Handmade in Denmark.

Details
Origin

This refined and striking raw faceted bowl demonstrates perfectly how Robynn Storgaard's rejection of ornamentation emphasises the forms and materials of her ceramics. This bowl was thrown on the wheel and made using locally sourced Scandinavian clays, developed and refined in Robynn's studio. The interior of the bowl is smoothly textured and glazed with one of a number of glaze recipes that Robynn has acquired from mentors and friends and subsequently enhanced to suit her clay bodies and surface treatments.
The hand of the maker is made evident and reveals the artistic process. Imperfections are embraced in Robynn's objects, which are made to become more beautiful, valuable and meaningful to the user over time and through use. This bowl  is timeless and will be a wonderful addition to everyday life and all meals.

Dimensions: W-15 cm x H-8cm

As all products are handmade sizes and colour may vary slightly.

Robynn Storgaard is a Copenhagen-based maker and ceramicist originally from Canada, who has lived in many cities across the world, including Osaka and Los Angeles. Robynn’s ceramic practice follows a career as an architectural designer, during which she studied large scale building ceramics.

Robynn’s pieces are concerned with slow living and conscious consumption and intended to bring joy to everyday life. Made from locally and sustainable sourced materials, Robynn’s work originates on the wheel and is hand-made with exquisite craftsmanship, enabling it to last generations. Her pieces are meant to be keepsakes, made ‘ For the Sake of Keeping,’ the antithesis of the disposable nature of contemporary times.

Unique, carefully curated hand crafted ceramics, wood, clothing, stoneware. Contemporary pure organic shibumi aesthetic and design. British, Japanese artists.

Maud and Mabel

Robynn Storgaard Medium Raw Faceted Bowl 5

Title

Serving Bowls

Handmade in UK

Details
Origin

Beautiful Rhossili glass small clear bowl.
"With glass the element of surprise is how beautiful bubbles and depth can be achieved. This is dependent on how the glass folds and melts when being cast for several days in a kiln. While this offers fluidity and movement the modelling and finishing processes are always very controlled; the forms I make are symmetrical and there needs to be real clarity in the surface finish. Models are made with varying thicknesses. Glass pools into these shapes, creating subtle changes in colour. Light interacts with polished and satin surfaces, reflecting and refracting in beautiful ways."

Dimensions: H-4 cm x W-7 cm

Celia Dowson is an artist whose ceramics and cast glass objects go far beyond their functional use. Celia graduated with a BA in Ceramic Design from Central Saint Martins in 2014, before receiving her MA in Ceramics and Glass from the Royal College of Art in 2018.
Celia works with the different properties of glass and porcelain to evoke the movement of nature in different ways. Her porcelain vessels represent evolving landscapes, mountainscapes and seascapes through marks and gestures. Her glass pieces vary in thickness, causing subtle gradations in colour. This reflects the colours, changing light and mystery of the natural world.
Celia’s work has been exhibited widely and is part of two museum collections, Bullseye Projects in Portland, USA and the New Taipei City Yingge Ceramics Museum, Taiwan. Her unique and skillful manipulation of ceramics and glass have earned her awards such as the 2020 Wallpaper* Design Award and the 2019 FRANZ Rising Star Award.

Celia Dowson Rhossili Glass Small Clear Bowl

Handmade in Kyoto, Japan.

Details
Origin

Hand thrown and carved porcelain bowl.
Dimensions: W 17cm  x H 9cm

As all products are handmade sizes and colour may vary slightly.

Masako Nakagami is a Japanese ceramicist working in a range of techniques including hand building and wheel throwing to create her curved forms that feature expressive surface textures.
Masako worked at Kyoto University of Art and Design as an assistant teacher in the Department of Ceramics before moving to the UK and setting up her studio in East London. Now back in Kyoto, Masako exports her ceramics throughout the world.

Masako Nakagami Large Porcelain Uragi Bowl 1

Handmade in Denmark.

Details
Origin

This whitewashed carved bowl demonstrates perfectly how Robynn Storgaard's rejection of ornamentation emphasises the forms and materials of her ceramics. This bowl was thrown on the wheel and made using locally sourced Scandinavian clays, developed and refined in Robynn's studio. The bowl is very tactile, with interesting ridges that reveal the hand of the maker and display the artistic process. The smooth texture is due to its overall glazing with one of a number of glaze recipes that Robynn has acquired from mentors and friends and subsequently enhanced to suit her clay bodies and surface treatments.
Imperfections are embraced in Robynn's objects, which are made to become more beautiful, valuable and meaningful to the user over time and through use. This bowl  is timeless and will be a wonderful addition to everyday life and all meals.

Dimensions: W-14 cm x H-8cm

As all products are handmade sizes and colour may vary slightly.

Robynn Storgaard is a Copenhagen-based maker and ceramicist originally from Canada, who has lived in many cities across the world, including Osaka and Los Angeles. Robynn’s ceramic practice follows a career as an architectural designer, during which she studied large scale building ceramics.

Robynn’s pieces are concerned with slow living and conscious consumption and intended to bring joy to everyday life. Made from locally and sustainable sourced materials, Robynn’s work originates on the wheel and is hand-made with exquisite craftsmanship, enabling it to last generations. Her pieces are meant to be keepsakes, made ‘ For the Sake of Keeping,’ the antithesis of the disposable nature of contemporary times.

Robynn Storgaard Medium Carved Bowl 4.2

Handmade in England.

Details
Origin

Hand thrown vitrified porcelain bowl with intricate chatting detail.
Dimensions: w-15cm x h-15cm

As all products are handmade sizes and colour may vary slightly.

London based ceramic artist Abigail Schama came to pottery from painting.  Abigail Schama’s hand thrown, stoneware bowls tell stories through surface. Any bowl is basic and universal in its meaning.  The process of building up and then turning the form creates their skin and character. Abigail relies on the processes of slipping and chattering; words which describe human contact. These pieces are about imprinting the imperfect, unexpected and unrepeatable marks of a human hand on the most primal and unchanging material.

Abigail Schama Porcelain Bowl With Gold Lustre

Handmade in England.

Details
Origin

"I aim for balanced form, attention to detail and life; I would love the ability to produce pots of a calibre that would make people catch their breath – however  for now, if I can occasionally stir the heart, I’ll be content.”
Dimensions: W-22cm x H-7cm

As all products are handmade sizes and colour may vary slightly.

In his small studio, Peter formerly worked with fine white clays that he blended to his own recipes; however, more recent work has been undertaken with a blend of English porcelain from Valentine Clays. His current production is almost exclusively one-off bowls and vases. Most work is thrown on a potter’s wheel, raw-glazed when bone dry and once fired to 1280°C. The lure of new glazes he finds irresistible and he is constantly experimenting with and developing new glaze recipes. He is a member of South Wales Potters, and a Professional member of The Craft Potters Association of Great Britain.

Peter Wills Yellow Porcelain Bowl 11

Handmade in UK

Details
Origin

Rhossili glass bowl in misty grey.
"With glass the element of surprise is how beautiful bubbles and depth can be achieved. This is dependent on how the glass folds and melts when being cast for several days in a kiln. While this offers fluidity and movement the modelling and finishing processes are always very controlled; the forms I make are symmetrical and there needs to be real clarity in the surface finish. Models are made with varying thicknesses. Glass pools into these shapes, creating subtle changes in colour. Light interacts with polished and satin surfaces, reflecting and refracting in beautiful ways."

Dimensions: H-4 cm x W-7 cm

Celia Dowson is a British artist and graduate of the Royal College of Art, where she specialised in both ceramics and cast glass. Celia received an MA from the Royal College of Art, 2018, and a BA (Hons) in Ceramic Design from the University of the Arts London, Central Saint Martins, 2014. Her most recent exhibitions include Collect 2020 at Somerset House and Future Heritage 2019 at Decorex International. Celia’s work is part of two museum collections, Bullseye Projects in Portland, USA and the New Taipei City Yingge Ceramics Museum, Taiwan, where she completed a 3 month ceramics residency in 2019.

Celia Dowson Rhossili Glass Small Bowl In Misty Grey

Handmade in Japan

Details
Origin

This small round bowl is made from black clay from Tokomame, where Tetsuya Ozawa lives and works. Strong, yet light-weight, its simple form accentuates the piece's surface. Ozawa applies a traditional Japanese glaze, Chara, and uses ‘kofuki’, a dusting technique, to create his interesting uneven and organic surfaces which offer glimpses to the material underneath. Following the firing process, white soil is applied in a thin layer, enhancing the rough texture of the piece.

Ozawa's designs are created in a way that leave them open to interpretation and multiple uses and purposes. His tableware is made 'imperfect' with the hope that the pieces will continually evolve through daily use. This characterful bowl is simultaneously precious and enticing to use, and is sure to bring joy to meals.

Dimensions: H-6 cm x W-19 cm

As all products are handmade, sizes and colour may vary slightly.

Tetsuya Ozawa originates from Tajimi, Gifu Prefecture, but now lives in Tokomame City, Aichi Prefecture, which has been celebrated for its ceramic production since the Heian Period (794-1185). Ozawa’s decision to be a ceramicist was made early on, and he graduated in 2008 with a degree in Japanese Fine Arts from Nagoya University. He went on to train under Yoshikawa Masamichi. Ozawa’s tableware creations reconcile inspiration taken from modern crafts, tea culture and folk arts.

Tetsuya Ozawa Cream Medium Rim Bowl 57

Handmade in Japan

Details
Origin

This large round bowl is made from black clay from Tokomame, where Tetsuya Ozawa lives and works. Strong, yet light-weight, its simple form accentuates the piece's surface. Ozawa applies a traditional Japanese glaze, Chara, and uses ‘kofuki’, a dusting technique, to create his interesting uneven and organic surfaces which offer glimpses to the material underneath. Following the firing process, white soil is applied in a thin layer, enhancing the rough texture of the piece.

Ozawa's designs are created in a way that leave them open to interpretation and multiple uses and purposes. His tableware is made 'imperfect' with the hope that the pieces will continually evolve through daily use. This characterful bowl is simultaneously precious and enticing to use, and is sure to bring joy to meals.

Dimensions: H-6 cm x W-24 cm

As all products are handmade, sizes and colour may vary slightly.

Tetsuya Ozawa originates from Tajimi, Gifu Prefecture, but now lives in Tokomame City, Aichi Prefecture, which has been celebrated for its ceramic production since the Heian Period (794-1185). Ozawa’s decision to be a ceramicist was made early on, and he graduated in 2008 with a degree in Japanese Fine Arts from Nagoya University. He went on to train under Yoshikawa Masamichi. Ozawa’s tableware creations reconcile inspiration taken from modern crafts, tea culture and folk arts.

Tetsuya Ozawa Cream Large Round Bowl 54

Handmade in UK

Details
Origin

Beautiful Rhossili glass clear platter.
"With glass the element of surprise is how beautiful bubbles and depth can be achieved. This is dependent on how the glass folds and melts when being cast for several days in a kiln. While this offers fluidity and movement the modelling and finishing processes are always very controlled; the forms I make are symmetrical and there needs to be real clarity in the surface finish. Models are made with varying thicknesses. Glass pools into these shapes, creating subtle changes in colour. Light interacts with polished and satin surfaces, reflecting and refracting in beautiful ways."

Dimensions: H-2.5 cm x W-21cm

Celia Dowson is an artist whose ceramics and cast glass objects go far beyond their functional use. Celia graduated with a BA in Ceramic Design from Central Saint Martins in 2014, before receiving her MA in Ceramics and Glass from the Royal College of Art in 2018.
Celia works with the different properties of glass and porcelain to evoke the movement of nature in different ways. Her porcelain vessels represent evolving landscapes, mountainscapes and seascapes through marks and gestures. Her glass pieces vary in thickness, causing subtle gradations in colour. This reflects the colours, changing light and mystery of the natural world.
Celia’s work has been exhibited widely and is part of two museum collections, Bullseye Projects in Portland, USA and the New Taipei City Yingge Ceramics Museum, Taiwan. Her unique and skillful manipulation of ceramics and glass have earned her awards such as the 2020 Wallpaper* Design Award and the 2019 FRANZ Rising Star Award.

Celia Dowson Rhossili Glass Small Clear Platter

Serving Platters

Handmade in UK.

Details
Origin

These small bowls are individually slip cast from vitrified earthenware, fired at high temperatures until it is no longer porous and polished to give a pebble like finish. Quiet and minimal with soft tones.

Dimensions: W-10cm x H-4cm

As all products are handmade sizes and colour may vary slightly.

Inspired by the everyday, Sue Pryke aims to create her own collection of objects that sit comfortably in the home.  Sue Pryke is a British homeware designer, who started her journey into ceramics at a small pottery in Lincolnshire. After graduation Sue’s first job was at Wedgwood as a shape designer, guided by the design team she was taught to understand the breadth of ceramic form. Sue found the challenge of the precision absorbing and the repetitive nature satisfying.

Sue Pryke Tapas Bowl

Colour

Handmade in England.

Details
Origin

Hand thrown vitrified porcelain bowl with intricate chatting detail.
Dimensions: w-20cm x h-14cm

As all products are handmade sizes and colour may vary slightly.

London based ceramic artist Abigail Schama came to pottery from painting.  Abigail Schama’s hand thrown, stoneware bowls tell stories through surface. Any bowl is basic and universal in its meaning.  The process of building up and then turning the form creates their skin and character. Abigail relies on the processes of slipping and chattering; words which describe human contact. These pieces are about imprinting the imperfect, unexpected and unrepeatable marks of a human hand on the most primal and unchanging material.

Handmade in England.

Details
Origin

"I aim for balanced form, attention to detail and life; I would love the ability to produce pots of a calibre that would make people catch their breath – however  for now, if I can occasionally stir the heart, I’ll be content.”
Dimensions: W-19cm x H-7cm

As all products are handmade sizes and colour may vary slightly.

In his small studio, Peter formerly worked with fine white clays that he blended to his own recipes; however, more recent work has been undertaken with a blend of English porcelain from Valentine Clays. His current production is almost exclusively one-off bowls and vases. Most work is thrown on a potter’s wheel, raw-glazed when bone dry and once fired to 1280°C. The lure of new glazes he finds irresistible and he is constantly experimenting with and developing new glaze recipes. He is a member of South Wales Potters, and a Professional member of The Craft Potters Association of Great Britain.

Peter Wills Yellow Porcelain Bowl 13

Handmade in Australia.

Details
Origin

Hand built and pinched bowl with elegant stemmed foot.  Soft, light natural glaze, highlighting the bowls texture and form.

Dimensions: w- 21 cm x h-5cm

As all products are handmade sizes and colour may vary slightly.

Connie Augoustinos is an emerging artist and maker creating ceramic sculptural vessels reminiscent of neolithic artefacts. She undertook a Bachelor of Visual Art, specializing in Ceramics at University of South Australia, then went on to complete the associate training program at JamFactory where her studio now resides. Her work considers nature and the human body. Her practise predominantly uses the coil hand-building and pinching techniques, playing with scale and surface. The slow process of hand-making is reflected in the product – each piece is unique, imbued with patience and meaning.
“ I want to evoke a sense of ‘otherworldliness’ and curiosity in my vessels. Investigating qualities of scale, form and surface are an integral part of my creative process. Larger one-off pieces give me the freedom to create uninhibitedly, whilst smaller series of multiples are great rhythmic exercises. ”

Connie Augoustinos Footed Bowl

Handmade in Denmark.

Details
Origin

This carved bowl demonstrates perfectly how Robynn Storgaard's rejection of ornamentation emphasises the forms and materials of her ceramics. This bowl was thrown on the wheel and was made using locally sourced Scandinavian clays, developed and refined in Robynn's studio. The bowl is very tactile, with interesting ridges that reveal the hand of the maker and display the artistic process. The smooth texture is due to its overall glazing with one of a number of glaze recipes that Robynn has acquired from mentors and friends and subsequently enhanced to suit her clay bodies and surface treatments.
Imperfections are embraced in Robynn's objects, which are made to become more beautiful, valuable and meaningful to the user over time and through use. This bowl  is timeless and will be a wonderful addition to everyday life and all meals.

Dimensions: W-15 cm x H-7cm

As all products are handmade sizes and colour may vary slightly.

Robynn Storgaard is a Copenhagen-based maker and ceramicist originally from Canada, who has lived in many cities across the world, including Osaka and Los Angeles. Robynn’s ceramic practice follows a career as an architectural designer, during which she studied large scale building ceramics.

Robynn’s pieces are concerned with slow living and conscious consumption and intended to bring joy to everyday life. Made from locally and sustainable sourced materials, Robynn’s work originates on the wheel and is hand-made with exquisite craftsmanship, enabling it to last generations. Her pieces are meant to be keepsakes, made ‘ For the Sake of Keeping,’ the antithesis of the disposable nature of contemporary times.

Robynn Storgaard Medium Carved Bowl 4.3

Handmade in UK

Details
Origin

Rhossili glass medium plate in Juniper green.
"With glass the element of surprise is how beautiful bubbles and depth can be achieved. This is dependent on how the glass folds and melts when being cast for several days in a kiln. While this offers fluidity and movement the modelling and finishing processes are always very controlled; the forms I make are symmetrical and there needs to be real clarity in the surface finish. Models are made with varying thicknesses. Glass pools into these shapes, creating subtle changes in colour. Light interacts with polished and satin surfaces, reflecting and refracting in beautiful ways."

Dimensions: H-4 cm x W-7 cm

Celia Dowson is an artist whose ceramics and cast glass objects go far beyond their functional use. Celia graduated with a BA in Ceramic Design from Central Saint Martins in 2014, before receiving her MA in Ceramics and Glass from the Royal College of Art in 2018.
Celia works with the different properties of glass and porcelain to evoke the movement of nature in different ways. Her porcelain vessels represent evolving landscapes, mountainscapes and seascapes through marks and gestures. Her glass pieces vary in thickness, causing subtle gradations in colour. This reflects the colours, changing light and mystery of the natural world.
Celia’s work has been exhibited widely and is part of two museum collections, Bullseye Projects in Portland, USA and the New Taipei City Yingge Ceramics Museum, Taiwan. Her unique and skillful manipulation of ceramics and glass have earned her awards such as the 2020 Wallpaper* Design Award and the 2019 FRANZ Rising Star Award.

Celia Dowson Rhossili Glass Small Bowl In Juniper Green

Handmade in England.

Details
Origin

"I aim for balanced form, attention to detail and life; I would love the ability to produce pots of a calibre that would make people catch their breath – however  for now, if I can occasionally stir the heart, I’ll be content.”
Dimensions: W-21cm x H-7cm

As all products are handmade sizes and colour may vary slightly.

In his small studio, Peter formerly worked with fine white clays that he blended to his own recipes; however, more recent work has been undertaken with a blend of English porcelain from Valentine Clays. His current production is almost exclusively one-off bowls and vases. Most work is thrown on a potter’s wheel, raw-glazed when bone dry and once fired to 1280°C. The lure of new glazes he finds irresistible and he is constantly experimenting with and developing new glaze recipes. He is a member of South Wales Potters, and a Professional member of The Craft Potters Association of Great Britain.

Peter Wills Yellow Porcelain Bowl 17

Handmade in UK

Details
Origin

Brickett Davda produces a range of beautifully simple handmade tableware inspired by a very English palette. The colours reflect the grey skies and the sea of the British coast and countryside, pigments that are calm and serene.
The shapes are conceived and designed from pure, functional objects, cherished and worn by use. The most important aspect of Brickett Davda’s work is that every piece inspires and enhances cooking and eating, with friends and family.

Dimensions: w 26 x h 3.5 cm

As all products are handmade sizes and colour may vary slightly.

(2020) Brickett Davda Pasta Plate

Handmade in Japan

Details
Origin

This cream bowl is made from black clay from Tokomame, where Tetsuya Ozawa lives and works. Strong, yet light-weight, its simple form accentuates the piece's surface. Ozawa applies a traditional Japanese glaze, Chara, and uses ‘kofuki’, a dusting technique, to create his interesting uneven and organic surfaces which offer glimpses to the material underneath. Following the firing process, white soil is applied in a thin layer, enhancing the rough texture of the piece.

Ozawa's designs are created in a way that leave them open to interpretation and multiple uses and purposes. His tableware is made 'imperfect' with the hope that the pieces will continually evolve through daily use. This characterful bowl is simultaneously precious and enticing to use, and is sure to bring joy to meals.

Dimensions: H-20 cm x W-5 cm

As all products are handmade, sizes and colour may vary slightly.

Tetsuya Ozawa originates from Tajimi, Gifu Prefecture, but now lives in Tokomame City, Aichi Prefecture, which has been celebrated for its ceramic production since the Heian Period (794-1185). Ozawa’s decision to be a ceramicist was made early on, and he graduated in 2008 with a degree in Japanese Fine Arts from Nagoya University. He went on to train under Yoshikawa Masamichi. Ozawa’s tableware creations reconcile inspiration taken from modern crafts, tea culture and folk arts.

Tetsuya Ozawa Cream Stemmed Bowl 61

Handmade in Japan

Details
Origin

This cream medium plate is made from black clay from Tokomame, where Tetsuya Ozawa lives and works. Strong, yet light-weight, its simple form accentuates the piece's surface. Ozawa applies a traditional Japanese glaze, Chara, and uses ‘kofuki’, a dusting technique, to create his interesting uneven and organic surfaces. Glimpses to the material underneath are achieved through a technique comparable to abstract drawing. Following the firing process, white soil is applied in a thin layer, enhancing the rough texture of the piece.

Ozawa's designs are created in a way that leave them open to interpretation and multiple uses and purposes. His tableware is made 'imperfect' with the hope that the pieces will continually evolve through daily use. This characterful plate is simultaneously precious and enticing to use, and is sure to bring joy to meals.

Dimensions:
Large; H-2 cm x W-27 cm
Medium; H-2 cm x W-22.5 cm
Small; H-1.5 cm x W-19.5 cm

As all products are handmade, sizes and colour may vary slightly.

Tetsuya Ozawa originates from Tajimi, Gifu Prefecture, but now lives in Tokomame City, Aichi Prefecture, which has been celebrated for its ceramic production since the Heian Period (794-1185). Ozawa’s decision to be a ceramicist was made early on, and he graduated in 2008 with a degree in Japanese Fine Arts from Nagoya University. He went on to train under Yoshikawa Masamichi. Ozawa’s tableware creations reconcile inspiration taken from modern crafts, tea culture and folk arts.

Tetsuya Ozawa Cream Plates

Size

Handmade in Denmark.

Details
Origin

This carved bowl demonstrates perfectly how Robynn Storgaard's rejection of ornamentation emphasises the forms and materials of her ceramics. This bowl was thrown on the wheel and made using locally sourced Scandinavian clays, developed and refined in Robynn's studio. The bowl is very tactile, with interesting ridges that reveal the hand of the maker and display the artistic process. The light tones and smooth texture is due to its overall glazing with one of a number of glaze recipes that Robynn has acquired from mentors and friends and subsequently enhanced to suit her clay bodies and surface treatments.
Imperfections are embraced in Robynn's objects, which are made to become more beautiful, valuable and meaningful to the user over time and through use. This bowl  is timeless and will be a wonderful addition to everyday life and all meals.

Dimensions: W-14 cm x H-8cm

As all products are handmade sizes and colour may vary slightly.

Robynn Storgaard is a Copenhagen-based maker and ceramicist originally from Canada, who has lived in many cities across the world, including Osaka and Los Angeles. Robynn’s ceramic practice follows a career as an architectural designer, during which she studied large scale building ceramics.

Robynn’s pieces are concerned with slow living and conscious consumption and intended to bring joy to everyday life. Made from locally and sustainable sourced materials, Robynn’s work originates on the wheel and is hand-made with exquisite craftsmanship, enabling it to last generations. Her pieces are meant to be keepsakes, made ‘ For the Sake of Keeping,’ the antithesis of the disposable nature of contemporary times.

Robynn Storgaard Medium Carved Bowl 4.4

Stoneware, hand-thrown ceramic bowl with a white, pale grey painterly finish and deep charcoal markings and a lightly gilded gold rim. Handmade in England.

Details
Origin

This bowl is wheel thrown in different combinations of dark and light stoneware. Abigail plays with a palette of dolomite and transparent glazes. Some pieces undergo a further firing to be lightly gilded with (24 carat) gold lustre. All glazes are food safe.
Dimensions: Approx. W 31 cm x H 13.5 cm

As all products are handmade sizes and colour may vary slightly.

London based ceramic artist Abigail Schama came to pottery from painting. Abigail Schama’s hand-thrown, stoneware bowls tell stories through surface. Any bowl is basic and universal in its meaning.  The process of building up and then turning the form creates their skin and character. Abigail relies on the processes of slipping and chattering; words which describe human contact. These pieces are about imprinting the imperfect, unexpected and unrepeatable marks of a human hand on the most primal and unchanging material.
'A glint of gold lustre can break up the clay’s earthy character while honouring the quirks in its skin and contours.'

Abigail Schama Bowl With Gold Lustre

Handmade.

Details
Origin

Grey porcelain round bowl, hand thrown and glazed by Korean ceramicist Jae Jun Lee, with delicate signature emboss detail.
Dimensions:  W-8 cm  x  H-6.5 cm

As all products are handmade sizes and colour may vary slightly.

Jae Jun Lee first exhibited in London at the Saatchi Gallery ‘Collect’ exhibition in 2013 and has been invited back to ‘Collect’ every year since. Widely exhibited since 2013 in Seoul, Taipei, Munich, and London including ‘Ceramic Art London’ at Central Saint Martins.

Jae Jun Lee Grey Round Bowl

Handmade in Japan

Details
Origin

This cream rectangle plate is made from black clay from Tokomame, where Tetsuya Ozawa lives and works. Strong, yet light-weight, its simple form accentuates the piece's surface. Ozawa applies a traditional Japanese glaze, Chara, and uses ‘kofuki’, a dusting technique, to create his interesting uneven and organic surfaces. Glimpses to the material underneath are achieved through a technique comparable to abstract drawing. Following the firing process, white soil is applied in a thin layer, enhancing the rough texture of the piece.

Ozawa's designs are created in a way that leave them open to interpretation and multiple uses and purposes. His tableware is made 'imperfect' with the hope that the pieces will continually evolve through daily use. This characterful plate is simultaneously precious and enticing to use, and is sure to bring joy to meals.

Dimensions: H-28.5 cm x W-14.5 cm

As all products are handmade, sizes and colour may vary slightly.

Tetsuya Ozawa originates from Tajimi, Gifu Prefecture, but now lives in Tokomame City, Aichi Prefecture, which has been celebrated for its ceramic production since the Heian Period (794-1185). Ozawa’s decision to be a ceramicist was made early on, and he graduated in 2008 with a degree in Japanese Fine Arts from Nagoya University. He went on to train under Yoshikawa Masamichi. Ozawa’s tableware creations reconcile inspiration taken from modern crafts, tea culture and folk arts.

Tetsuya Ozawa Cream Rectangle Plate 55

Handmade in UK

Details
Origin

Rhossili glass medium plate in Juniper green.
"With glass the element of surprise is how beautiful bubbles and depth can be achieved. This is dependent on how the glass folds and melts when being cast for several days in a kiln. While this offers fluidity and movement the modelling and finishing processes are always very controlled; the forms I make are symmetrical and there needs to be real clarity in the surface finish. Models are made with varying thicknesses. Glass pools into these shapes, creating subtle changes in colour. Light interacts with polished and satin surfaces, reflecting and refracting in beautiful ways."

Dimensions: H-2.5 cm x W-25cm

Celia Dowson is an artist whose ceramics and cast glass objects go far beyond their functional use. Celia graduated with a BA in Ceramic Design from Central Saint Martins in 2014, before receiving her MA in Ceramics and Glass from the Royal College of Art in 2018.
Celia works with the different properties of glass and porcelain to evoke the movement of nature in different ways. Her porcelain vessels represent evolving landscapes, mountainscapes and seascapes through marks and gestures. Her glass pieces vary in thickness, causing subtle gradations in colour. This reflects the colours, changing light and mystery of the natural world.
Celia’s work has been exhibited widely and is part of two museum collections, Bullseye Projects in Portland, USA and the New Taipei City Yingge Ceramics Museum, Taiwan. Her unique and skillful manipulation of ceramics and glass have earned her awards such as the 2020 Wallpaper* Design Award and the 2019 FRANZ Rising Star Award.

Celia Dowson Rhossili Glass Medium Plate In Juniper Green

Handmade in UK

Details
Origin

Brickett Davda produces a range of beautifully simple handmade tableware inspired by a very English palette. The colours reflect the grey skies and the sea of the British coast and countryside, pigments that are calm and serene.
The shapes are conceived and designed from pure, functional objects, cherished and worn by use. The most important aspect of Brickett Davda’s work is that every piece inspires and enhances cooking and eating, with friends and family.

Dimensions: w 25.5 x h 4cm

As all products are handmade sizes and colour may vary slightly.

(2020) Brickett Davda Pasta Bowl

Dining Bowls

Handmade in UK

Details
Origin

Rhossili glass beaker in indigo blue.
"With glass the element of surprise is how beautiful bubbles and depth can be achieved. This is dependent on how the glass folds and melts when being cast for several days in a kiln. While this offers fluidity and movement the modelling and finishing processes are always very controlled; the forms I make are symmetrical and there needs to be real clarity in the surface finish. Models are made with varying thicknesses. Glass pools into these shapes, creating subtle changes in colour. Light interacts with polished and satin surfaces, reflecting and refracting in beautiful ways."

Dimensions: H-6 cm x W-6 cm

Celia Dowson is an artist whose ceramics and cast glass objects go far beyond their functional use. Celia graduated with a BA in Ceramic Design from Central Saint Martins in 2014, before receiving her MA in Ceramics and Glass from the Royal College of Art in 2018.
Celia works with the different properties of glass and porcelain to evoke the movement of nature in different ways. Her porcelain vessels represent evolving landscapes, mountainscapes and seascapes through marks and gestures. Her glass pieces vary in thickness, causing subtle gradations in colour. This reflects the colours, changing light and mystery of the natural world.
Celia’s work has been exhibited widely and is part of two museum collections, Bullseye Projects in Portland, USA and the New Taipei City Yingge Ceramics Museum, Taiwan. Her unique and skillful manipulation of ceramics and glass have earned her awards such as the 2020 Wallpaper* Design Award and the 2019 FRANZ Rising Star Award.

Celia Dowson Rhossili Glass Sake Cup In Indigo Blue

Drink & Glassware

Handmade in UK

Details
Origin

Brickett Davda produces a range of beautifully simple handmade tableware inspired by a very English palette. The colours reflect the grey skies, the countryside and the sea off the British coast; pigments that are calm and serene.
The shapes are conceived and designed from pure, functional objects, cherished and worn by use. The most important aspect of Brickett Davda’s work is that every piece inspires and enhances cooking and eating, with friends and family.

Dimensions: w 19cm x  h 7cm

As all products are handmade sizes and colour may vary slightly.

(2020) Brickett Davda Soup Bowl

Handmade in Finland

Details
Origin

A beautiful set of 15 spoons on cloth. Each piece has been made by hand through a process of slip casting. Characterised by a simple yet strong shape; the pure colour pallet is subtle with a matt finish and glazed interior. Signed by the maker.

Dimensions:      L49cm x W13cm

As all products are handmade sizes and colour may vary slightly.

Nathalie Lahdenmäki ceramics are all handmade from the mixing of the clay bodies to the glaze. Nathalie studied University of Art and Design Helsinki (UIAH). She is both a Finnish and French national and works as a researcher and teacher.

(se) Nathalie Lautenbacher Spoon Installation

Flatware

Handmade in UK

Details
Origin

Wheel thrown cup with matt exterior, glazed interior and perfectly elegant handle.

Dimensions: H-9.5 cm x W-9 cm

Samuel Sparrow is a potter and maker based in Dumfries and Galloway, Scotland. He produces wheel-thrown tableware and objects in stoneware.
Having studied Design at Glasgow School of Art, he went on to work for Habitat and Ikea before turning away from mass production and establishing a studio based on his own design principles.
His work aims to celebrate simplicity and functionality, highlighting the inherent beauty of objects that are made by hand.
“From the moment I sat down at a wheel I knew that I had found my place. Is there any other discipline that encompasses so many processes? From the meditative action of centering, the physicality of wedging clay, to the alchemy of glazing and firing. At the end of a day in the studio I’m tired, fulfilled, satisfied, in both body and mind. I sleep well.” - Samuel Sparrow