Description
Designer

Relaxed and inviting, incorporating both traditional craftsmanship and contemporary design, Emery Sofa invites you in with open arms. Featuring exposed timber in a small footprint, loose upholstered cushions and fabric-slung timber frame.

Material & Feature:

Structure: Frame made from solid ash wood with Eco oil-based clear protecting coating
Seat and back cushions made from feather-wrapped high resilience foam core fill
Product displayed upholstered in Classic Boucle-River Mist
Cushion covers are removable, and are available to order
All materials are Flame Retardant-Free & non-toxic (Baby Friendly)

Dimensions:

Width: 104" x Depth: 35.4" x Height: 35.4" (*sofa width is from leg to leg)

Seat Height: 17.7"

*Product displayed upholstered in Classic Boucle-River Mist

* All measurements are approximations.

Eternity Modern - Mid-century modern, modern Nordic and modern contemporary style furniture will be sold for up to 80% off. The selection includes over 2000 overstocked

Eternity Modern

Emery Sofa

Material

Sofas

Description
Designer

The distinguished character of the CH103 3-seat sofa joins the CH100 series by Hans J. Wegner. It is a sumptuous sofa that works well on its own, in groups, or with the CH100 series of sofas. This is part of a series that Wegner designed in 1970, produced in very limited numbers during the 1970s and reintroduced in 2008 on the occasion of Carl Hansen & Son's 10th anniversary.
CH103 is hand made on a solid beech inner frame with polished stainless steel legs, visible frame and armrest fronts. Cushions are fully upholstered on all sides, built around a foam core wrapped in down and foam granulate.

Material & Feature:

Structure: hardwood frame treated for durability & pests control using a non-toxic Kiln-dried treatment, with highly resilient urethane foam
Polished #304 grade stainless steel legs with chrome finish
Medium firm cushion seat feel (cushion softness customizable)
Fabric, Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 88.2" x Depth: 31.1" x Height: 29.1"
Seat Height: 17.5"
Seat Depth: 17.5"
Seat Cushion: Width: 26.8" x Depth: 22.8"
Armrest Thickness: 3.9"
Armrest Height: 24.4"

* All measurements are approximations.

Hans Jrgensen Wegner, (April 2, 1914 - January 26, 2007), was a world renowned Danish furniture designer. His high quality and thoughtful work, along with a concerted effort from several of his manufacturers, contributed to the international popularity of mid-century Danish design. His style is often described as Organic Functionality, a modernist school with emphasis on functionality. This school of thought arose primarily in Scandinavian countries with contributions by Poul Henningsen, Alvar Aalto, and Arne Jacobsen. In his lifetime he designed over 500 different chairs, over 100 of which were put into mass production and many of which have become recognizable design icons.
Wegner worked for some time for Arne Jacobsen, a successful Danish designer. Wegner was in charge of the furniture in the Aarhus Municipal Hall, which Jacobsen designed. After some years under Jacobsen, Wegner started his own company. Along with fellow architect Brge Mogensen, he designed furniture for FDB (a Danish chain of grocery stores), spearheaded by Erik Kold - who founded an organization of Danish furniture makers that launched Danish design abroad.
In his later years Wegner became more attached to PP Mobler (which produces many of pieces originally designed for Johannes Hansen) and for whom he designed several chairs late in his life. He remained active throughout his life. An example of his later work is the"Hoop Chair", originally designed in 1965 with a steel tube base and finally put into production made entirely in wood in 1985 (for PP Mobler). Wegner retired from public life only in the last decade of his life.

Hans Wegner Ch103 Sofa

Description

Constructed from recyclable polypropylene, the Molded Plastic chairs has a deep seat pocket and a waterfall seat edge which keeps comfort at a high level due to its ability of reducing pressure on the back of the thigh area.

Material & Feature:

Single piece molded polypropylene seat
Solid ash wood legs with natural oil finish
Plastic glides included on legs to protect floors

Dimensions:

Width: 18" x Depth: 22" x Height: 31.5"
Seat Height: 17"

* All measurements are approximations.

Set Of Two Dsw Molded Plastic Side Chairs Wooden Dowel Base

Frame Finish

Accent Chairs

Description
Designer

In the 1950's, Harry Bertoia began experimenting with bending metal rods into practical art. This resulted in his now infamous seating collection, including his wire chair. The Bertoia Side Chair is a high quality reproduction of Bertoia's original designed in 1952, offered at a price that makes it an affordable addition to your home.
One of the most intriguing things about the Bertoia Side Chair is the disparity between its delicate, airy appearance and its actual strength and remarkable durability. This statuesque chair will also surprise you with its comfort. The Bertoia Side Chair makes an excellent addition to any room of your home, with a timeless look that has already proven to have remarkable staying power.

Material & Feature:

Frame: polished #304 grade stainless steel with chrome / black / white / yellow gold finish
Seat cover: PU leather
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 21" x Depth: 23.5" x Height: 31.5"
Seat Height: 16"

* All measurements are approximations.

Harry Bertoia (March 10, 1915 - November 6, 1978), was an Italian-born American artist, sound art sculptor, and modern furniture designer. At the age of 15, he traveled from Italy to Detroit to visit his older brother, however he chose to stay and enrolled in Cass Technical High School, where he studied art and design and learned the art of handmade jewelrymaking. In 1938 he attended the Art School of the Detroit Society of Arts and Crafts, now known as the College for Creative Studies. The following year in 1937 he received a scholarship to study at the Cranbrook Academy of Art where he encountered Walter Gropius, Edmund N. Bacon for the first time.
Opening his own metal workshop in 1939, he taught jewelry design and metal work. Later, as the war effort made metal a rare and very expensive commodity he began to focus his efforts on jewelry making. Later in 1943, he married Brigitta Valentiner, and moved to California to work at the Molded Plywood Division of the Evans Product Company. He worked for them until the war ended in September 1945.
In 1950, he moved to Pennsylvania, to establish a studio, and to work with Hans and Florence Knoll. (Florence was also a Cranbrook Graduate). During this period he designed five wire pieces that became known as the Bertoia Collection for Knoll. Among them the famous "Diamond chair" a fluid, sculptural form made from a molded lattice work of welded steel.
In Bertoia's own words,"If you look at these chairs, they are mainly made of air, like sculpture. Space passes right through them."

Set Of Two Bertoia Side Chairs

Description
Designer

The Daybed is one of Eileen Gray"s most famous designs. In her own words, the couch"offers pleasant and comfortable seating and is, moreover, particularly suited to relaxing." Designed in 1925 for the apartment of Madame Talbot in Paris and later used in Gray"s own home, the iconic piece impresses with its elegant and minimalistic outline. Upholstered in high-quality leather / fabric, the modern design is a sophisticated addition. The tubular steel frame creates a beautiful contrast with the leather and acts as a unique feature of the piece.

Material & Feature:

High elasticity dacron-wrapped foam with genuine down feather layer
Bed Structure: hardwood frame treated for durability & pests control using a non-toxic Kiln-dried treatment
Polished #304 grade stainless steel frame with chrome finish
Medium firm cushion seat feel (cushion softness customizable)
Fabric, Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 75" x Depth: 34" x Height: 24"
Seat Height: 16"

* All measurements are approximations.

Born in Enniscorthy, County Wexford, Ireland in 1878, Eileen Gray spent her childhood in London and was among the first women to be admitted to the Slade, where she took up painting in 1898 before undergoing an apprenticeship in a London lacquer workshop. The experience she gained in working in this highly specialised medium was to influence her profoundly when she moved to Paris in 1902. After further training in lacquer work and cabinet making, she quickly established herself as one of the leading designers of the lacquered screens and decorative panels so beloved by the followers of art deco, and even managed to cause a riot by showing a stark white lacquered boudoir at the 14th Salon des Artistes Dcorateurs in 1923.
In 1922 she opened her own gallery, Jean Dsert, in Rue du Fauborg Saint Honor as an outlet for her designs. During the 1920s and 1930s she became one of the leading exponents of the revolutionary new theories of design and construction. She worked closely with many of the outstanding figures of the modern movement, including Le Corbusier and J.J.P Oud. Well to the fore of the group she exhibited chrome, steel tube and glass furniture in 1925 - the same year as Mies van der Rohe and Marcel Breuer and well before Le Corbusier. The furniture was used in Eileen Gray's own interiors, the most celebrated of which was that completed in 1922 for the famous modiste, Madame Mathieu-Lvy (better known as Suzanne Talbot). Her interior design schemes of the period seem both modern and stylish even today.
Eileen Gray's next major contribution to design was in architecture. Encouraged by Le Corbusier and J.J.P Oud, she designed two houses in the Alpes Maritimes, one at Roquebrune which was built from 1926-1929, and the other at Castellar, built from 1932-1934. Both houses are considered to be among the purest examples of domestic architecture and interior design of the period. The inter-war years also saw Eileen Gray's 'Centre des Vacances' project, which was shown in Le Corbusier's Pavilion des Temps Nouveaux at the Paris International Exhibition of 1937.
After the war, and up to her death in 1976, Eileen Gray continued to work as a designer on both major projects like the Cultural and Social Centre, which occupied her from 1946-1949, and on a number of smaller furniture designs. One of her last tasks was to work with Zeev Aram on the introduction of her designs onto the world market. Examples of her early work are in the V&A collection and her E1027 adjustable table is in the permanent design collection of The Museum of Modern Art, New York; these make a fitting tribute to her contribution to modern design. The Royal Society of Arts appointed her a Royal Designer for Industry in 1972.
Eileen Gray died in Paris in 1976.
Aram Designs holds the worldwide head licence for Eileen Gray Designs and is the only UK source for the authentic products.

Eileen Gray Daybed

Chaises & Daybeds

Description
Designer

The organic, yet structured design of the Swoon Petit chair & Lounge chair provide a more upright seat position which offers amazing back support.
The matching Swoon Ottoman not only adds to your ability to stretch out and relax even more, it’s a decorative element in its own right. Ideal as a pouf for punctuating any space with style.

Material & Feature:

Wooden frame with high elasticity dacron-wrapped foam
Medium firm cushion seat feel (cushion softness customizable)
Premium Fabric, Top Grain / Aniline / Vintage Leather Leather upholstery (C.O.M available)
Solid wood legs with Walnut finish
All materials are Flame resistant & non-toxic (Baby friendly)

Dimensions:

Width 25" x Depth: 21" x Height: 16"

* All measurements are approximations.

Established in 2005 by Signe Bindslev Henriksen and Peter Bundgaard Rtzou, Space Copenhagen is a design studio that works across multiple disciplines from interior design for private homes, hotels and restaurants all over the world to art installations and art direction, furniture, lighting and refined objects.

Swoon Ottoman

Description
Designer

Designed by Harry Bertoia in the 1950s the Bertoia Bar Stool comprises a tubular steel frame and a raised, stylishly curved seat. In its elegant casualness, the Bertoia Bar Stool is not only a quality piece of furniture for the counters or bars, but has also established itself as a stylish design classic for the living area. Parallel to the creation of the bar stool Bertoia also created the classic Knoll Bertoia chair.

Material & Feature:

Frame: polished #304 grade stainless steel with chrome, black and white finish
Striped PU leather seat pad
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 21" x Depth: 23" x Height: 41"
Seat Height: 29"

* All measurements are approximations.

Harry Bertoia (March 10, 1915 - November 6, 1978), was an Italian-born American artist, sound art sculptor, and modern furniture designer. At the age of 15, he traveled from Italy to Detroit to visit his older brother, however he chose to stay and enrolled in Cass Technical High School, where he studied art and design and learned the art of handmade jewelrymaking. In 1938 he attended the Art School of the Detroit Society of Arts and Crafts, now known as the College for Creative Studies. The following year in 1937 he received a scholarship to study at the Cranbrook Academy of Art where he encountered Walter Gropius and Edmund N. Bacon for the first time.
Opening his own metal workshop in 1939, he taught jewelry design and metal work. Later, as the war effort made metal a rare and very expensive commodity he began to focus his efforts on jewelry making. Later in 1943, he married Brigitta Valentiner, and moved to California to work at the Molded Plywood Division of the Evans Product Company. He worked for them until the war ended in September 1945.
In 1950, he moved to Pennsylvania, to establish a studio, and to work with Hans and Florence Knoll. (Florence was also a Cranbrook Graduate). During this period he designed five wire pieces that became known as the Bertoia Collection for Knoll. Among them the famous "Diamond chair" a fluid, sculptural form made from a molded lattice work of welded steel.
In Bertoia's own words,"If you look at these chairs, they are mainly made of air, like sculpture. Space passes right through them."

Set Of Two Bertoia Bar Stools

Bar & Counter Stools

Description
Designer

Add the cherry on top for your Ro Lounge Chair & Fri Easy Chair with a Ro Footstool (JH12). Small, movable and multifunctional - for tired feet or today's newspaper. Choose between an array of Designer Selection colours in fabric for your Ro Footstool with a base in walnut / natural oak / black / silver finish. Since Spanish Jaime Hayon became part of the staff of designers with Fritz Hansen, he has shown humor and personality in all his designs - from the sheltered Ro Easy Chair to the playful dining table, Analog.

Material & Feature:

Molded fiberglass shell with highly resilient urethane foam
Medium firm cushion seat feel (cushion softness customizable)
Fabric upholstery (C.O.M available)
Solid wood legs with walnut / silver / black / natural ash finish
All materials are fire-resistant & non-toxic (Baby friendly)
Complete Customization available and welcome! - Request with Customer Service

Dimensions:

Width: 23" x Depth: 19" x Height: 15"

* All measurements are approximations.

As a teenager, he submerged himself in skateboard culture and graffiti art, the foundation of the detailed, bold-yet-whimsical imagery so imminent in his work today. After studying industrial design in Madrid and Paris he joined Fabrica in 1997, the Benetton-funded design and communication academy, working closely with the legendary image-maker and agitator Oliviero Toscani. In a short time he was promoted from student to head of their Design Department. Eight years later, Jaime broke out on his own, first with his collections of designer toys, ceramics and furniture, later followed by interior design and installations.

Ro Footstool

Leg Finish

Description

Scandinavian design by Fabricius and Kastholm" is classic design history. In the sixties the bucket seat was laying down markers for a new formal language: FK" the unique form, the clear contours, the perfect lines. Bucket and three-star base, volume and lightness" a graphic image of compelling conciseness.
In 1969 the armchair was awarded the first federal style prize for Gute Form; and became an icon of minimalism in design. A wave of adulation that can still be felt today.

Material & Feature:

Structure: molded fiberglass shell with highly resilient urethane foam
3-star swivel stainless steel base with black color finish
Top Grain/Aniline Leather upholstery (C.O.M available)
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 27.6" x Depth: 28.3" x Height: 35"
Seating Height: 17.7"

* All measurements are approximations.

Fk 6726 Bucket Chair

Office Chairs

Description
Designer

The PK91 folding stool designed by Poul Kjaerholm epitomizes his ongoing adaption of historical furniture categories into his oeuvre and arsenal of expressions. The source of inspiration for the PK91 is an ancient Egyptian folding stool that dates back to ca. 1500 BC. The designer's method of refining historical furniture types has again been put into play and the result is unmistakably a Kjaerholm classic, with the stool's minimalistic and elegant expression.

Material & Feature:

Frame: Polished #304 grade stainless steel with brushed finish
Seat: Top Grain / Aniline / Vintage Leather Leather (C.O.M available)

* *Please kindly note the functionality of the PK91 stool is to act as an end/side table. This stool is not suitable for seating.

Dimensions:

Width 24.4" x Depth 14.2" x Height 14.2"

* All measurements are approximations.

Born in sterVr, Denmark in 1929, designer Poul Kjaerholm began his career as a cabinetmaker"s apprentice in 1948. He studied at the School of Arts and Crafts in Copenhagen, graduating in 1952, and subsequently taught there until 1956. He was a lecturer at the Royal Danish Academy of Fine Arts in 1959, head of the Institute of Design in 1973, and became a professor there in 1976.
Kjaerholm"s furniture designs were characterized by a simple aesthetic that stripped away ornament in favor of clean lines and materials-based beauty. He used steel frames extensively in his work, often in combination with natural materials such as wood, cane, and leather, and was a strong proponent of industrial production.
Kjaerholm designed dozens of chairs and tables , including the iconic PK22 and PK24 chairs, and E. Kold Christensen and Fritz Hansen produced several of his designs. His myriad awards include the Grand Prix at the Milan Trienale (in both 1957 & 1960) and the Lunning Award (1958). Kjaerholm"s designs are in the permanent collections of major museums across the globe. In 2006, he was the subject of a major retrospective at Denmark"s Louisiana Museum of Modern Art.

Pk91 Folding Stool

Coffee Tables

Description
Designer

The Le Corbusier group referred to their LC2 and LC3 Collections (1928) as"cushion baskets," which they designed as a modernist response to the traditional club chair. These pieces reverse the standard structures of sofas and chairs by having frames that are externalized. With thick, resilient pillows resting within the steel frames, the idea was to offer all the comfort of a padded surface while applying the elegant minimalism and industrial rationale of the International Style. The resulting aesthetic of the simple tubular structure is remarkably relevant to how we live today, almost 90 years later.

Material & Feature:

Frame structure: Blue power-coated #304 grade tubular stainless steel frame ; nylon webbing (replaceable)
High elasticity dacron-wrapped foam with extra genuine down feather layer
Medium firm cushion seat feel (cushion softness customizable)
Heavy duty Linen for seat & back
All the cushions are removable
All materials are fire-resistant & non-toxic (Baby Friendly)
Customization available - Request with Customer Service

Dimensions:

Width: 67.30" x Depth: 29.50" x Height: 26.00"
Seat Height: 16.00"

* All measurements are approximations.

Widely considered one of the most influential architects of the 20th century, Le Corbusier (born Charles-douard Jeanneret-Gris) is credited with changing the face of urban architecture, bringing it into the technological age. Connecting architecture with revolution, his legacy demonstrates a strong, if utopian, sense of purpose to meet the needs of a democratic society dominated by the machine. "Modern life demands, and is waiting for, a new kind of plan, both for the house and the city," he said in 1923.
Born in Switzerland, Le Corbusier was encouraged by a teacher to take up architecture. He built his first house at the age of 18 for a member of his school"s teaching staff. In 1908, he went to Paris and began to practice with Auguste Perret, an architect known for his pioneering use of concrete and reinforced steel. Moving to Berlin, Le Corbusier worked with Peter Behrens, who taught him about industrial processes and machine design. In 1917, he returned to Paris, where he met post-Cubist Amde Ozenfant and developed Purism, a new concept of painting. In 1920, still in Paris, he adopted the pseudonym Le Corbusier.
Paradoxically, Le Corbusier combined a passion for classical Greek architecture and an attraction to the modern machine. He published his ideas in a book entitledVers une Architecture, in which he refers to the house as a "machine for living," an industrial product that should include functional furniture or "equipment de l"habitation." In this spirit, Le Corbusier co-designed a system of furniture with his cousin Pierre Jeanneret and Charlotte Perriand. The tubular steel furniture" including the famous LC4 Chaise Longue and LC2 and LC3 seating collections" projected a new rationalist aesthetic that came to epitomize the International Style. Corbusier was both credited with and criticized for his reinvention of the modern urban skyline" notably, the buildings he pioneered in Paris" banlieues, which were considered efficient but austere.
Though Le Corbusier"s illustrious career came to an abrupt end in 1965 when he drowned while swimming in the Mediterranean Sea off Roquebrune-Cap-Martin in France, his influence is undisputed.

Lc3 Grand Modele Two-seat Sofa With Down Cushions | Special Edition

Type

Loveseats

Description

Low-slung, with an expertly crafted molded seat and back, this chair cradles you in a comfortable position. Its form relates directly to the human body and holds no secrets as to how it succeeds technically.
The slender rod base provides superior strength, while rubber shock mounts buffer against jarring movement.

Material & Feature:

Molded five-ply seat and back
American walnut veneer or Oak veneer
Stainless steel legs with chrome finish

Dimensions:

Width: 22" x Depth: 24.5" x Height: 26.5"
Seat Height: 15.5"

* All measurements are approximations.

Molded Plywood Lounge Chair (lcm)

Veneer

Lounge Chairs

Description
Designer

T he innovative Tulip Chair is an organic and ergonomic piece of design history. The world's first one-legged chair, the Tulip Chair changed the future of furniture design when it was introduced in the late 1950s. Echoing the curves of the human body, its sweeping fiberglass frame offers supreme comfort and support.This is further accentuated by the padded upholstery, available in up to seven colours. The unique pedestal base provides stability as well as a distinctive aesthetic, and can be swivelled .

Material & Feature:

Premium Solid fiberglass shell with white and black high-gloss finish
Seat cushion upholstery in grey cashmere fabric (C.O.M available)
Cast aluminum base resistant to chipping and flaking
360 degree swivel
All materials are non-toxic (Baby friendly)

Dimensions:

Width: 27.27" x Depth: 22.44" x Height: 32"
Seat Width: 18.5" x Depth: 17.52" x Height: 18.5"

* All measurements are approximations.

Finnish-American Eero Saarinen (1910"1961) was famous for varying his style according to the demands of the project. His father taught at the Cranbrook Academy of Art, where Eero took classes and formed relationships with fellow student Florence Knoll. Saarinen studied sculpture at the Acadmie de la Grande Chaumire in Paris, France, and later at the Yale School of Architecture, completing his studies in 1934. He joined the US Military, where he was assigned to draw illustrations for bomb disassembly manuals and to provide designs for the Situation Room in the White House. He founded his own office in 1950, after his father"s death. His first success, the"Tulip Chair" was produced by the Knoll company, beginning a long relationship between Knoll and Saarinen. While still working for his father, he won the design competition for the Jefferson National Expansion Memorial, in St. Louis, aka the Gateway Arch.

Tulip Armchair - Fiberglass

Fiberglass Color

Arm Chairs

Description
Designer

Designed to complement the Warren Platner Easy Chair. In 1966, the Platner Collection captured the"decorative, gentle, graceful" shapes that were beginning to infiltrate the modern vocabulary. The iconic pieces are created by welding hundreds of curved steel rods to circular frames, simultaneously serving as structure and ornament.

Material & Feature:

High elasticity dacron-wrapped foam with genuine down feather layer
Premium Fabric, Top Grain / Aniline / Vintage Leather Leather upholstery (C.O.M available)
Base : Polished #304 grade stainless steel with chrome / gold finish / gun metal black

Dimensions:

Width 24.5" x Depth: 24.5" x Height: 17"

* All measurements are approximations.

American architect and interior designer Warren Platner was born in Baltimore, Maryland in 1919. Platner attended Cornell University, graduating with a degree in architecture in 1941. Shortly after, he began working with legendary architects Raymond Loewy and I.M. Pei from 1945 to 1950, and with Eero Saarinen from 1960 to 1965. During this time he was part of the design process of many historically important projects including the Dulles International Airport, in Washington, D.C., the Repertory Theater at Lincoln Center, and several dormitories for Yale University. Platner joined Kevin Roche's firm as the head of interior design, becoming more involved with interior and industrial design, as he believed that the essence and character of a building's design should come from within.
In 1967, having gained a wealth of expertise and knowledge from working for architect-design luminaries, Platner decided to open his own firm, Platner Associates. Not limiting itself to architecture, it also experimented in furniture design, lighting, textiles, and interiors. From the late 1960s onwards, he exhibited widely and worked on a variety of interior design and architecture projects, including the interior design of the Ford Foundation headquarters (1967) in New York, the Georg Jensen Design Center (1968) also in New York, the interior to the American Restaurant in Kansas (1974), the interiors for Water Tower Place (1976) in Chicago, and the Windows on the World Restaurant (1976) atop the World Trade Center in New York.
In the 1960s, as the modernist movement became more expressive, Platner focused on a quieter aesthetic, wishing to create more graceful structures. In 1966 Platner, in collaboration with Knoll , unveiled the Platner Collection - a series of sleek modern chairs, ottomans and tables that rest on an intricately sculpted base of cylindrical steel rods replicating a moir pattern. Requiring over 1,000 welds for one piece alone, the complex design is a close marriage of architecture and industrial design. Though Platner designed other pieces, the Platner Collection was his most renowned collection that ultimately made a name for himself in furniture design.

Warren Platner Easy Ottoman - Gun Metal Black Base

Description
Designer

The Pierre Jeanneret Folder Chair is a staple in the mid-century modern Chandigarh design. All the parts that the chair comprises of are made of solid wood. The woven backrest and seat, stretched across a wooden frame, are iconic elements that make the chair a timeless and trendy signature piece.

Material & Feature:

Solid ash frame with Walnut or Black finish
Solid wood backrest without finger joints
Hand woven seat with durable rattan
Wood treatment: Eco oil-based stain
All materials are non-toxic (Baby Friendly)
Fully Assembled

Dimensions:

Width: 18.1" x Depth: 20.9" x Height: 28.3"
Seat Width: 16.1" x Depth: 16.5" x Height: 18.1"
Product Weight: 9.9lbs

* All measurements are approximations.

Born in Geneva in 1896, Pierre Jeanneret studied at the Ecole des Beaux-Arts, and worked most of his life alongside his cousin Le Corbusier. The significance of Jeanneret's contribution to the partnership has become increasingly recognized, and their 1926 manifesto “Five Points Towards a New Architecture” is seen as the foundation of their legendary careers.

Set Of Four Pierre Jeanneret Folder Chair

Finish

Chairs

Description
Designer

Material & Feature:

Structure: Molded fiberglass shell with gloss white finish
Polished #304 grade stainless steel tubular legs with solid ash foot
All materials are non-toxic (Baby Friendly)

Dimensions:

Width: 25" x Depth: 27" x Height: 28"
Seat Height: 15.5"

* All measurements are approximations

Rar Fiberglass Rocking Chair

Color

Description
Designer

The scimitar chair was designed in the early 1960s by Jørgen Kastholm & Preben Fabricius. The Scimitar chair received great attention in its early years and has been featured in several books. It had been shown as an excellent example of classic Danish design to architect and design students around the world.

Material & Feature:

Structure: #304 high grade stainless steel frame with brush finish
Back & seat cushion: high resilience, variable-density polyurethane covered with polyester fiber
Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
All materials are Flame resistant & non-toxic (Baby Friendly)

Dimensions:

Width: 33" x Depth: 20" x Height: 26"
Seat Height: 15.5"

* All measurements are approximations

Preben Fabricius and Jørgen Kastholm are both Danish designers born in 1931. Fabricius began his studies by a cabinet maker training, Kastholm was a metalworker. Both went to the School of Interior Design in Copenhagen, they met each other during this period. At the same time, they also met Finn Juhl. Fabricius and Kastholm combined their backgrounds during their entire career. Beautiful pieces have emerged of this collaboration. They received many rewards including the Gute Form prize in 1969 for their sense of innovation and craftwork. Both have been professors in a variety of Danish universities. They are renowned in worldwide for their elegant design and their meticulous savoir-faire.

Scimitar Chair

Description
Designer

Serge Mouille's large-scale Three-Arm Floor Lamp has a kinetic, sculptural aesthetic that evokes a sense of movement in space. All of the arms can be rotated in various directions, allowing for ample, well-directed lighting for any task.

Material & Feature:

Pivoted arms made from curved steel
Black lacquered aluminium reflector with a white interior
brass ball joints
Black cord with switch
Compatible with E12 Standard light bulb base
Rated for a standard 50W maximum incandescent bulb, not included
Compatible with a wide range of 5W Max LEDs

Dimensions:

Width: 55" x Height: 83" x Depth: 61"
Cord Length: 118"

* All measurements are approximations.

Serge Mouille"s parents, a policeman and a seamstress, were disappointed by his decision, at the age of 13, to enroll in the School of Applied Arts" silver workshop. The youngest student there, he embraced metallurgy and silversmithing" and was so gifted at the trade, he started teaching at 25. After getting his degree, he worked for a few different companies and apprenticed under Gabriel Lacroix before starting his own workshop.
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Serge Mouille Three-arm Floor Lamp

Floor Lamps

Description
Designer

The PK22 Easy Chair was originally designed between 1955-56 by Danish designer Poul Kjaerholm. The simplistic stainless steel and leather combination won design awards immediately after its introduction. The low, angled seat and lack of hard frame edges made the PK22 Easy Chair especially comfortable. A logical addition to the discerning modernist collection, the PK22 occupies a permanent space in the Museum of Modern Art in New York City.

Material & Feature:

Frame structure: highly polished #304 grade tubular stainless steel frame with brushed finish; silver welded joints
Premium Top Grain / Aniline / Vintage Leather, cowhide leather upholstery (C.O.M available)
Seat cushion: l ow profile high density foam

All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 26" x Depth: 25" x Height: 27.5"
Seat Height: 13"

* All measurements are approximations.

Poul Kjaerholm (1929-1980) was a trained carpenter and continued his studies at the Danish School of Arts and Crafts. He had a particular interest in different construction materials; especially steel which he considered a natural material with the same artistic fineness as other natural materials. Poul Kjaerholm was employed at Fritz Hansen for about a year, where he designed a number of noteworthy chair prototypes. In 1955 Poul Kjaerholm initiated his collaboration with manufacturer Ejvind Kold Christensen, which lasted until Poul Kjaerholm"s death in 1980. In 1982, Fritz Hansen took over the production and sales of "The Kjrholm Collection", developed from 1951 to 1967, designs, which are logical to the minute detail with an aura of exclusivity. In 2007 Fritz Hansen added two new pieces to the Kjaerholm Collection. Pieces that were never in production before, the PK8 side chair and PK58 dining table.

Pk22 Easy Chair

Description
Designer

Hans Wegner, the famed designer, believed that furniture was a form of art that was meant for the human body. This belief can be easily noticed in the Halyard Chair created by Wenger. You can lounge in this cradle-like chair comfortably for long periods without any problem. With its perfect balance and strong build, the Flag Halyard Chair is one of the best examples of what modern design is capable of achieving.

Material & Feature:

Frame & Legs: polished #304 grade stainless steel with matte finish
Balanced tension flag line
High elasticity dacron-wrapped foam with aniline/Vintage Leather leather upholstery (C.O.M available)
Long-haired Australian sheepskin is included

Dimensions:

Width: 41" x Depth: 45.75" x Height: 31.25"

* All measurements are approximations.

Hans Jrgensen Wegner, (April 2, 1914" January 26, 2007), was a world renowned Danish furniture designer. His high quality and thoughtful work, along with a concerted effort from several of his manufacturers,1 contributed to the international popularity of mid-century Danish design. His style is often described as Organic Functionality, a modernist school with emphasis on functionality. This school of thought arose primarily in Scandinavian countries with contributions by Poul Henningsen, Alvar Aalto, and Arne Jacobsen. In his lifetime he designed over 500 different chairs, over 100 of which were put into mass production and many of which have become recognizable design icons.
Wegner worked for some time for Arne Jacobsen, a successful Danish designer. Wegner was in charge of the furniture in the Aarhus Municipal Hall, which Jacobsen designed.3 After some years under Jacobsen, Wegner started his own company. Along with fellow architect Brge Mogensen, he designed furniture for FDB (a Danish chain of grocery stores), spearheaded by Erik Kold" who founded an organization of Danish furniture makers that launched Danish design abroad.
In his later years Wegner became more attached to PP Mbler (which produces many of pieces originally designed for Johannes Hansen) and for whom he designed several chairs late in his life. He remained active throughout his life. An example of his later work is the"Hoop Chair", originally designed in 1965 with a steel tube base and finally put into production made entirely in wood in 1985 (for PP Mbler). Wegner retired from public life only in the last decade of his life.

Flag Halyard Chair - Black Cord Color

Description
Designer

Exclusive to Tulip Table & Eternity Modern! We have a stunning selection of 3 marbleized quartz table tops. Our creative production design team have curated the cleanest, purist style contrasted with soft, yet elegant grey veining designs. The quartz tulip table is truly an exquisite statement piece and an opulent addition to any dining room. Our Calacatta Quartz© table tops are made from natural ground quartz with resin and ribbons of pigment resulting in an exquisite marbleized surface. It is highly durable, resistant to cracks, stains and chips with a beautiful gloss finish. And with the stone being non-porous, sealing or waxing is not required! Since Calacatta Quartz© is an engineered stone, we are able to control the consistency of the background and veining details, hence also resulting in less material waste!!

Material & Feature:

NEW table height: 30" (Standard dining table height)
Expertly created with natural ground Quartz and Resin
Highly Durable
Resistant to cracks, chips and stains
Bolder grey ribbon veining with a seamless white background
Semi-Gloss finish
Each Quartz table top is unique and will vary in color tone, veining and surface texture

Dimensions:

Size 48" - Ø47.24"
Size 52" - Ø51.97"
Size 60" - Ø60.24"
Table Height: 30"

* All measurements are approximations.

Finnish-American Eero Saarinen (1910 –1961) was famous for varying his style according to the demands of the project. His father taught at the Cranbrook Academy of Art, where Eero took classes and formed relationships with fellow student Florence Knoll. Saarinen studied sculpture at the Académie de la Grande Chaumière in Paris, France, and later at the Yale School of Architecture, completing his studies in 1934. He joined the US Military, where he was assigned to draw illustrations for bomb disassembly manuals and to provide designs for the Situation Room in the White House. He founded his own office in 1950, after his father’s death. His first success, the “Tulip Chair” was produced by the Knoll company, beginning a long relationship between Knoll and Saarinen. While still working for his father, he won the design competition for the Jefferson National Expansion Memorial, in St. Louis, aka the Gateway Arch.

Size

Dining Tables

Description
Designer

Designed in 1954 as what Florence Knoll modestly referred to as one of the "fill-in pieces that no one else wants to do," the Florence Knoll Bench now stands as a defining example of modern design. Consistent with all of her designs, the bench has a spare, geometric profile that reflects the objective perfectionism and rational design approach Florence Knoll learned from her mentor, Mies van der Rohe.

Material & Feature:

High elasticity dacron-wrapped foam with genuine down feather layer
Polished #304 grade stainless steel legs frame with chrome finish
Medium firm cushion seat feel (cushion softness customizable)
Fabric, Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 57" x Depth: 19" x Height: 16.5"

* All measurements are approximations.

Born to a baker, and orphaned at age twelve, Florence Schust grew up Saginaw, Michigan. Schust demonstrated an early interest in architecture and was enrolled at the Kingswood School for Girls, adjacent to the Cranbrook Academy of Art.
While at Kingswood, Florence befriended Eilel Saarinen, whom she would later study under at Cranbrook. Warmly embraced by the Saarinen family, Florence seeded in Michigan the foundations of her incredible design education and pioneering career. Florence went on to study under some of the greatest 20th century architects, including Gropius, Breuer, and Mies. In 1941 Florence moved to New York where she met Hans Knoll who was establishing his furniture company. With Florence's design skills and Han' business acumen and salesmanship, the pair, who married in 1946, grew the nascent company into an international arbiter of style and design. In creating the revolutionary Knoll Planning Unit, Florence Knoll defined the standard for the modern corporate interiors of post-war America.
After the tragic death of Hans Knoll in 1955, Florence Knoll led the company as president through uncertain times. In 1960 she resigned the presidency to focus on directing design and development and, in 1965 after pioneering an industry and defining the landscape and aesthetic of the corporate office, Florence Knoll Bassett (she remarried in 1957) retired from the company. Her contributions to Knoll, and to the rise of modernism in America, are immeasurable.

Florence Relaxed Bench - 3 Seats

Description
Designer

"Those who look at a sofa must visually perceive a sense of both mental and physical comfort." Patricia Urquiola has conveyed this concept to the armchair Husk by designing a stiff body made of Hirek that contains a soft cushion divided into portions, which seem to underscore its ergonomic profile. It is endowed with an original spirit that merges with various styles. Three cushion types: standard, which is large and enveloping, or headrest.

Material & Feature:

Molded fiberglass shell with shiny finish, available in color white / black
Seat cushion: high elasticity dacron-wrapped foam with genuine down feather layer
Fabric upholstery (C.O.M available)
Legs: Natural Ash / Walnut / Black stained
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 26.7" x Depth: 21.6" x Height: 17.7"

* All measurements are approximations.

Spanish by birth, and Italian by choice, Patricia Urquiola was born in Oviedo, Spain and studied architecture in Madrid before graduating from the Milan Politecnico in 1989. The key words for her work are: rigour and emotion, innovation and mental comfort. She was mentored by some of the masters of Italian industrial design: Achille Castiglioni oversaw her graduate thesis, and Vico Magistretti, with whom she designed her first projects. She learned her craft in Italy, and opened a studio in Milan in 2001, where she has developed a truly global enterprise. Some highlights from her career include her encounter with Maddalena de Padova (1990), her collaboration with Piero Lissoni (1996-2000), and her partnership with Patrizia Moroso (since 1998) which led to the design of the Step Sofa, eventually debuting at the Saloni Milano and launching her into the spotlight at the young age of 40. Amidst all of these accomplishments, she had a stint at Lissoni Associati, beginning in 1993, where she developed furniture for Italian giants Cappellini and Cassina. Her designs are unconventional, emphatic, and experimental, blending humanist sensibilities and technical expertise" qualities that also inform her work as an architect. The Mandarin Oriental Hotel in Barcelona is one of her many architectural projects.

Husk Ottoman - Wood Base

Shell Color

Description
Designer

Designed to complement the Warren Platner Easy Chair. In 1966, the Platner Collection captured the"decorative, gentle, graceful" shapes that were beginning to infiltrate the modern vocabulary. The iconic pieces are created by welding hundreds of curved steel rods to circular frames, simultaneously serving as structure and ornament.

Material & Feature:

High elasticity dacron-wrapped foam with genuine down feather layer
Premium Fabric, Top Grain / Aniline / Vintage Leather Leather upholstery (C.O.M available)
Base: Polished #304 grade stainless steel with chrome / gold finish / gun metal black

Dimensions:

Width 24.5" x Depth: 24.5" x Height: 17"

* All measurements are approximations.

American architect and interior designer Warren Platner was born in Baltimore, Maryland in 1919. Platner attended Cornell University, graduating with a degree in architecture in 1941. Shortly after, he began working with legendary architects Raymond Loewy and I.M. Pei from 1945 to 1950, and with Eero Saarinen from 1960 to 1965. During this time he was part of the design process of many historically important projects including the Dulles International Airport, in Washington, D.C., the Repertory Theater at Lincoln Center, and several dormitories for Yale University. Platner joined Kevin Roche's firm as the head of interior design, becoming more involved with interior and industrial design, as he believed that the essence and character of a building's design should come from within.
In 1967, having gained a wealth of expertise and knowledge from working for architect-design luminaries, Platner decided to open his own firm, Platner Associates. Not limiting itself to architecture, it also experimented in furniture design, lighting, textiles, and interiors. From the late 1960s onwards, he exhibited widely and worked on a variety of interior design and architecture projects, including the interior design of the Ford Foundation headquarters (1967) in New York, the Georg Jensen Design Center (1968) also in New York, the interior to the American Restaurant in Kansas (1974), the interiors for Water Tower Place (1976) in Chicago, and the Windows on the World Restaurant (1976) atop the World Trade Center in New York.
In the 1960s, as the modernist movement became more expressive, Platner focused on a quieter aesthetic, wishing to create more graceful structures. In 1966 Platner, in collaboration with Knoll , unveiled the Platner Collection - a series of sleek modern chairs, ottomans and tables that rest on an intricately sculpted base of cylindrical steel rods replicating a moir pattern. Requiring over 1,000 welds for one piece alone, the complex design is a close marriage of architecture and industrial design. Though Platner designed other pieces, the Platner Collection was his most renowned collection that ultimately made a name for himself in furniture design.

Warren Platner Easy Ottoman - Gold Base

Description
Designer

Designed by Nipa Doshi and Jonathan Levien for B&B Italia. The fiberglass and leather element designs a wing that embraces the armchair, sustaining the frame like a sculptural bustier, characterised inside by the inviting softness of the seat and backrest. Behind the apparent simplicity of the design lies an advanced technological process used to make both the padding with different textures of foam and fiberglass, which perfectly follows the curved line of the lounge chair.

Material & Feature:

Molded fiberglass shell with shiny black finish, covered with molded polyurethane foam
Seat & back cushion: molded polyurethane upholstered in Top grain / Aniline leather (C.O.M available)
Front leg: Powder- coated steel with black matt finish; Back leg: Black painted die-cast aluminium
All materials are fire-resistant & non-toxic (Baby Friendly)

Dimensions:

Width: 31" x Depth: 27" x Height: 28"

Seat Height: 15 "

* All measurements are approximations

Doshi Levien is an internationally acclaimed design studio founded by designers Nipa Doshi and Jonathan Levien. Nipa grew up in India and studied design at the national institute of design. Jonathan trained in fine cabinet making followed by industrial design. They met at the royal college of art and have been working together for over 10 years in their London studio. Nipa and Jonathan bring together many worlds in their work. Nipa’s approach is rooted in her plural upbringing and astute eye for visual culture. Jonathan’s approach is rooted in industrial precision, combined with the sensuality of a makers hand and deep understanding of materials. Working across disciplines and industries, Doshi Levien's work celebrates the hybrid and explores the coming together of cultures, technology, industrial design and fine craftsmanship. They have created work for industry leaders Moroso, Kvadrat, B&B Italia, Cappellini, Camper, Swarovski, Galerie Kreo, museums and cultural institutions. In 2008 Nipa and Jonathan were awarded the prestigious future legends of design by the cooper Hewitt national museum of design in New York. They have been invited to be keynote speakers and lectured internationally, been on important design juries and have taught at the royal college of art. Their work is part of the permanent collection at Moma, cooper Hewitt national museum of design and important private collections. In 2012, they were the guest of honour at Imm cologne, debuting the ‘das haus’ project. In 2013, nipa and Jonathan were invited to curate and design a major exhibition on everyday Indian objects by grand hornu images in Belgium.

Do Maru Lounge Chair

Description
Designer

By using a scientific approach to light and logarithmic spiral as a basis, Poul Henningsen was able to achieve even distribution of light over the entire curve of the shade. The PH light model numbers refer to the size for the shade.

Material & Feature:

Shade made from handblown white opal glass
Suspension: High lustre chrome plated
Compatible with E26 Standard light bulb base
Rated for a standard 100W maximum incandescent bulb, not included
Compatible with a wide range of 5W MAX LEDs

Dimensions:

Shade Diameter: 17.5"
Height: 16"
Cord Length: 63"

* All measurements are approximations.

Trained as an architect, Poul Henningsen is best known for a series of lighting fixtures that resulted from his fascination with the then-new technology of the electric light bulb. In 1925, one of these fixtures won first prize for modern lighting at the International Exposition of Decorative Arts in Paris. The next year it was put into production by Louis Poulsen & Co. in Copenhagen, and it has been in continuous international demand ever since.
trung

Ph 4 1/2 - 4 Glass Pendant

Pendant Lights

Description
Designer

Featuring Mouille's hallmark signature, the One-Armed floor lamp is a less imposing interpretation of his original Three-Arm Floor lampa nd maintains the original's kinetic, sculputral aesthetic.

Material & Feature:

Pivoted arms made from curved steel
Black lacquered aluminium reflector with a white interior
Brass ball joints
Black cord with switch
Compatible with E12 Standard light bulb base
Rated for a standard 60W maximum incandescent bulb, not included
Compatible with a wide range of 5W Max LEDs

Dimensions:

Width: 18" x Height: 63" x Depth: 21.5"
Cord Length: 118"

* All measurements are approximations.

Serge Mouille"s parents, a policeman and a seamstress, were disappointed by his decision, at the age of 13, to enroll in the School of Applied Arts" silver workshop. The youngest student there, he embraced metallurgy and silversmithing" and was so gifted at the trade, he started teaching at 25. After getting his degree, he worked for a few different companies and apprenticed under Gabriel Lacroix before starting his own workshop.
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Serge Mouille One-arm Floor Lamp

Description
Designer

Designed by Poul Volther in 1964. A Corona Ottoman is the perfect accompaniment to your Corona Chair. Its unique design provides a truly relaxing experience. The ottoman is upholstered in soft cashmere or aniline leather and comes with brushed stainless steel legs and a wide choice of colours. As well as a footrest, the Corona Ottoman can also be used as a handy stool.

Material & Feature:

Molded fiberglass shell with highly resilient urethane foam
Polished #304 grade stainless steel frame with matte finish
Fabric, Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 29.5" x Depth: 18.5" x Height: 18.5"

* All measurements are approximations.

Born in 1923, designer Poul M. Volther belonged to a generation of Danish creatives rooted in Scandinavian functionalism. Volther"s work is characterized by a mastery of form, as evidenced by his iconic EJ5 Corona Chair for Erik Jrgensen (1961/64). Highly collectible today, this singular piece has left an indelible mark on design history.
Volther originally trained as a cabinetmaker before studying at the Royal Danish Academy School of Arts & Crafts in Copenhagen. Over the years, Volther also taught at the Royal Danish Academy School of Design, influencing hundreds of young designers along the way.
In 1949, legendary architect-designer Hans Wegner (1914-2007) introduced Volther to the FBD, a Danish national cooperative association for producers of consumer goods. There, Volther worked under another Danish design great, Brge Mogensen (1914-1972), and went on to become FDB"s design director when Mogensen left in 1959. During his tenure at FDB, Volther created a range of chairs and sofas that can still be found in homes across Denmark.
Through the course of the postwar years, Volther"s design work exhibited an aversion to short-lived trends in favor of cool, functionalist aesthetics driven by Bauhaus-influenced, rationalist design thinking. He was always eager to try new approaches and experiment with new materials. The Pyramid Chair (1953) was Volther"s first foray into foam and featured a series of elliptical cushions separated by spaces. Though this design never found success, it was inspired by time-lapse photographs of solar eclipses and, in turn, inspired the design of the famous Corona Chair. The"skeleton" that supports the oval cushions of these chairs was intended to cradle the user"s spine and provide ample comfort. The unique visual profile that resulted likely contributed to the designs" poor reception among Danes who, at the time, were not in favor of overly bold designs.
In 1962, Volther found a partner in the then-new furniture manufacturer Erik Jrgensen. The company agreed to produce the Corona Chair with a chrome-plated steel frame. Despite the investment, this chair would not find a significant audience until 1997, when Erik Jrgensen re-launched it at the Cologne Furniture Fair in Germany, followed by the Scandinavian Furniture Fair in Denmark. One year after Volther"s death in 2001, the chair was used at the EU Summit in Copenhagen.
Volther"s designs have been produced by many design companies, such as Munch Furniture and Frem Rjle. However, his Corona Chair is considered his most memorable design contribution. It"s been featured in countless movies, fashion shoots, and music videos.

Corona Ottoman

Description

Arne Jacobsen's beautiful Egg becomes even more beautiful - and a tad more comfortable - with a matching footstool in leather. Arne Jacobsen designed the Egg for the lobby and reception areas in the SAS Royal Hotel, in Copenhagen. Decorate with this classic easy chair with a leather footstool for a homelike, comfortable and beautiful expression.

Material & Feature:

Molded fiberglass shell with highly resilient urethane foam
Fabric, Classic Suede, Top Grain/Aniline Leather upholstery (C.O.M available)
Polished #304 grade stainless steel base with matte finish
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 22" x Depth: 15.7" x Height: 16.5"

* All measurements are approximations.

Egg Ottoman

Description
Designer

The Florence Ottoman is widely considered a mid century modern design classic. The original design was conceived in 1956. Cubic cushions feature a compressed tufted button design in a purposeful and logical layout. The thin metal minimalist frame exude period correct modernism.

Material & Feature:

High elasticity dacron-wrapped foam with genuine down feather layer
Polished #304 grade stainless steel legs with chrome finish
Medium firm cushion seat feel (cushion softness customizable)
Fabric, Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 25.2" x Depth: 25.2" x Height: 18.5"

* All measurements are approximations.

Born to a baker, and orphaned at age twelve, Florence Schust grew up Saginaw, Michigan. Schust demonstrated an early interest in architecture and was enrolled at the Kingswood School for Girls, adjacent to the Cranbrook Academy of Art.
While at Kingswood, Florence befriended Eilel Saarinen, whom she would later study under at Cranbrook. Warmly embraced by the Saarinen family, Florence seeded in Michigan the foundations of her incredible design education and pioneering career. Florence went on to study under some of the greatest 20th century architects, including Gropius, Breuer, and Mies. In 1941 Florence moved to New York where she met Hans Knoll who was establishing his furniture company. With Florence"s design skills and Hans" business acumen and salesmanship, the pair, who married in 1946, grew the nascent company into an international arbiter of style and design. In creating the revolutionary Knoll Planning Unit, Florence Knoll defined the standard for the modern corporate interiors of post-war America.
After the tragic death of Hans Knoll in 1955, Florence Knoll led the company as president through uncertain times. In 1960 she resigned the presidency to focus on directing design and development and, in 1965 after pioneering an industry and defining the landscape and aesthetic of the corporate office, Florence Knoll Bassett (she remarried in 1957) retired from the company. Her contributions to Knoll, and to the rise of modernism in America, are immeasurable.