sofas, and dining chairs. Motivated by style as well as functionality, the artist’s creations solve everyday problems one may encounter in the home. He is commonly associated with his Camaleonda modular sofa, a set of square seats that can be separated and rearranged.Born on February 1, 1935 in Milan, Italy, he attended the Polytechnic University of Milan and earned a PhD in architecture in 1959. After completing his education, Bellini was hired as a consultant to Italian electronics company Olivetti, where he remodelled the typewriter, giving it a wedge-like body and a rubber-skin keyboard. The artist also became well known for his furniture designs at this time, designing his trademark office chairs—Figura, Persona, Imago, and Forma. Since the 1980s, he mostly worked on architectural projects, designing the the Sheik Zayed Museum in 2007 and the London Link Bridge at Deustche Bank in 2010. Today, Bellini lives and works in Milan, Italy. His work is currently held in the collections of The Museum of Modern Art in New York, the Dallas Museum of Art, and the Cooper Hewitt Smithsonian Museum of Design in New York, among others.

Mario Bellini Camaleonda Sofa | Right Armrest

Description
Designer

Designed by Philippe Starck for Cassina. One of the Passion collection. The Passion dining chair leverages the qualities of its namesake armchair in the design of a little dining that combines comfort and well-balanced proportions. The enveloping backrest has a heat-molded structural fiberglass outer shell combined with a molded polyurthane layer. The long, slender legs are made of solid steel with black matte finish .

Material & Feature:

Molded fiberglass shell with shiny finish in black color
Seat & back cushion: molded polyurethane upholstered in distressed brown PU leather (C.O.M available)
Powder- coated steel legs with black matt finish
All materials are fire-resistant & non-toxic (Baby Friendly)

Dimensions:

Width: 23" x Depth: 24" x Height: 33"
Seat Height: 18"

* All measurements are approximations.

School dropout Philippe Starck jump-started his career by designing two nightclub interiors in Paris in the 1970s. The success of the clubs won the attention of then-President François Mitterrand, who asked Starck to refurbish one of the private apartments in the Élysée Palace.
Two years later, Starck designed the interior of the Café Costes in Paris and was on his way to becoming a design celebrity. In quick succession, he created elegant interiors for the Royalton and Paramount hotels in New York, the Delano in Miami and the Mondrian in Los Angeles. He also began to produce chairs, lamps, motorbikes, boats and a line of housewares and kitchen utensils, like his Juicy Salif for Alessi.
During the 1980s and ’90s Starck continued his prolific creativity. His products have sensual, appealing forms suggestive of character or personal identity, and Starck often conferred upon them clever, poetic or whimsical names (for example, his Rosy Angelis Lamp, the La Marie Chair and playful Prince Aha Stool). Starck’s furniture also often reworks earlier decorative styles. For example, the elegant Dr. No Chair is a traditional club chair made unexpectedly of injection-molded plastic. While the material and form would seem to be contradictions, it is just such paradoxes that make Starck’s work so compelling.

Passion Dining Chair

Dining Chairs

Description

Low-slung, with an expertly crafted molded seat and back (no bike pumps are used today), this chair cradles you in a comfortable position while rubber shock mounts buffer against jarring movement.

Material & Feature:

Molded five-ply seat and back
Ash wood veneer with American Walnut or Natural Oak stain
Rubber shock mounts

Dimensions:

Width: 22" x Depth: 24.25" x Height: 26.25"
Seat Height: 15.5"

* All measurements are approximations.

Molded Plywood Lounge Chair (lcw)

Veneer

Description
Designer

Designed in the 1960s, distinguished by it's iconic wire base, the soft curvatures of this classic series are finely constructed with detail from reinforced stainless steel rods and welded to horizontal and edge framing wire for a uniquely stable foundation. A stand-alone statement piece or the perfect addition to the Warren Dining Table, the Warren Armchair is evenly upholstered across the alluring and wide back frame and firmly cushioned for endless hours of enjoyment.

Material & Feature:

Frame: Polished #304 grade stainless steel with Gold finish
Seat: molded fiberglass shell with highly resilient urethane foam
Premium Fabric, Classic Suede, Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width 26" x Depth: 21.5" x Height: 29"
Seat Height: 18.5"

* All measurements are approximations.

American architect and interior designer Warren Platner was born in Baltimore, Maryland in 1919. Platner attended Cornell University, graduating with a degree in architecture in 1941. Shortly after, he began working with legendary architects Raymond Loewy and I.M. Pei from 1945 to 1950, and with Eero Saarinen from 1960 to 1965. During this time he was part of the design process of many historically important projects including the Dulles International Airport, in Washington, D.C., the Repertory Theater at Lincoln Center, and several dormitories for Yale University. Platner joined Kevin Roche's firm as the head of interior design, becoming more involved with interior and industrial design, as he believed that the essence and character of a building's design should come from within.
In 1967, having gained a wealth of expertise and knowledge from working for architect-design luminaries, Platner decided to open his own firm, Platner Associates. Not limiting itself to architecture, it also experimented in furniture design, lighting, textiles, and interiors. From the late 1960s onwards, he exhibited widely and worked on a variety of interior design and architecture projects, including the interior design of the Ford Foundation headquarters (1967) in New York, the Georg Jensen Design Center (1968) also in New York, the interior to the American Restaurant in Kansas (1974), the interiors for Water Tower Place (1976) in Chicago, and the Windows on the World Restaurant (1976) atop the World Trade Center in New York.
In the 1960s, as the modernist movement became more expressive, Platner focused on a quieter aesthetic, wishing to create more graceful structures. In 1966 Platner, in collaboration with Knoll , unveiled the Platner Collection - a series of sleek modern chairs, ottomans and tables that rest on an intricately sculpted base of cylindrical steel rods replicating a moir pattern. Requiring over 1,000 welds for one piece alone, the complex design is a close marriage of architecture and industrial design. Though Platner designed other pieces, the Platner Collection was his most renowned collection that ultimately made a name for himself in furniture design.

Warren Platner Armchair - Gold Base

Arm Chairs

Description
Designer

The distinguished character of the CH102 2-seat Loveseat joins the CH100 series by Hans J. Wegner. It is a sumptuous sofa that works well on its own, in groups, or with the CH100 series of sofas.
CH102 Loveseat is hand made on a solid beech inner frame with polished stainless steel legs, visible frame and armrest fronts. Cushions are fully upholstered on all sides, built around a foam core wrapped in down and foam granulate.

Material & Feature:

Structure: hardwood frame treated for durability & pests control using a non-toxic Kiln-dried treatment, with highly resilient urethane foam
Polished #304 grade stainless steel legs with chrome finish
Medium firm cushion seat feel (cushion softness customizable)
Fabric, Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 61.0" x Depth: 31.1" x Height: 29.1"
Seat Height: 17.5"
Seat Depth: 20.5"
Seat Cushion: Width: 26.8" x Depth: 22.8"
Armrest Thickness: 3.9"
Armrest Height: 24.4"

* All measurements are approximations.

Hans Jorgensen Wegner, (April 2, 1914 - January 26, 2007), was a world renowned Danish furniture designer. His high quality and thoughtful work, along with a concerted effort from several of his manufacturers, contributed to the international popularity of mid-century Danish design. His style is often described as Organic Functionality, a modernist school with emphasis on functionality. This school of thought arose primarily in Scandinavian countries with contributions by Poul Henningsen, Alvar Aalto, and Arne Jacobsen. In his lifetime he designed over 500 different chairs, over 100 of which were put into mass production and many of which have become recognizable design icons.
Wegner worked for some time for Arne Jacobsen, a successful Danish designer. Wegner was in charge of the furniture in the Aarhus Municipal Hall, which Jacobsen designed. After some years under Jacobsen, Wegner started his own company. Along with fellow architect Borge Mogensen, he designed furniture for FDB (a Danish chain of grocery stores), spearheaded by Erik Kold - who founded an organization of Danish furniture makers that launched Danish design abroad.
In his later years Wegner became more attached to PP Mobler (which produces many of pieces originally designed for Johannes Hansen) and for whom he designed several chairs late in his life. He remained active throughout his life. An example of his later work is the"Hoop Chair", originally designed in 1965 with a steel tube base and finally put into production made entirely in wood in 1985 (for PP Mobler). Wegner retired from public life only in the last decade of his life.

Hans Wegner Ch102 Loveseat

Loveseats

Description
Designer

The Mies van der Rohe designed BRNO Dining Chair or simply Mies Dining Chair was designed in 1930. The BRNO Dining Chair features an ingenious and sleek single piece cantilevered design, a perfect blend of art and function. The BRNO Dining Chair is very popular as a dining chair, boardroom chair, or waiting room chair.
Dimensions:

Material & Feature:

Frame structure: highly polished #304 grade stainless steel frame with chrome finish; silver welded joints
Seat: hardwood frame with highly resilient urethane foam
Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 23" x Depth: 22.5" x Height: 32"
Seat Height: 17.5"
Armrest Height: 26"

* All measurements are approximations.

Ludwig Mies van der Rohe (born Maria Ludwig Michael Mies; March 27, 1886 - August 17, 1969) was a German-American architect. He is commonly referred to and was addressed as Mies, his surname. Along with Le Corbusier and Frank Lloyd Wright, he is widely regarded as one of the pioneering masters of modern architecture.
Mies, like many of his post-World War I contemporaries, sought to establish a new architectural style that could represent modern times just as Classical and Gothic did for their own eras. He created an influential twentieth-century architectural style, stated with extreme clarity and simplicity. His mature buildings made use of modern materials such as industrial steel and plate glass to define interior spaces. He strove toward an architecture with a minimal framework of structural order balanced against the implied freedom of free-flowing open space. He called his buildings"skin and bones" architecture. He sought a rational approach that would guide the creative process of architectural design, but he was always concerned with expressing the spirit of the modern era. He is often associated with his quotation of the aphorisms,"less is more" and"God is in the details".

Mies Brno Chair

Description
Designer

The Metropolitan Armchair is a beautiful example of mid-century modernism design from the late 50's to the mid-60's. The most discerning modernist aficionado will appreciate the futuristic shape created by the sharp angles and thin profile of this modern take on the classic pop art style.

Material & Feature:

Molded fiberglass shell with highly resilient urethane foam
Fabric, Top Grain / Aniline / Vintage Leather Leather upholstery (C.O.M available)
Highly polished stainless steel 4-spoke base
360 degree swivel
All materials are fire-resistant & non-toxic (Baby Friendly)

Dimensions:

Width: 39.4" x Depth: 33" x Height: 37.4"
Seat Height: 15.7"

* All measurements are approximations.

In September 1995, Jeffrey Bernett founded his multidisciplinary design consulting firm in New York. At the May 1996 International Furniture Fair (ICFF) in New York, Bernett presents his first collection, which won the 1996 Editor's Award for Best of Show. Bernett continues to work in many sectors (residential and office furniture, household products, lighting, transportation design, graphic design, packaging, and bottle design, environmental and interior design as well as strategic planning) by winning numerous design awards over time. In the emerging global market of design, Bernett is often the first American chosen to work with many of his European clients. A partial customer list includes: B&B Italia, Boeing, Boffi, Cappellini, Conde Nast, DWR / Design Within Reach, Knoll, Kvadrat, L'Oreal, Mercedes Benz, Northwest Airlines and Teknion. Bernett holds numerous patents, is regularly featured in design publications from around the world, and is a regular speaker at design schools and at international events.

B&b Metropolitan Armchair

Description
Designer

Le Corbusier LC5 Daybed Sofa, originally designed by Le Corbusier, is a 3-seat sofa whose backrest pivots back to create a modern single bed. The Le Corbusier LC5 Daybed Sofa features a stainless steel frame and h igh elasticity dacron-wrapped cushions with removable covers in top fabric or leather. This high quality reproduction of the Le corbusier LC5 Daybed Sofa is manufactured to almost the exact same specification as the origin al.

Material & Feature:

Frame structure: highly polished #304 grade tubular stainless steel frame with chrome finish
High elasticity dacron-wrapped foam with genuine down feather layer
Medium firm cushion seat feel (cushion softness customizable)
Fabric, Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
All the cushions are removable
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 82" x Depth: 30.5 " x Height: 30"

Seat "

* All measurements are approximations.

He was born as Charles-douard Jeanneret-Gris (1887-1914) in La Chaux-de-Fonds, a small city in Neuchtel canton in north-western Switzerland, in the Jura mountains, just 5 kilometres (3.1 mi) across the border from France.
Le Corbusier began experimenting with furniture design in 1928 after inviting the architect, Charlotte Perriand, to join his studio. His cousin, Pierre Jeanneret, also collaborated on many of the designs. Before the arrival of Perriand, Le Corbusier relied on ready-made furniture to furnish his projects, such as the simple pieces manufactured by Thonet, the company that manufactured his designs in the 1930s.
In 1928, Le Corbusier and Perriand began to put the expectations for furniture Le Corbusier outlined in his 1925 book L"Art Dcoratif d"aujourd"hui into practice. In the book he defined three different furniture types: type-needs, type-furniture, and human-limb objects. He defined human-limb objects as:"Extensions of our limbs and adapted to human functions that are type-needs and type-functions, therefore type-objects and type-furniture. The human-limb object is a docile servant. A good servant is discreet and self-effacing in order to leave his master free. Certainly, works of art are tools, beautiful tools. And long live the good taste manifested by choice, subtlety, proportion, and harmony".
The first results of the collaboration were three chrome-plated tubular steel chairs designed for two of his projects, The Maison la Roche in Paris and a pavilion for Barbara and Henry Church. The line of furniture was expanded for Le Corbusier"s 1929 Salon d"Automne installation,"Equipment for the Home".

Le Corbusier Lc5 Daybed

Chaises & Daybeds

Description
Designer

The organic, yet structured design of the Swoon Petit chair provides a more upright seat position which offers amazing back support.

Material & Feature:

Molded fiberglass shell
High elasticity dacron-wrapped foam with genuine down feather layer
Medium firm cushion seat feel (cushion softness customizable)
Premium Fabric, Top Grain / Aniline / Vintage Leather Leather upholstery (C.O.M available)
Solid wood legs with Walnut finish
All materials are Flame resistant & non-toxic (Baby friendly)
Customization available - Request with Customer Service

Dimensions:

Width: 35.5" x Depth: 35.5" x Height: 33"
Seat Width: 23.6" x Depth: 16.5" x Height: 16.5"

* All measurements are approximations.

Established in 2005 by Signe Bindslev Henriksen and Peter Bundgaard Rtzou, Space Copenhagen is a design studio that works across multiple disciplines from interior design for private homes, hotels and restaurants all over the world to art installations and art direction, furniture, lighting and refined objects.

Swoon Lounge

Description
Designer

This small two-seater sofa first saw the light of day at the Copenhagen Cabinetmakers" Guild Exhibition in 1941. It should be seen as a natural progression from the Pelican Chair that was displayed the previous year. The upholstery is very slim compared to the norm at the time and it was the result of Finn Juhl"s ambition to create functional furniture for smaller apartments.
The Poet Sofa is also one of Finn Juhl"s experiments for his own home. At the Guild Exhibition, the sofa was shown together with a couple of plaster reliefs by artist Sigurjn lafsson. In this way, he indicated the link between furniture and sculpture. The small sofa is a very comfortable embrace for two people, who will be sitting comfortably close.

Material & Feature:

Structure: hardwood frame with double dowels and corner-block-reinforcing; treated for durability & pests control using a non-toxic Kiln-dried treatment
High elasticity dacron-wrapped foam with genuine down feather layer
Premium Fabric upholstery (C.O.M available)
Solid walnut wood legs
All materials are fire-resistant & non-toxic (Baby friendly)
Customization available - Request with Customer Service

Dimensions:

Width: 54" x Depth: 31" x Height: 34"
Seat height: 15"

* All measurements are approximations.

When you look at the graceful shapes and sensual curves of Finn Juhl"s work, you may be shocked to realize that he designed these pieces 60 to 70 years ago. A pioneering force in his own country, Finn Juhl is also credited, along with fellow Danes Arne Jacobsen, Hans Wegner, Borge Mogensen and Poul Kjaerholm, with introducing Danish modern to midcentury America.
Although he initially wanted to become an art historian, his father persuaded him to attend the Royal Danish Academy of Fine Arts School of Architecture. By 1934, he had a prestigious position with architect Vilhelm Lauritzen and was exploring the functionalism movement by creating clean, geometrical buildings like the broadcasting house Radiohuset, a pinnacle of Danish architecture that now houses the Royal Danish Academy of Music.
Juhl considered himself an architect of the interior as well as the exterior. He began designing furniture like the Poet Sofa (1941) for use in his own home, located north of Copenhagen. Juhl felt that furniture, handicraft and art should create a completeness of the house, which in his case was decorated with works by the Danish painters of the time. Today, the Finn Juhl House" an early example of open-plan design with views to its garden from every room" is part of the Ordrupgaard Museum.
In 1937, Juhl began collaborating with master cabinetmaker Niels Vodder, and the pair was the buzz of the 1945 Cabinetmakers" Guild exhibition with their expressive, sculptural pieces. One such item was the Model 45 Armchair (1945), which broke from tradition by freeing the upholstered areas from the wood frame.
At age 39, Juhl made his U.S. debut in 1951 at the Good Design exhibit in Chicago and at MoMA in New York, and he represented Denmark in creating the interior of a meeting hall at the United Nations headquarters. A few years later, SAS asked Juhl to redesign the interior of its air terminals in Europe and Asia.
Finn Juhl is still winning awards decades after his death: The Wallpaper Design Award 2010 was awarded to the Baker Sofa (1951) in the category of Best Reissue.

Poet Sofa

Description
Designer

A beautifully simple sideboard that brings together elements of wood, steel and colors from the Geotehe's color wheel. This Finn Juhl credenzacan be closed to contain items as well as left playfully open to reveal the beautiful color array of the drawers.

Material & Feature:

Natural walnut veneer over MDF
Matte lacquered wood doors & drawers
Black powder coated stainless steel with solid walnut wood feet
Assembly required

Dimensions:

Width: 77" x Depth: 17.72" x Height: 35.43"
Interior drawer dimensions: W 15.5" x D 11" x H 2.2"
Interior cabinet dimensions: W 27.3" x D 13.3" x H 9.8"
Product Weight: 238lbs

* All measurements are approximations.

When you look at the graceful shapes and sensual curves of Finn Juhl"s work, you may be shocked to realize that he designed these pieces 60 to 70 years ago. A pioneering force in his own country, Finn Juhl is also credited, along with fellow Danes Arne Jacobsen, Hans Wegner, Borge Mogensen and Poul Kjaerholm, with introducing Danish modern to midcentury America.
Although he initially wanted to become an art historian, his father persuaded him to attend the Royal Danish Academy of Fine Arts School of Architecture. By 1934, he had a prestigious position with architect Vilhelm Lauritzen and was exploring the functionalism movement by creating clean, geometrical buildings like the broadcasting house Radiohuset, a pinnacle of Danish architecture that now houses the Royal Danish Academy of Music.
Juhl considered himself an architect of the interior as well as the exterior. He began designing furniture like the Poet Sofa (1941) for use in his own home, located north of Copenhagen. Juhl felt that furniture, handicraft and art should create a completeness of the house, which in his case was decorated with works by the Danish painters of the time. Today, the Finn Juhl House" an early example of open-plan design with views to its garden from every room" is part of the Ordrupgaard Museum.
In 1937, Juhl began collaborating with master cabinetmaker Niels Vodder, and the pair was the buzz of the 1945 Cabinetmakers" Guild exhibition with their expressive, sculptural pieces. One such item was the Model 45 Armchair (1945), which broke from tradition by freeing the upholstered areas from the wood frame.
At age 39, Juhl made his U.S. debut in 1951 at the Good Design exhibit in Chicago and at MoMA in New York, and he represented Denmark in creating the interior of a meeting hall at the United Nations headquarters. A few years later, SAS asked Juhl to redesign the interior of its air terminals in Europe and Asia.
Finn Juhl is still winning awards decades after his death: The Wallpaper Design Award 2010 was awarded to the Baker Sofa (1951) in the category of Best Reissue.

Finn Juhl 1955 Sideboard

Sideboards & Credenzas

Description
Designer

"I wanted to design an armchair for relaxation, in keeping with classic traditions but at the same time mixing in some modern influences," says French designer Patrick Norguet, famous on the international scene for his "french touch".
And so the P22 Armchair arose, a balanced combination of timeless design and comfort, an inviting armchair that stands out also for its modern appearance.
The armchair is available in a version with or without headrest, in a wide range of removable upholstery also in different combinations of fabric and leather for the inner and outer parts according to specific patterns.

Material & Feature:

Molded fiberglass shell with highly resilient urethane foam; back upholstered with leather
Medium firm cushion seat feel (cushion softness customizable)
Fabric, Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
Mix and match colors/materials of the chair components available
Solid American walnut wood legs
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 31.1" x Depth: 34.2" x Height: 44"
Seat Height: 16.1"

* All measurements are approximations.

French designer Patrick Norguet, close to fashion world through his collaboration with Louis Vuitton, Lanvin, Guerlain and Christian Dior, completes his personal formation at the EDSI where he built up a unique approach based on eclecticism and a thorough knowledge of materials and manufacturing processes. In 2000 he opened his personal design office; nowadays, he is involved in industrial and interior design, dedicating himself to create also exhibitions for Van Cleef and Renault. Awarded as "Designer of the Year" in 2005, Norguet belongs to that generation which is making known the "french touch" on the international stage; with his designs he perfectly interprets Cappellini's theory of the union between fashion and design, projecting items of great presence for both sectors, working for innovation but keeping the greatest semplicity. For brands such as Lancel, Cappellini, Poltrona Frau, Flaminia, Frighetto, Molteni&C, Gebruder Thonet Vienna, Maxdesign, Modus, Artifort and Bernhardt he loves to work on emotions and intuition, finding alternative slants on everyday objects and their specific settings.
Some of his works are part of the permanent collections of prestigious museums, such as the Museum of Modern Art in New York.

P22 Armchair

Description
Designer

Created in 1903 for the theater by the infamous Venetial designer Mariano Fortuny, theModern Studio lamp casts a bold, dramatic glow. The shade is set a top a swiveling, tilting tripod base, while the concave interior offers infinite gradations of light.

Material & Feature:

Aluminum shade in black: interior available in white, gold or silver metal leaf finish
Black powder coated steel tripod base has 360 swivel-and-tilt capacity
Height adjustable from 72" to 94"
150W max. T10 bulb Size E26 (sold separately)

Dimensions:

Adjustable Height: 72" - 94" x Diameter: 24"

* All measurements are approximations.

Mariano Fortuny y Madrazo was born in Granada, Spain in 1871 but spent his life in Venice, Italy. Often described as a latter-day "Renaissance Man", Fortuny was an innovator, and a thorough original. He was as well-versed in physics and chemistry as he was in art and design. In 1901 he patented an indirect theatrical lighting system, and constantly refined it thereafter. Perhaps Fortuny's most influential invention is the dimmer switch, first put into practice when he collaborated with Gabriele D'Annunzio on the stage production of the Ricardo Zandonai opera Francesca da Rimini. Fortuny was the first to make use of the opportunities electricity presented to the theater, and the techniques he invented helped to revolutionize stage lighting.

Modern Floor Lamp

Floor Lamps

Description
Designer

The design career of Verner Panton reached its first peak toward the end of the 1950s. With a furniture series based on simple geometric shapes, Panton anticipated elements of Pop Art, while also emulating the elegance of Scandinavian Modernism in the execution of the bases.
The most famous designs from this series are the Cone Chair and the Heart Cone Chair. The Heart Cone Chair takes its name from its heart-shaped silhouette. The extended wings of the backrest are reminiscent of Mickey Mouse ears, but can also be interpreted as a contemporary development of the classic wingback chair.

Material & Feature:

Molded fiberglass shell with highly resilient urethane foam
Fabric upholstery (C.O.M available)
Polished #304 grade stainless steel base with matte finish
360 degree swivel
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 40" x Depth: 24" x Height: 35"
Seating Height: 18.3"

* All measurements are approximations.

Verner Panton, born in Gamtofte, Denmark, studied at Odense Technical College before enrolling at the Royal Danish Academy of Fine Arts in Copenhagen as an architecture student. He worked from 1950-1952 in the architectural firm of Arne Jacobsen and founded an independent studio for architecture and design in 1955. He first attracted wider attention with the geometric forms of his furniture designs for the firm Plus-linje. In the following years Panton created numerous designs for seating furniture and lighting.
Verner Panton's passion for bright colours and geometric patterns manifested itself in an extensive range of textile designs. By fusing the elements of a room" floor, walls, ceiling, furnishings, lighting, textiles and wall panels made of enamel or plastic" into a unified gesamtkunstwerk, Panton's interior installations have attained legendary status. The most famous examples are the 'Visiona' ship installations for the Cologne Furniture Fair (1968 and 1970), the Spiegel publishing headquarters in Hamburg (1969) and the Varna restaurant in Aarhus (1970).

Heart Chair

Description
Designer

The intricate Artichoke Lamp was originally fabricated by architect and lighting innovator Poul Henningsen in 1958. It is a classical masterpiece where it still hangs at Langelinie Pavillonen restaurant in Copenhagen to this day. A viewer can look at the fixture at any angle and they would see only the staggered "leaves", hence not being able to see the light bulb located in the middle.

Material & Feature:

Composed of a series of overlapped brushed stainless steel "leaves" in three finishes: Brushed copper, Brushed silver and Matte powder-coated white
Compatible with E26 Standard light bulb base
Compatible with a wide range of 5W MAX LEDs
Light bulb not included
ETL listed
Fully assembled

Dimensions:

Small - Diameter: 18.9" x Height: 18.5"
Large - Diameter: 28.3" x Height: 26"
Maximum Cord Length : 71"

Poul Henningsen (9 September 1894" 31 January 1967) was a Danish author, critic, architect, and designer, who was one of the leading figures of the cultural life of Denmark between the World Wars. In Denmark, he often is referred to, simply, as PH. His novel designs are featured in many museums. International interest in his work was revived during the 1960s.

Artichoke Lamp

Size

Lighting

Description
Designer

MDF Tulip tables are a new generation of the original Saarinen design that boast an eclectic, minimal design with zero embellishments. So the White Lacquer Tulip Dining Table would be the perfect addition to any home because of its graceful, understated design along with a strong build. It features a simple body of white that has beautiful, seamless curves and a design that could fit in exceptionally well with all sorts of interiors be it modern, classical or contemporary. The White Lacquer Dining Table is easy to assemble and has a large, distinctive presence that would make it the perfect feature object in any interior design.

Material & Feature:

NEW table height: 30" (Standard dining table height)
Beautiful white MDF
Endless options in which to style the table
Showcases the following characteristics: blends in with eclectic, futuristic, minimal elements in any room
Cast-aluminum base with semi-glossy finish
Easy Assembly

Dimensions:

Size 36" - Ø35.43"
Size 40" - Ø40.16"
Size 48" - Ø47.24"
Size 52" - Ø51.97"
Size 60" - Ø60.24"
Table Height: 30"

* All measurements are approximations.

Finnish-American Eero Saarinen (1910 –1961) was famous for varying his style according to the demands of the project. His father taught at the Cranbrook Academy of Art, where Eero took classes and formed relationships with fellow student Florence Knoll. Saarinen studied sculpture at the Académie de la Grande Chaumière in Paris, France, and later at the Yale School of Architecture, completing his studies in 1934. He joined the US Military, where he was assigned to draw illustrations for bomb disassembly manuals and to provide designs for the Situation Room in the White House. He founded his own office in 1950, after his father’s death. His first success, the “Tulip Chair” was produced by the Knoll company, beginning a long relationship between Knoll and Saarinen. While still working for his father, he won the design competition for the Jefferson National Expansion Memorial, in St. Louis, aka the Gateway Arch.

White Lacquer Tulip Dining Table - Round

Dining Tables

Description
Designer

With its gentle curves and an iconic welded wire base the Warren Platner dining table is carefully constructed from reinforced stainless steel rods and a thick tempered glass top. It serves as both an ornamental artpiece as well as a fuctional dining table. Available in Metallic Bronze and Nickel Finish.

Material & Feature:

Top: 10mm thickness tempered glass
Flat beveled edge underneath
Base: Polished #304 grade stainless steel with chrome / gold / black finish

Dimensions:

Width: 53.75" x Depth: 53.75" x Height: 27"
Base Top Diameter: 17.5"
Base Bottom Diameter: 34"

* All measurements are approximations.

American architect and interior designer Warren Platner was born in Baltimore, Maryland in 1919. Platner attended Cornell University, graduating with a degree in architecture in 1941. Shortly after, he began working with legendary architects Raymond Loewy and I.M. Pei from 1945 to 1950, and with Eero Saarinen from 1960 to 1965. During this time he was part of the design process of many historically important projects including the Dulles International Airport, in Washington, D.C., the Repertory Theater at Lincoln Center, and several dormitories for Yale University. Platner joined Kevin Roche's firm as the head of interior design, becoming more involved with interior and industrial design, as he believed that the essence and character of a building's design should come from within.
In 1967, having gained a wealth of expertise and knowledge from working for architect-design luminaries, Platner decided to open his own firm, Platner Associates. Not limiting itself to architecture, it also experimented in furniture design, lighting, textiles, and interiors. From the late 1960s onwards, he exhibited widely and worked on a variety of interior design and architecture projects, including the interior design of the Ford Foundation headquarters (1967) in New York, the Georg Jensen Design Center (1968) also in New York, the interior to the American Restaurant in Kansas (1974), the interiors for Water Tower Place (1976) in Chicago, and the Windows on the World Restaurant (1976) atop the World Trade Center in New York.
In the 1960s, as the modernist movement became more expressive, Platner focused on a quieter aesthetic, wishing to create more graceful structures. In 1966 Platner, in collaboration with Knoll , unveiled the Platner Collection - a series of sleek modern chairs, ottomans and tables that rest on an intricately sculpted base of cylindrical steel rods replicating a moir pattern. Requiring over 1,000 welds for one piece alone, the complex design is a close marriage of architecture and industrial design. Though Platner designed other pieces, the Platner Collection was his most renowned collection that ultimately made a name for himself in furniture design.

Platner Dining Table

Description
Designer

This classic chair was designed in 1962 by Borge Mogensen for use in his home in Gentofte. The Borge Mogenson Chair is very minimal, and the simplicity and classic style have made this line one of Mogensen"s most popular designs. It is upholstered in premium leather on all sides and includes medium-density foam filled seat and back cushions, providing comfortable and spacious seating. This piece is part of a collection that includesthe 2213 Sofa and 2212 Loveseat for a complete living room set.

Material & Feature:

Structure: Frame made from naturally rot resistant Merbau wood; No chemical treatment
Cushions filled with high resiliency foam with feather-down wrap
Medium firm cushion seat feel (cushion softness customizable)
Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
Solid ash legs with natural, walnut and black stain finish
All materials are fire-resistant & non-toxic (Baby Friendly)
Customization available - Request with Customer Service

Dimensions:

Width: 37" x Depth: 32" x Height: 30"
Seat Height: 18" x Depth: 21"

* All measurements are approximations.

Borge Mogensen was born in Aalborg, Denmark. He started as a cabinetmaker in 1934, and studied furniture design at the Danish School of Arts and Crafts in Copenhagen from 1936"38. From 1938-43 he worked at various design studios in Copenhagen, including with Kaare Klint. In 1959 he left FDB"s furniture design studio to found his own design studio. His work has been featured in one-man exhibitions in Zurich, London, New York, Stockholm, Paris and Copenhagen. His furniture, strongly representative of his training as a traditional craftsman, was greatly appreciated by a public who had not yet become interested in modernism and the changes its influence had created on furniture and the decorative arts. He designed a sofa in 1945 with leather ties which allowed the sides to be dropped down. A 1949 chair, claimed by critics to be"a model for future chairs," used a curved, slightly sloping backrest, cut out along the spine in an organic dewdrop shape. He designed a set of simple, sturdy and modest furniture for a seaside cottage in 1959, a very traditional oak table and chair set in 1960 and a set in pine to furnish a"husband"s study" in 1962.

Borge Mogensen 2211 Armchair

Description
Designer

Mogensen, Børge designed the Hunting Chair / model 2229 in 1950 for the autumn exhibition of the Copenhagen Cabinetmakers’ Guild, whose theme that year was ‘The Hunting Lodge’. The chair frame is made of solid wood while seat and back are of vegan - microfiber leather with adjustable straps - a rustic and masculine combination. The chair is easy to move around to different locations in the home.

Material & Feature:

Frame: Solid Oak or American walnut
Wood treatment: Eco oil-based stain
Performance grade Vegan leather in Vintage Leather brown color
All materials are non-toxic (Baby Friendly)

Dimensions:

Width: 35.40" x Depth: 27.60" x Height: 26.80"
Seat Height: 14.20"
Arm Height: 17.90"

* All measurements are approximations.

Borge Mogensen was born in Aalborg, Denmark. He started as a cabinetmaker in 1934, and studied furniture design at the Danish School of Arts and Crafts in Copenhagen from 1936"38. From 1938-43 he worked at various design studios in Copenhagen, including with Kaare Klint. In 1959 he left FDB"s furniture design studio to found his own design studio. His work has been featured in one-man exhibitions in Zurich, London, New York, Stockholm, Paris and Copenhagen. His furniture, strongly representative of his training as a traditional craftsman, was greatly appreciated by a public who had not yet become interested in modernism and the changes its influence had created on furniture and the decorative arts. He designed a sofa in 1945 with leather ties which allowed the sides to be dropped down. A 1949 chair, claimed by critics to be"a model for future chairs," used a curved, slightly sloping backrest, cut out along the spine in an organic dewdrop shape. He designed a set of simple, sturdy and modest furniture for a seaside cottage in 1959, a very traditional oak table and chair set in 1960 and a set in pine to furnish a"husband"s study" in 1962.

Hunting Armchair

Wood

Description

The 'Floating Figure' sculpture by Gaston Lachaise inspired its name. This expansive piece of furniture allows a wide range of sitting and reclining positions and has long established itself as an icon of organic design.

Material & Feature:

Structure: Molded fiberglass shell with shiny white finish (color customization available)
Polished #304 grade stainless steel tubular legs with solid natural ash and walnut stain wood foot; solid wood legs with Natural Ash and Walnut Stain finish
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 59" x Depth: 35.5" x Height: 34.2"

* All measurements are approximations.

La Chaise Chair

Legs

Description
Designer

The PK31 Armchair was originally inspired by Poul Kjaerholm and designed in 1958. This timeless classic designer lounge chair remains a superb example of Poul Kjaerholm realisation of the minimalistic ideal furniture form.
The PK31 stands out with its modern classic design features and maintain its identity in any space and never loose its presence.Our stunning modern reproduction is made to the style of the original design which has trapezoidal armrests that conjure up memories of the stylish seats aboard a transatlantic 707 flight to Paris in the early 60s. The PK31 Chair combines elegant luxury with comfort.

Material & Feature:

Structure: hardwood frame with highly resilient urethane foam for back & seat ; t reated for durability & pests control using a non-toxic Kiln-dried treatment
Cushions: high elasticity dacron-wrapped foam with genuine down feather layer
Medium firm cushion seat feel (cushion softness customizable)
Fabric, Top Grain/Aniline Leather upholstery (C.O.M available)
Highly polished #304 grade stainless steel legs with brushed finish
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 30" x Depth: 31" x Height: 32"
Seat Height: 16"
Armrest Height: 19"

* All measurements are approximations.

Poul Kjrholm (1929-1980) was a trained carpenter and continued his studies at the Danish School of Arts and Crafts. He had a particular interest in different construction materials; especially steel which he considered a natural material with the same artistic fineness as other natural materials. Poul Kjrholm was employed at Fritz Hansen for about a year, where he designed a number of noteworthy chair prototypes. In 1955 Poul Kjrholm initiated his collaboration with manufacturer Ejvind Kold Christensen, which lasted until Poul Kjrholm"s death in 1980. In 1982, Fritz Hansen took over the production and sales of"The Kjrholm Collection", developed from 1951 to 1967, designs, which are logical to the minute detail with an aura of exclusivity. In 2007 Fritz Hansen added two new pieces to the Kjrholm Collection. Pieces that were never in production before, the PK8 side chair and PK58 dining table.

Pk31 Armchair

Description
Designer

This chair was designed by Le Corbusier (LC) in 1928, and is also commonly referred to as the Basculant Chair because the back section of the chair swivels to provide added comfort. The solid one-piece frame is made of tubular steel with polished chrome plating, and the leather is thick saddle leather with a smooth finish. This is a low-sitting chair with a compact foot print.

Material & Feature:

Frame structure: highly polished #304 grade tubular stainless steel frame with chrome finish; silver welded joints
Heavy duty stainless steel screws and springs for back & seat
Premium Top Grain / Aniline, cowhide leather upholstery (C.O.M available)
All materials are fire-resistant & non-toxic (Baby friendly)
Dye lots may vary slightly

Dimensions:

Width: 24" x Depth: 24" x Height: 26"
Seat Height: 16" x Depth: 13"
Armrest Height: 22"

* All measurements are approximations.

He was born as Charles-douard Jeanneret-Gris (1887-1914) in La Chaux-de-Fonds, a small city in Neuchtel canton in north-western Switzerland, in the Jura mountains, just 5 kilometres (3.1 mi) across the border from France.
Le Corbusier began experimenting with furniture design in 1928 after inviting the architect, Charlotte Perriand, to join his studio. His cousin, Pierre Jeanneret, also collaborated on many of the designs. Before the arrival of Perriand, Le Corbusier relied on ready-made furniture to furnish his projects, such as the simple pieces manufactured by Thonet, the company that manufactured his designs in the 1930s.
In 1928, Le Corbusier and Perriand began to put the expectations for furniture Le Corbusier outlined in his 1925 book L'Art Dcoratif d'aujourd'hui into practice. In the book he defined three different furniture types: type-needs, type-furniture, and human-limb objects. He defined human-limb objects as:"Extensions of our limbs and adapted to human functions that are type-needs and type-functions, therefore type-objects and type-furniture. The human-limb object is a docile servant. A good servant is discreet and self-effacing in order to leave his master free. Certainly, works of art are tools, beautiful tools. And long live the good taste manifested by choice, subtlety, proportion, and harmony".
The first results of the collaboration were three chrome-plated tubular steel chairs designed for two of his projects, The Maison la Roche in Paris and a pavilion for Barbara and Henry Church. The line of furniture was expanded for Le Corbusier's 1929 Salon d'Automne installation,"Equipment for the Home".

Le Corbusier Lc1 Sling Chair

Description
Designer

The elegant Armchair designed half a century ago by the acclaimed Dane Brge Mogensen comprises a sophisticated outlook with no compromise on comfort. Its geometrical, clean lines follow the simple, yet functional ideology innate to Danish furniture design. The trendy appeal of the design characterizes Mogensen"s ability to encapsulate that timeless charm in all of his work. The armchair is created with the notion of maximum comfort and its padded cushions are a great addition to the relaxation feature of the furniture.

Material & Feature:

Structure: Frame made from naturally rot resistant Merbau wood; No chemical treatment

Cushions filled with high resiliency foam with feather-down wrap
Medium firm cushion seat feel (cushion softness customizable)
Fabric, Top Grain / Aniline / Vintage Leather Leather upholstery (C.O.M available)
Solid ash legs with natural or walnut finish
All materials are fire-resistant & non-toxic (Baby Friendly)

Dimensions:

Width: 27.5" x Depth: 34.6" x Height: 41"
Seat Height: 17"

* All measurements are approximations.

Borge Mogensen was born in Aalborg, Denmark. He started as a cabinetmaker in 1934, and studied furniture design at the Danish School of Arts and Crafts in Copenhagen from 1936"38. From 1938-43 he worked at various design studios in Copenhagen, including with Kaare Klint. In 1959 he left FDB"s furniture design studio to found his own design studio. His work has been featured in one-man exhibitions in Zurich, London, New York, Stockholm, Paris and Copenhagen. His furniture, strongly representative of his training as a traditional craftsman, was greatly appreciated by a public who had not yet become interested in modernism and the changes its influence had created on furniture and the decorative arts. He designed a sofa in 1945 with leather ties which allowed the sides to be dropped down. A 1949 chair, claimed by critics to be"a model for future chairs," used a curved, slightly sloping backrest, cut out along the spine in an organic dewdrop shape. He designed a set of simple, sturdy and modest furniture for a seaside cottage in 1959, a very traditional oak table and chair set in 1960 and a set in pine to furnish a"husband"s study" in 1962.