Foreword by Sherri Geldin. Text by Nicole R. Fleetwood, Michael Goodson, Beverly Guy-Sheftall, Antwaun Sargent
Presenting paintings of some of the artist's key models and muses, I Can't See You Without Me illuminates the work of Brooklyn painter Mickalene Thomas (born 1971). Culling from art history and popular culture, Thomas creates scintillating portraits that deconstruct the highly charged connections between sitter, artist and viewer. Whether depicted as classically composed 19th-century odalisques, Afro-adorned vixens of blaxploitation films or as a powerful maternal figure yearning for social mobility, the recurring models in Thomas' compositions (almost exclusively women of color) convey a spirit of strength and self-confidence. Across this archetypal array, it is both their contradictions and kinships that make the black female body such fertile terrain for the artist's ongoing investigations. By casting herself, her late mother and other formidable women in her life as models, muses and collaborators, Thomas particularizes her distinctive oeuvre of portraiture. Focused yet expansive, the catalog both reasserts and further contextualizes issues of identity, sexuality and agency in Thomas' work that have only become more nuanced and palpable over time.
Published by Wexner Center for the Arts, 2018 Softcover, 128 pages with 40 color images Dimensions: 11 x 8 1/2 inches (27.94 x 21.59 cm)

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Mickalene Thomas: I Can’t See You Without Me

Title

Books

For Freedoms released a small series of t-shirts around their 2020 Awakening project encouraging the joy of voting.
Black cotton t-shirt
Men's/Unisex sizing
For Freedoms was cofounded by artists Hank Willis Thomas, Eric Gottesman and Michelle Woo as a platform to build a political and cultural identity around listening, healing, and justice. The group recently released The Infinite Playbook a digital publication intended to inspire action using arts and culture.

For Freedoms The Infinite Game S/s Tee

Size

Women

Designed by David Weeks Studio
Cubebot® is a wooden toy robot inspired by Japanese Shinto Kumi-ki puzzles. Made from wood and elastic, Cubebot can be positioned to hold dozens of poses. When it's time to rest, Cubebot folds back into a perfect cube. A classic toy for all ages that will endure generations of play.
Dimensions: 5.5 x 0.5 x 4.25 inches

Cubebot Capsule Micro

Color

Baby & Kids

This is the sixth volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project. A prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these books, thus completing the project. Eleven of these private books survive, containing notes on her work, detailed interactions with artist friends and commentary on the alienations of gender politics, as well as philosophical queries into art’s role in society and humorous asides from daily life.
Published by Karma, 2019
Spiral-Bound softcover
Dimensions: 5 x 3 inches (12.7 x 7.62 cm)
Edition of 3,000 copies

Lee Lozano: Private Book 6

Essays by Sven Lutticken and Philip Monk
This book presents a screenplay for an installation of two 16mm films by Stan Douglas titled “Inconsolable Memories” as well as related essays and a series of photographs taken by Douglas as research for the project. The filmic installation revolves around a group of Cuban natives and moves fluidly through the cast of characters’ past and present memories. Overwhelmingly melancholic and majestic, the photographs taken by Douglas capture the slow architectural ruins of Cuba from a sweeping cinematic perspective. This book was published to coincide with the exhibition of “Inconsolable Memories” at the Joslyn Art Museum, Omaha and the Morris and Helen Belkin Art Gallery, Vancouver.
Published by Joslyn Art Museum and The Morris and Helen Belkin Art Gallery, 2005 Hardcover, 151 images illustrated throughout. Dimensions: 10 1/2 x 8 inches (26.67 x 20.32 cm)

Stan Douglas Inconsolable Memories

Robert Heinecken (1931–2006) has been called one of America’s most influential contemporary, conceptual photographers, and yet he rarely used a camera. His definition of photography encompassed everything related to the photo; rather than focusing on the photographic image as a creation derived solely from a camera, his interest was on the relation of methods and formalism – often in an irreverent and humorous way – to popular media.
This first large-scale monograph presents an overview of Heinecken’s work from the 1960–90s, highlighting his exploration of the material possibilities of the medium, and how he created new methods to record and produce photographic objects using collage, lithography, Polaroid, silver gelatin prints, color processes, digital prints and experimental uses of darkroom chemistry.
Text by Kevin Moore
Published by Ridinghouse 2012 in association with Cherry and Martin, Los Angeles; Friedrich Petzel Gallery, New York and Marc Selwyn Fine Art, Los Angeles Hardcover

Dimensions: 30.5 × 24.2 cm  |  12 × 9 1/2 in 144 pp, 150 colour illustrations
This catalogue is out of print and in perfect condition.

Robert Heinecken: Copywork

Keep your essentials close at hand with this pocket-sized card case and money clip. The front slots hold up to a preferred maximum of 4 cards, while the money clip on the back secures your bills. Wallet no longer has to be the bulky burden in your pocket.

Card slot with money clip to hold on to the essentials
Subtle snakeskin design

Composition: Vegetable tanned cowhide leather, snakeskin pattern, money clip Dimensions: 4 1/4 x 2 3/4 inches Made in Los Angeles

Money Clip - The Villainaire

By Anna Katherine Brodbeck, editor Ken Allan and contributions by Hans Ulrich Obrist
Southern California–based painter Jonas Wood (b. 1977) depicts everyday scenes in a colorful, graphic style that references modernist and Pop aesthetics while remaining unquestionably contemporary. The first book to consider Wood’s work in a scholarly, art-historical context, this mid-career survey cements his place in the lineage of artists who similarly embraced quotidian imagery and pictorial flatness to tell deeper stories, such as David Hockney, Henri Matisse, and Philip Guston. While based on intense real-life observation, Wood’s paintings depict worlds that are ultimately fictive, subjected to a process of manipulation through preparatory photo collages. The authors hone in on Wood’s ability to compose scenes dense with objects, people, and places that have intense personal meaning yet function allegorically to suggest universal situations and themes. Striking illustrations of Wood’s pieces demonstrate how the personal has become public in the digital age, capturing the brilliance and depth of this artist on the rise.
Published by Dallas Museum of Art, 2019 Softcover, 108 pages Dimensions: 12 1/4 x 10 1/4 inches (31.11 x 26.03 cm) Out of print Condition: new, still in original shrink wrap

Jonas Wood

Aftermath is collection of photographs of all the inanimate objects in the Saloon, a shooting location for Paul McCarthy’s film DADDA Saloon. The photographs were taken after the shoot was finished, leaving various tableaus that suggest the actions and content of the film. Photographed as a document, the props and the set now create their own resonance after their role in the film has ended.
Published by Hesse Press, 2019 Soft cover, 64 pages Dimensions: 9 x 6 1/2 inches (22.86 x 16.51 cm) Edition of 500

Paul Mccarthy / Damon Mccarthy: Aftermath

"For over five decades, my most powerful and intense relationship has been with my work. As a graduate student at Yale in the '60s, I began to use the phallus as a metaphor for feminism and male posturing. At the time, Yale was an all-male undergraduate program. I became fascinated with explicit graffiti that I discovered in men's bathrooms, finding inspiration in raw humor and unedited scrawls. Aggression and humor are strongly connected in my work. This is epitomized in my piece "Supercock" (1966), a drawing of a comic superhero with huge genitals ejaculating through the world; and in "Fun-Gun" (1967), an anatomical drawing of a phallus shooting collaged live ammo. My "Fuck Vietnam" series was just the start. Graffiti influences can be traced throughout my entire body of work and in my scatological titles such as "Dicks of Death" (2015). I confront war with very graphic, in-your-face words and images. Stuffed phalluses, blood and semen juxtapose national imagery and the US flag. It's funny but it's dead serious! Charcoal is my favorite medium. Over the span of my career, the experience of working with charcoal has been extremely dynamic, raw and personal. There's a gritty and visceral quality to these political drawings. The charcoal works represent an amalgamation of anti-war, feminism and sexuality. Beyond these themes, my work delves into the multiple layers of the human psyche. My art confronts the viewer with the urgency and complexity of human relationships - issues that perpetually arise and tension that resonate from our origins to today." Judith Bernstein
Published by Patrick Frey Editions, 2017 Hardcover, 188 pages, illustrated throughout Dimensions: 13 3/4 x 9 inches (34.92 x 22.86 cm)

Judith Bernstein: Dicks Of Death

Edited by Jeff Khonsary & Martine Sims
Belvedere is a continuation of David Hartt’s investigation of vernacular utopias—those places where the ideal has been forced to morph and adjust to the reality of the surrounding imperfect world. The book collects a suite of formally austere photographs taken at the Mackinac Center for Public Policy in Midland, Michigan. Hartt’s subjects cover a broad ideological spectrum that highlight the range and potential of the American experience. The work in Belvedere focuses on the Mackinac Center for Public Policy, originators of the Overton window, a policy framing device used to adjust public opinion on a particular subject by positing radical viewpoints and thereby shifting the frame of reference closer to an intended outcome.
Publishing in conjunction with Dominica and New Documents, 2013 Softcover, 13 pages Dimensions: 8 1/2 x 6 3/4 inches (21.59 x 17.14 cm) Edition 500

David Hartt: Belvedere

This iconic all-over pattern is immediately noticed as Keith Haring. The Keith Haring candle is 3 1/8 inches square and comes in a fun gift box. Scent is by Givaudan Scent: Lily of the Valley with notes of Jasmine, Peony and Musk Made in France by Ligne Blanche

Keith Haring Square Candle Black Pattern

Candles

Caddis is an eyewear company started in 2017.  The reading glasses are ageless, and are for anyone who is looking for a cool frame that is stylish, comfortable and solidly made.

- Optical grade CR39 lens 
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Sizing Lens Width: 48 mm Lens Height: 37 mm Bridge: 23 mm Temple Length: 145

Bixby Pink Reading Glasses

Ceramic pot with scented candle is designed based on works by Andy Warhol "Flowers on White", 1964-65 Scents are made by Givaudan Made in France by Ligne Blanche Dimensions: 3 2/8 inches tall, 2 3/4 inches in diameter
Scent notes Blue/ Orange/ Red candle is White Floral - fruity Purple/ Red/ Yellow/ Blue is Floral-fruity-musky Red/ Yellow is Floral-citrus-woody Orange/ Pink/ Red is Floral-woody

Andy Warhol Flower Candles

A silly and sublime bedtime book from the New York Times bestselling children's book author Colin Meloy, lead singer of The Decemberists. Giggle your way to sweet and silly dreams! A simple goodnight routine turns marvelously madcap in this cleverly rhymed picture book. Instead of settling down to sleep, Dad bakes bread, Mom fixes the roof, and Grandma plays cards with a ghost. And between the dog, the cat, Sister, and Brother, there's at least three different wars being waged!

Hardcover
48 pages
9 x 11 inches

Recommended for Age 5 - 8 years

Everyone's Awake

Edited with text by Isabella Maidment, Andrea Schlieker. Text by Elizabeth Alexander, Lynette Yiadom-Boakye
Dramatically reinventing the lineage of Goya, Sargent and Manet, Lynette Yiadom-Boakye imbues the Black subjects in her paintings with atmospheric grace and elegance.
Taking inspiration from the techniques of historic European portraiture, Lynette Yiadom-Boakye’s oil paintings could almost be from a much older era if it were not for the contemporary details of the Black subjects that populate her work. Though her subjects are people conjured in her imagination, Yiadom-Boakye imbues her portraits with a near-tangible spirit through her deliberate brush strokes and rich dark tones. The result is paintings that seem to exist outside of time while still remaining grounded in reality. This lavishly illustrated volume of nearly 80 paintings and drawings—some of which have never been exhibited before—accompanies the first major survey of Yiadom-Boakye’s work, shown at Tate Britain. In addition to new fiction writing by the artist, this publication includes in-depth thematic essays on Yiadom-Boakye’s artistic development, reflecting the dual aspects of the artist’s career as both a painter and a writer and offering an intimate insight into her creative process.
Published by D.A.P & Tate Britain, 2020 Hardcover, 193 pages with 120 color images Dimensions: 10 3/4 x 9 inches (27.30 x 22.86 cm) This title is out of print Condition: Like new

Lynette Yiadom-boakye

From rural Japan to international icon – Yayoi Kusama has spent her remarkable life immersed in her art.
Follow her incredible journey in this vivid graphic biography which details her bold departure from Japan as a young artist, her embrace of the buzzing New York art scene in the 1960s, and her eventual return home and rise to twenty-first century super-fame.

Kusama The Graphic Novel

Learn about the magical creatures you've heard about in fairy tales and legends. Or, imagine your own fantastic beast! This book is a collection of mythical creatures from all around the world. With 310 pages, you can mix and match the fronts and backs of these creatures to create over 1,000 combinations of extraordinary beasts.

Myth Match

Create your perfect work environment with Blockitecture®, a set of architectural building blocks. Cantilever and nest hexagonal blocks to create towers, cities and dwellings.
The Factory set includes new colors and forms inspired by the industrial architecture of the city center.

New Zealand Pine Recommended for ages 6 and up

Blockitecture Factory

The first major monograph ever published on the career of Larry Bell, iconic American artist and one of the stars to have emerged from the Light and Space movement in California in the 1960s. Creatively presented in two distinct halves that reflect his dual interest in two- and three-dimensional forms - the first collecting his works on paper, printed on a heavily textured uncoated stock, and the second collecting his glass and metal sculptures, printed in a high-gloss finish - the book itself aims to reflect Bell's close attention to materials. In each medium, Bell's work reflects a lifelong enthusiasm for the physical properties of light and the materials it hits, and an equally tangible passion for playing with those properties with an almost childlike reverence and a spontaneity that belies or even defies his understanding of every process. From his earliest monochrome paintings in the 1950s to the glass cubes and standing glass-panel sculptures of the 1960s and 1970s, to his experimentation with vapor drawings in the 1980s and his most recent 'mirage works' and 'light knot' sculptures, Bell's career reads as one long and beautiful experiment in the properties of light on surface, and the relationship of surface to space. With an essay by Robin Clark and an interview conducted by Cliff Lauson--and drawing on rarely published writings by the artist himself--this is the definitive survey of Larry Bell's career.
Published by Rizzoli, 2018 Hardcover with 224 pages Dimensions: 11 x 9 1/2 inches This book is out of print. Condition - very good

Larry Bell

Edited by Eva Meyer-Hermann, Andrew  Perchuk and Stephanie Rosenthal.

Published in conjunction with a travelling retrospective, which drew on the archive of the artist's papers held by the Getty Research Institute.  Famously known for inventing the art form called Happenings, a primary goal of this book is to extend the parameters of scholarly investigation of Kaprow's work beyond the roughly ten years of the classic Happenings.

Published by the Getty Research Institute, 2008
Hardcover, 358 pages, illustrated throughout.
Dimensions 9 3/4 x 9 3/4 inches (24.76 x 24.76 cm)

Allan Kaprow Art As Life

The Blockitecture® Deco set includes new colors and forms inspired by colorful post-modern architecture found coast to coast all over the world. Cantilever and nest hexagonal blocks to create towers, cities and dwellings.

New Zealand Pine Recommended for ages 6 and up

Blockitecture Deco

By Margaret Steele and Cindy Estes For children and grown-ups alike, MOCA’s popular_ Art of…_ books use contemporary artwork from the museum’s permanent collection to illustrate shapes, colors, and the human body. The Art of Shapes features artwork by Ellsworth Kelly, Jeff Koons, Vito Acconci, Jacob Lawrence, Barbara Kasten, Jenny Holzer, Jim Dine, Henri Matisse, Claes Oldenburg, Robert Rauschenberg, Eva Hesse, and Bruce Nauman. Published by Museum of Contemporary Art, Los Angeles Board book 24 pages 2 years + 5 1/2 x 6 1/2 x 1 inches (13.97 x 16.51 x 2.54 cm)

The Art Of Shapes

By Cheryl Brutvan
There is a quiet but rigorous beauty in the paintings and prints of the trees that Sylvia Plimack Mangold (born 1938) has observed in the landscape surrounding her home and studio over the last three decades. Although better known for her conceptual compositions of illusionary paintings of wooden floors and mirrors and, later, tapes and measures, Plimack Mangold acknowledges that there is no other subject that she has spent more time with than nature, which eventually led her to focus on individual trees, the subject of this publication and the exhibition it accompanies. This exceptional and varied body of work was brought together for the first time in 2012, and comprises more than 50 oil paintings, watercolors and prints from private and public collections. Landscape and Trees presents a rich survey of the artist’s 30-year engagement with the landscape.
Norton Museum of Art, 2013 Hardcover, 96 pages with illustrations throughout Dimensions: 10 x 8 1/4 inches (25.4 x 20.95 cm)

Syliva Plimack Mangold: Landscape And Trees

Author Amanda Benchley & Sharon Coplan Hurowitz
A behind-the-scenes look at leading contemporary artists at work, with original art projects to recreate at home.
Open Studio goes behind closed doors with a host of prominent visual artists to capture them in the act of creation as they draw, paint, sculpt, or design an original project for readers to then recreate themselves at home. Showcasing the artists' working environments and specific processes, this innovative book leads us step-by-step through each artist's project and supplies pull-out templates and other essential elements. The result is sure to inspire people everywhere to blaze their own creative trails.
Published by Phaidon Press, 2020 Hardback, 256 pages, 523 color illustrations Dimensions: 11 3/8 x 8 1/4 inches (290 x 236 mm)

Open Studio- Do-it-yourself Art Projects From Contemporary Artists

By Mark Godfrey, Allie Biswas and Zoe Whitley
A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition.
What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever. Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright.
Publisher: Gregory R. Miller & Co, 2021 Softcover, 628 pages Dimensions: 9 x 7 1/2 inches (22.86 x 19.05 cm)

Soul Of A Nation Reader: Writings By And About Black American Artists, 1960-1080

On Onions is a photographic study of onions by Israeli-born artist Elad Lassry (born 1977). Characteristically highlighting the spectrum of hues and shapes for the vegetable, Lassry’s selected taxonomy includes sections on red, yellow and white onions, each of which possesses its own distinct taste and benefits. On Onions is Lassry’s first artist’s book, and the work will exist only in book form; it is at once wry, refreshing and disorienting in its biology workbook style, which makes fruitful use of “the confusion that results when there is something just slightly wrong in a photograph” (as the artist has described his practice in general). Composed by the artist and arranged by Stuart Bailey, the book includes an essay written by Angie Keefer about the effects of sliced onions on human tear ducts.

Publisher: Primary Information, 2012 Dimensions: 5.25 x 8.5 inches Paperback 240 pages with 30 color images First Edition 1,500 copies Signed by the artist

Elad Lassry: On Onions

By Vito Acconci, Doug Aitken, Sarah Morris, Lawrence Weiner, Cerith Evans, Peter Zumthor.  Edited by Cristina Bechler, Hans Ulrich Obrist and Beatrix Ruf
The Engadin region in Switzerland has always attracted artists, writers, film-makers and thinkers. In this unique historico-cultural context, Cristina Bechtler, Beatrix Ruf and Hans Ulrich Obrist initiated the E.A.T Engadin Art Talks.
It is a compilation of previously unpublished thoughts and dialogues, ideas and projects from well-known artists, architects, designers, film-makers and researcher who are rethinking the Alpine and thus contributing new insights into the mountainous regions not only of Switzerland, but worldwide.
Published by JRP l Ringier, 2014 Softcover, 264 pages Dimensions: 8 1/4 x 5 3/4 inches (20.95 x 14.60 cm)

Engadin Art Talks

Jasper Johns Vs Brian Ramnarine is a facsimile publication that includes falsified correspondence between bronze manufacturer Brian Ramnarine and Johns, created by the former, as well as evidence used by the United States Government to convict Ramnarine of forgery. The document outlines fake letters of authenticity, forged correspondence from Johns, and images of the artist’s work that Ramnarine wrongfully produced and sold. Ramnarine was convinced and jailed in 2014 by the United States Government. This publication is in the collection of the New York Public Library and the Whitney Museum.

Published by Pacific, 2018
Saddle stitch within envelope 36 pages
Dimensions: 8 ½ × 11 inches (21.59 x 27.94 cm)
Edition of 100
This title is out of print
Condition: New.  In original shrink wrap

Jasper Johns Vs Brian Ramnarine

Explore your inner artist by creating endless unique structures with this wooden puzzle.

Recommended for ages 3 and older 20 interconnected wooden balls in 10 colors FSC-certified beech wood (Italy) Non-toxic, water-based color dyes (Germany) Ball diameter: 1.38 inches