from Baggu The classic everyday canvas tote carries easily in hand or over shoulder. It’s the perfect bag for toting your laptop, yoga clothes, LPs, art supplies, you name it. 16 oz recycled cotton canvas Interior zip pocket, durable taped seams Fits 15 inch laptop 40 inch adjustable strap with top carry handles 15 ¾ × 11 × 4 ¾ inches (40 x 27.94 x 12.07 cm) Machine washable

The Museum of Contemporary Art Los Angeles Store features books, gifts, and art-related products to support the museum's exhibitions and programs.

MOCA | The Museum of Contemporary Art

Natural Grid Duck Bag

Title

Women

A Childs Journey Back in Space and Time
Edited by Nancy Lyon and Daniel Jesse Wolff
Produced as a snapshot album, it combines family photographs taken by Lyon's ancestors in czarist Russia and pre-World War II Germany with his own photographs of his children. The book's premise is that the children receive a space-time machine as a gift and go off into the past. There they relive years of previous adventures through their family's old photographs. Includes many pictures taken by Lyon over the course of a decade, as well as text and poetry inspired by his children
Publisher: Bleak Beauty Books, 1989 Dimensions:  11 x 14 inches Spiral bound 26 pages Black and white photography throughout. Signed by the artist

Danny Lyon: I Like To Eat Right On The Dirt

Books

Facsimile edition of Destroy All Monsters Magazine includes remnants of the lost 7th issue, which was never released. Destroy All Monsters Magazine was edited Cary Loren and contained artwork, photographs, and flyers from band mates Mike Kelley, Cary Loren, Niagara, and Jim Shaw.
Printed using any papers and techniques available to the band, the issues combine the cut and paste tactics of punk zines with a psychedelic affinity for color. Destroy All Monsters Magazine functions as a kind of manifesto, providing insight into the band through densely layered pages with movie imagery, kitsch, cartoons, delicate drawings, and counter-culture collages. While Destroy All Monsters has been the subject of recent exhibitions and partial reprints, this is the first time that all issues have been reprinted.

Publisher: Primary Information, 2011 Dimensions: 11 x 8.5 inches 278 pages 40 color and 185 black/white images Out of print Condition: new

Destroy All Monsters

By Martha Buskirk, Virginia Rutledge, Francesca Esmay, Ted Mann, Jeffry Weiss, Nancy Spector, Lena Stringari
A deep dive into the Guggenheim Museum’s vast collection of Minimal art from the visionary Italian collectors Giovanna and Giuseppe Panza di Biumo.
Based upon the research of the Panza Collection Initiative, an ambitious, 10-year study project, Object Lessons focuses on four works by key figures of 1960s Minimalism and Conceptual art: Dan Flavin, Donald Judd, Robert Morris and Lawrence Weiner. Authors Francesca Esmay, Ted Mann and Jeffrey Weiss present each work from several vantages: an exhaustive chronological account conveys the surprisingly complicated history of the work’s realization, acquisition, ownership and display. An overview addresses the broad practical and conceptual implications of this information for the historical identity of the work and its consequences for the work’s future. A conservation narrative establishes the role of fabricators and the material and technical standards for the production of the object. Together, the authors explore how a previously unaddressed history of production, ownership and display has deeply influenced the life and legacy of the radical objects of Minimal art. A separate section, with contributions by Martha Buskirk and Virginia Rutledge, examines the topic of decommission, a new category of collection classification for works that are contested or compromised and are therefore no longer viable for display. Throughout, the book is copiously illustrated with photographs of the works, the exhibitions in which they appeared, and related drawings and proposals. Rounding out this volume are extensive excerpts of new interviews with artists and fabricators, key historical documents and previously unpublished correspondence.
Published by The Guggenheim Museum, 2021 Hardcover with 324 pages Dimensions: 11 x 8 inches (27.94 x 20.32 cm)

Object Lessons: Case Studies In Minimal Art

Build the dream park you would want to play in with Blockitecture®, a set of architectural building blocks. Each set includes 21 parkland pieces, 1 pond and 2 river pieces.
MDF and Wood Recommended for ages 6 and up

Blockitecture Parkland

Baby & Kids

Annie Costello Brown designs and makes her art-inspired jewelry here in Los Angeles. Light and easy t o wear, t hese pieces turn any look into a statement.
Solid sterling silver Handmade in Los Angeles

FINAL SALE

Dome Cuff Annie Costello Brown

Jewelry

This three-volume publication is a visual journey through 40 years of Nancy Rubins' sculptures and drawings. The first two volumes begin with Rubins' student work, where her themes, methods and ambitions emerge. The first volume moves through numerous large-scale sculptures incorporating massive quantities of used electric appliances with concrete and rebar, then on to trailers, hot water heaters, mattresses, airplane parts and small boats held in suspended tension by webs of cables. The second volume explores Rubins' often gigantic and sculptural drawings, densely covered with graphite pencil marks that embody the intense and abundant energy of their making. A final booklet with a series of playful and candid self-portrait photographs taken at the Baltimore train station photo booth in 1972–4 completes Work .
Published by Steidl, 2012 Hardcover, Slip cased 3 volume set, 568 pages illustrated throughout Dimensions: 9 1/2 x 12 1/2 inches (24.13 x 31.75 cm)

Nancy Rubins: Work (3 Volume Set)

Text by Hubertus Butin, Serge Lemoine, Mari Carmen Ramirez, Britta Schröder, Dorothea Strauss.
The first publication to present the collection of Zürich-based Haus Konstruktiv, Complete Concrete surveys over 100 years of artwork dealing with the themes explored by the Constructive, Concrete and Conceptual art movements, exploring the work of artists Georges Vantongerloo, Tobias Madison and Magdalena Fernandez among others.

Published by Hatje Cantz, 2011
Hardcover, 304 pages, 897 color images
Dimensions: 12 x 10 inches (30.48 x 25.4 cm)
This title is out of print
Condition:  Clean flat copy, slight yellowing top of book jacket

Complete Concrete: Over 100 Years Of Constructive, Concrete And Conceptual Art

Bust out the paints and clay! A perfect, durable apron for creative kids made from quality denim materials and sturdy cloth ties.

Adjustable neck loop with tie straps
Cotton material
Ideal for ages 4-8 years.
Made in the USA.

Kid's Denim Apron

Color

By Alex Pilcher
Over the last century, many artists have made works that challenge dominant models of gender and sexuality. The results can be sexy or serious, satirical or tender, discreetly coded or defiantly outspoken. This beautiful book illustrates the wide variety of queer art from around the world exploring bodies and identity, love and desire, and prejudice and protest through drawing, painting, photography, sculpture, and installation. Seventy outstanding works from 1900 to the present reveal how queer experiences have differed across time and place, and how art has been part of a story of changing attitudes and emerging identities. Featuring works by, among others, Egon Schiele, Duncan Grant, Claude Cahun, Hannah Höch, Frida Kahlo, David Hockney, Glenn Ligon, Zanele Muholi, Allyson Mitchell and Tomoko Kashiki, all of whom subverted the norms of their day via bold, new forms of expression, A Queer Little History of Art is a celebration of more than 100 years of queer creativity.
Published by Tate Publishing, 2017 Softcover, 160 pages with 75 color illustrations Dimensions: 5 1/2 x 6 3/4 inches (13.97 x 17.45 cm)

A Queer Little History Of Art

Edited by Melissa Blanchflower, Natalia Grabowska, Melissa Larner. Text by Michelle Wallace. Interview by Hans Ulrich Obrist.
Exhibition catalogue: Serpentine Galleries, UK & Glenstone, Maryland
Famed for her narrative quilts and her brightly colored paintings of African American life, New York artist Faith Ringgold (born 1930) has consistently challenged perceptions of identity and gender inequality through the lenses of the feminist and the civil rights movements.
Publisher: Walther Konig, 2020 Paperback, 160 pages, 61 color/ 2 black and white images Dimensions 8.75 x 10.25 inches This book is out of print Condition: New still in original shrink wrap

Faith Ringgold

Forward by Christina Brungardt Acknowledgements and essay by Rebecca Matalon Interview with the artist and Huey Copeland

Garrett Bradley works across narrative, documentary, and experimental modes of filmmaking to address themes such as race, class, familial relationships, social justice, southern culture, and the history of film in the United States. Her collaborative and research-based approach to filmmaking is often inspired by the real-life stories of her subjects. For Bradley, this research takes multiple forms—deep dives into historical archives, in-depth dialogues prompted by Craigslist want-ads, or an extended engagement with the communities and individuals she seeks to represent—and results in works that combine both scripted and improvisatory scenes. Bradley’s films explore the space between fact and fiction, embracing modes of working and of representing history that blur the boundaries between traditional notions of narrative and documentary cinema. Her rigorous explorations of the social, economic, and racial politics of everyday life—its joys, pleasures, and pains—are lyrically and intimately rendered on screen. An attention to daily life and its often slow, unremarkable unfolding runs through Bradley’s films, from her earliest works, such as Dante 9-5 (2014), in which we follow a United States Postal Service delivery man along his designated route, to her most recent films, America and AKA (both 2019).
In America, a multi-channel video installation, Bradley constructs a visual archive of early African American cinema. Inspired by a 2013 survey published by the Library of Congress proposing that 70 percent of silent films made between 1912 and 1929 have been lost, as well as the discovery and restoration of what is believed to be the earliest surviving film to feature a black cast ( Lime Kiln Club Field Day, 1913), America takes shape as a series of vignettes depicting the everyday, at times, quotidian lives of early-20th century African Americans. Shot in black and white, with a score by Trevor Mathison and Udit Duseja of the Black Audio Film Collective (1983-1998), Bradley’s film presupposes the existence of a body of cinema made by and for African Americans and since lost to history. Mixing found footage from Lime Kiln Club Field Day and newly shot performances by non-trained actors, America poignantly asks what it might mean to model a history of black visuality and representation that privileges depictions of pleasure over spectacles of pain.
Pleasure and joy—and their intersection within nuanced familial relationships— come further into focus in Bradley’s recent short-video, AKA. The first in a trilogy of films about relationships between women, in this case relationships between mothers and daughters born into inter-racial families or families of varying skin tones, AKA developed out of hours-long conversations between Bradley and her female protagonists. In this kaleidoscopic series of portraits, the artist points towards the multiplicity and intersectionality of identity, pushing against the binary of “either/or” and, instead, embracing the expansiveness of identity called forth by the work’s titular allusion to “also known as.” Equally of note is AKA ’s summoning of a long history of black sisterhood. The work’s title is also an acronym for Alpha Kappa Alpha, the first sorority established by African American college women in the United States.
Published by CAM, Houston, 2020
Softcover, 96 pages, illustrated throughout
Dimensions: 10 1/2 x 8 1/2 (26.67 x 21.59 cm)

Garrett Bradley: American Rhapsody

Mark Godfrey – Curator
This catalogue accompanies the exhibition at the Tel Aviv Museum in 2015.  The exhibition included 26 paintings, all from recent months, made following the artist's visits to Israel. Quaytman's interest in Walter Benjamin and in Paul Klee's Angelus Novus (1920) at the collection of the Israel Museum, Jerusalem, provoked visits to the Gershom Scholem Library at the National Library of Israel. Here, she researched the tangled correspondence between Scholem and Benjamin about Klee's painting and, in one of Scholem's books, came upon the Hebrew word חקק Haqaq. The verb's meaning—"to engrave" as well as "to legislate"—in addition to its strange sound, made her choose it as the exhibition title. While in Israel, she traveled to the desert, where she took photographs to be used later in her paintings and extended her interest in Hebrew typography and the mystical view of the Hebrew alphabet in Kabbalah. All these sources of inspiration have convened into this new series of works. Tel Aviv Museum of Art, 2015 Hardcover, 130 p., 47 colour ill., Hebrew/English Dimensions: 8 1/2 x 3/4 x 12 inches This catalog is out of print Condition: Very good, cover is protected

R.h Quaytman: Chapter 29

By Zoe Whitley Edited by Peter Eleey, Robyn Farrell, Michael Govan, Rebecca Morse and James Rondeau Forward by Barbara Kruger, Glenn Lowry and James Rondeau
Since the mid-1970s, Barbara Kruger (born 1945) has been interrogating consumer culture in works that often combine visual and written language. In her singular graphic style, Kruger probes aspects of identity, desire and consumerism that are embedded in our everyday lives. This volume traces her continuously evolving practice to reveal how she adapts her work in accordance with the moment, site and context. The book features a range of striking images―from her analogue paste-ups of the 1980s to digital productions of the last two decades, including new works produced on the occasion of the exhibition. Also featured are singular works in vinyl, her large-scale room wraps, multichannel videos, site-specific installations and commissioned works. The book also showcases how Kruger’s site-specific works have been reconceived for each venue, and includes a section of reprinted texts selected by the artist. Renowned for her use of direct address and her engagement with contemporary culture, Kruger is one of the most incisive and courageous artists working today. This volume explores how her pictures and words remain urgently resonant in a rapidly changing world.
Published by Del Monico Books and Los Angeles County Museum of Art, 2021 Hardcover with 208 pages Dimensions: 10 1/4 x 9 inches (26.03 x 22.86 cm)

Barbara Kruger: Thinking Of You. I Mean Me. I Mean You.

Edited by Dan Nadel
Joshua Abelow is a New York artist, curator, art blogger and gallerist.
Drawings Drawings consists of 96 drawings that were produced between 2004-2017, unsing a 6B pencil and identical in dimension, 30 x 22 inches.  The artist works typically in series and a typical Abelow drawing or is cartoonish in style.

Publisher: Freddy, 2018 Dimensions: 8.5 x 0.5 x 10 inches Hardcover 192 pages with 96 black and white images Book is signed by the artist

Joshua Abelow: Drawings Drawings

Clouds, electronics, fog, bugs, glass, cellophane, rust, weeds, waves, particles: Mike Slack (born 1970) delves into an overheated terrestrial ecosystem in his new book The Transverse Path (or Nature’s Little Secret), surveying a luminous topography of monumental details and mundane vistas alike with cosmic curiosity. Transcendental in mood, Slack’s vaguely sci-fi photographs envision a sun-blasted wilderness of synthetic and organic stuff tangled together, flourishing and disintegrating on its own terms, as if engaged in an ageless negotiation (or flirtation?) just beyond our grasp. Where does nature end and its opposite begin? And where do people figure into this balance?
Made primarily around the American Southwest from 2011 to 2017, these vivid photographs—like a series of thought bubbles in search of a narrative—are concise and direct, yet driven by an emotional ambivalence that hovers between stark environmental dread and calm intimate reverie.
Published by The Ice Plant, 2017 Hardcover, 100 pages Dimensions: 10 x 7 1/2 inches (25.4 x 19.05 cm)

Mike Slack: The Transverse Path (signed)

Simple and fun. Each pair features a circle and square.
Tom Pigeon is a creative studio founded by Pete and Kirsty Thomas in 2014. They met and started working as designers in the early 1990’s and since then have worked across many design disciplines, for small companies and big businesses. As Tom Pigeon they design simple things for people to enjoy including prints, jewelry and stationery as well as taking on creative commissions and consultant work. They created Tom Pigeon to make the kind of things they would like to own and live with.
All jewelry is made by hand in their studio in Fife using a mixture of modern and traditional techniques and materials.
Circle: 9/16 inch Square: 9/16 inch
Formica and brass Gold plated closures Made by hand in Scotland

Mix Match Cufflinks By Tom Pigeon

The Lumpkin-Boccuzzi Family Collection of Contemporary Art
Edited with essay by Antwaun Sargent. Text by Graham C. Boettcher, Jessica Bell Brown, Connie H. Choi, Anthony Graham, Lauren Haynes, Jamillah James, Thomas J. Lax, Hallie Ringle, Adeze Wilford, Gordon Dearborn Wilkins, Matt Wycoff. Interview with Bernard Lumpkin by Thelma Golden
This book surveys the work of a new generation of Black artists, and also features the voices of a diverse group of curators who are on the cutting edge of contemporary art. As mission-driven collectors, Bernard I. Lumpkin and Carmine D. Boccuzzi have championed emerging artists of African descent through museum loans and institutional support. But there has never been an opportunity to consider their acclaimed collection as a whole until now. Edited by writer Antwaun Sargent (author of The New Black Vanguard: Photography Between Art and Fashion ), Young, Gifted and Black draws from this collection to shed new light on works by contemporary artists of African descent. At a moment when debates about the politics of visibility within the art world have taken on renewed urgency, and establishment voices such as the New York Times are declaring that “it has become undeniable that African American artists are making much of the best American art today,” Young, Gifted and Black takes stock of how these new voices are impacting the way we think about identity, politics and art history itself. Young, Gifted and Black contextualizes artworks with contributions from artists, curators and other experts. It features a wide-ranging interview with Bernard Lumpkin and Thelma Golden, director and chief curator of the Studio Museum in Harlem; and an in-depth essay by Antwaun Sargent situating Lumpkin in a long lineage of Black art patrons. A landmark publication, this book illustrates what it means (in the words of Nina Simone) to be young, gifted and Black in contemporary art. Artists include : Mark Bradford, David Hammons, Glenn Ligon, Kerry James Marshall, Julie Mehretu, Adam Pendleton, Pope.L, LaToya Ruby Frazier, Henry Taylor, Mickalene Thomas, Lynette Yiadom-Boakye, Tunji Adeniyi-Jones, Sadie Barnette, Kevin Beasley, Jordan Casteel, Jonathan Lyndon Chase, Bethany Collins, Noah Davis, Cy Gavin, Allison Janae Hamilton, Tomashi Jackson, Samuel Levi Jones, Deana Lawson, Norman Lewis, Eric N. Mack, Arcmanoro Niles, Jennifer Packer, Christina Quarles, Jacolby Satterwhite, Paul Mpagi Sepuya, Sable Elyse Smith, Chanel Thomas, Stacy Lynn Waddell, D’Angelo Lovell Williams, Brenna Youngblood, and more.
Published by D.A.P, 2020 Hardcover, 256 pages illustrated throughout Dimensions: 11 1/4 x 9 3/4 inches (29.21 x 24.76 cm)

Young, Gifted And Black: A New Generation Of Artists

Text by Em Rooney and John Yau

This is a hybrid artist’s book and drawing monograph by the Massachusetts–based painter Xylor Jane (born 1963), whose works based on or derived from numbers and other systems of order have found critical acclaim among curators and artists internationally. Her often brightly colored, immaculately constructed and executed paintings run parallel to, and are informed by, a drawing activity that is much about notating her daily life as it is comprehending the role of numbers and their history.
Published by CANADA Parrasch Heijnen, 2019
Softcover, 176 pages, illustrated throughout
Dimensions: 11 x 8 1/2 inches (27.94 x 21.59 cm)

Xylor Jane Notebooks

By Elisabeth Susman, David Joselit Contributions by Johanna Burton, Darby English, Maggie Nelson and Alexander Nemerov
In her sculptures, room-sized installations, drawings, photographs, and artist’s books, Rachel Harrison (b. 1966) delves into themes of celebrity culture, pop psychology, history, and politics. This publication, created in close collaboration with the artist, explores twenty-five years of her practice and is the first comprehensive monograph on Harrison in nearly a decade. Its centerpiece is an in-depth plate section, which doubles as a chronology of Harrison’s major works, series, and exhibitions. Objects are illustrated with multiple views and details, and accompanied by short texts. This thorough approach elucidates Harrison’s complicated, eclectic oeuvre—in which she integrates found materials with handmade sculptural elements, upends traditions of museum display, and injects quotidian objects with a sense of strangeness. Six accompanying essays cover Harrison’s earliest works to her most recent output. The book also includes a handful of photo-collages that the artist created specifically for this project. Published here for the first time, these pieces superimpose found images with reproductions of Harrison’s own past work.
Published by Whitney Museum of American Art, 2019 Hardcover, 282 pages, illustrated throughout Dimensions: 12 1/4 x 9 3/4 inches (31.11 x 24.76 cm)

Rachel Harrison: Life Hack

Monograph focusing on Xu Bing's most ambitious works of art, Book from the Sky and Book from the Ground.  The artists method and motivation are presented in the artists own words.  An accessible yet academic insight into this innovative internationally renowned Chinese artist.
Published by ACC Art Books, 2020 Hardcover, 204 pages, 171 Color and 7 B&W images Dimensions: 6 3/4 x 9 3/4 inches (17.14 x 24.76 cm)

Xu Bing Book From The Sky To Book From The Ground

Architect and designer, Arne Jacobsen designed this watch in 1939 and it remains a classic in Danish design.

Watch specs:
Leather strap with brushed steel buckle Waterproof for 3 meters. Solid stainless steel case with concave dial.
Hardened double convex M2 glass

Dimensions: Case 1 3/4 inches diameter Strap is 7 1/2 inches long 1 year warranty with Copenhagen Watch Group

Arne Jacobsen Station Watch

Author Andrea D'Aquino
Ruth Asawa (1926-2013) was an influential and award-winning sculptor, a beloved figure in the Bay Area art world, and a devoted activist who advocated tirelessly for arts education. This lushly illustrated book by collage artist Andrea D'Aquino brings Asawa's creative journey to life, detailing the influence of her childhood in a farming family, and her education at Black Mountain College where she pursued an experimental course of education with leading avant-garde artists and thinkers such as Anni and Josef Albers, Buckminster Fuller, Merce Cunningham, and Robert Rauschenberg. Delightful and substantial, this engaging title for young art lovers includes a page of teaching tools for parents and educators.
Published by Princeton Architectural Press 2019 Dimensions: 10.75 x 8 inches, Hardcover, 40 pages Reading level: Kindergarten - 3rd grade

A Life Made By Hand: The Story Of Ruth Aswawa

A brand-new revised and updated edition of Phaidon's accessible, acclaimed A-Z guide to the most important artists of all time
Updated for only the third time in its 16-year history, this new edition of the award-winning landmark publication has been refreshed with more than 40 important new artists, including many previously overlooked and marginal practitioners. The new edition spotlights more than 600 great artists from medieval to modern times. Breaking with traditional classifications, it throws together brilliant examples from all periods, schools, visions, and techniques, presenting an unparalleled visual sourcebook and a celebration of our rich, multifaceted culture.
Artists featured for the first time in this edition include: Berenice Abbott, Hilma af Klint, El Anatsui, Romare Bearden, Mark Bradford, Cao Fei, Cecily Brown, Judy Chicago, John Currin, Guerrilla Girls, Lee Krasner, Jacob Lawrence, Kerry James Marshall, Joan Mitchell, Zanele Muholi, Takashi Murakami, Louise Nevelson, Clara Peeters, Jenny Saville, Wolfgang Tillmans, and more
Hardback
9 5/8 x 8 1/4 inches (24.5 x 21 cm)
592 pages, 575 illustrations

The Art Book, Revised Edition

Interview by Aliza Hoffman, Bennett Simpson
Pope.L: Proto-Skin Set explores early works the artist (William) Pope.L (born 1955) made between 1979 and 1994 exploring materiality and language. Published in this volume for the first time are the artist’s Proto-Skin Sets , a selection of mixed-media collages and assemblages that the artist began making as a student in the 1970s engaging the social constructions of language, race and gender. Treating language as an image and images as a language, these works anticipate his ongoing project Skin Sets, text-based works that employ language to construct pointed, absurd and layered messages about the vagaries of color. The publication also includes a five-part document from 1979 that is part of an open-ended set of written works titled Communications Devices , and a new interview with the artist conducted by Pope.L’s studio administrator Aliza Hoffman and curator Bennett Simpson.
Published by Mitchell-Innes & Nash, 2018 Paperback, 80 pages with 48 color & 1 black and white images. DImensions: 12 x 9 1/2 inches (30.48 x 24.13 cm)

Pope L. Proto Skin Set

By Zoe Burke
Romp about with Bluebell the cat as you discover the different shapes out there in our great big world. There are lines and triangles and squares, and so many other shapes too. Follow along with the text by Zoe Burke (she loves to write rhyming children's poems), and you'll get to fly a kite in the field with Bluebell or join him as he snoozes on the sofa. As you read, investigate all the shapes drawn by Carey Hall, who enjoys creating playful illustrations, just like these!
Published Pomegranate, 2017 Board book with 24 pages Dimensions: 6 x 6 inches (15.24 x 15.24 cm) Reading age 2-5 years

Lines And Triangles And Squares, Oh My!

By George Melrod, Amelia Jones, Jillian Hernandez and Rachel Lachowicz
Los Angeles–based conceptual artist Rachel Lachowicz (born 1964) is known for turning her acerbically witty eye on the decidedly male realm of modernism, and for making radical incursions into the art-historical canon by reconfiguring certain of its key works. A mid-career survey as well as comprehensive monograph, Rachel Lachowicz presents an overview of 20 years’ worth of art-making. Labeled a “lipstick feminist” by the art world--she once recast Yves Klein’s “Blue Venus” in cherry-red lipstick, and frequently uses cosmetics in her work--Lachowicz’s art falls under many headings: appropriationist, conceptual, feminist, postminimalist. Her work is always visually lush and often sexually provocative; through it, she explores the crisscrossing relations between identity and the politics of mark-making.
Published by Marquand Books, 2013 Hardcover, 128 pages, 116 images in color Dimensions: 11 1/2 x 10 1/4 inches (29.21 x 26.03 cm) This book is out of print Condition: still in original shrink wrap

Rachel Lachowicz

These adorable cars are perfect for on-the-go adventures, collecting, construction and building play. Solid Beech Wood Water-based paint and clear urethane coat ABS plastic wheels Safety tested according to US CPSIA and European, Australian and New Zealand regulations 3 1/3 L x 1 1/2 W x 2 2/3 H inches (8.4 L x 4 W x 6.6 H cm) Candylab aims to make the absolute best wooden toy vehicles on the market. Gearheads, designers, engineers, parents have all banded together to become toymakers, with an unflinching commitment to quality and customer satisfaction.

Candy Cars

Keep your glasses safe and scratch free in this merino wool eyeglass case by Los Angeles based Graf Lantz. Each case has a single snap leather closure.
6 ¾”W x 3 ¼”H 3mm merino wool felt Vegetable tanned leather Made in USA

Felt Eyeglass Case By Graf Lantz

Caddis is an eyewear company started in 2017.  These reading glasses are ageless, and are for anyone who is looking for a cool frame that is stylish, comfortable and solidly made.

- Optical grade CR39 lens 
- Superior hard coat for anti scratch durability 
- Anti-reflective coatings to mitigate reflections and glare. 
- Super hydro-phobic and oleo-phobic coatings for anti smudge 
- HEV coating blocks harmful high energy light screens emit. 
- Handcrafted acetate designs utilizing state of the art CNC and finishing for fit, function, and durability.
Sizing Lens Width: 51 mm Lens Height: 39 mm Bridge: 22 mm Temple Length: 145