Description
Designer

Designed by Tom Dixon, W ingback Chair was inspired by traditional 17th century Wingback and balloon-back archetypes, and was developed for Shoreditch House Members Club. Its expressive sweeping curves allows designers to specify Wingback in the centre of spaces as a sculptural intervention rather than merely a piece of seating. The wings provide convenient acoustic protection for mobile phone use and a headrest for quick snoozes.

Material & Feature:

Molded fiberglass shell with highly resilient urethane foam with fabric upholstery (C.O.M available)
Medium firm cushion seat feel (cushion softness customizable)
Legs: black lacquered metal
All materials are fire-resistant & non-toxic (Baby friendly)
Customization available - Request with Customer Service

Dimensions:

Width: 29.1" x Depth: 38.2" x Height: 50"
Seat Height: 18.3"

* All measurements are approximations.

Tom Dixon is a self-taught British designer. His career began when he discovered pleasure in welding while repairing damaged motorcycle frames after having been forced to leave his disco-punk band 'Funkapolitan' when he broke his leg in a motorcycle accident. He holds an Honorary Doctorate from Birmingham City University. He lives in London with his wife and two daughters and is often seen with his blind and deaf poodle, Molly.

Eternity Modern - Mid-century modern, modern Nordic and modern contemporary style furniture will be sold for up to 80% off. The selection includes over 2000 overstocked

Eternity Modern

Tom Dixon Wingback Chair

Material

Lounge Chairs

Description
Designer

Hans J. Wegner's Papa Bear Chair is one of the mid-century iconic furniture designs, comprising distinctive form and durable construction. Originally named the Teddy Bear Chair, this design was one of the first fully upholstered post-war chairs. Providing great seating comfort, the solid, but elegant appearance of the chair owns a unique visual character - an appealing focal point in any modern surrounding. The creative Danish designer was often inspired by nature and its abundance of organic shapes and forms. A great example is the Papa Bear Chair, which also follows the designer's established principles of form and function.

Material & Feature:

Molded fiberglass shell with highly resilient urethane foam
Medium firm cushion seat feel (cushion softness customizable)
Fabric, Top Grain/Aniline Leather upholstery with buttons (C.O.M available)
Solid wood legs with walnut / natural ash finish
All materials are fire-resistant & non-toxic (Baby friendly)
Matching footstool available

Dimensions:

Width: 36" x Depth: 38"x Height: 41.5"
Seat Height: 16.5"

* All measurements are approximations.

Hans Jorgensen Wegner, (April 2, 1914" January 26, 2007), was a world renowned Danish furniture designer. His high quality and thoughtful work, along with a concerted effort from several of his manufacturers, contributed to the international popularity of mid-century Danish design. His style is often described as Organic Functionality, a modernist school with emphasis on functionality. This school of thought arose primarily in Scandinavian countries with contributions by Poul Henningsen, Alvar Aalto, and Arne Jacobsen. In his lifetime he designed over 500 different chairs, over 100 of which were put into mass production and many of which have become recognizable design icons.
Wegner worked for some time for Arne Jacobsen, a successful Danish designer. Wegner was in charge of the furniture in the Aarhus Municipal Hall, which Jacobsen designed. After some years under Jacobsen, Wegner started his own company. Along with fellow architect Borge Mogensen, he designed furniture for FDB (a Danish chain of grocery stores), spearheaded by Erik Kold who founded an organization of Danish furniture makers that launched Danish design abroad.
In his later years Wegner became more attached to PP Mobler (which produces many of pieces originally designed for Johannes Hansen) and for whom he designed several chairs late in his life. He remained active throughout his life. An example of his later work is the "Hoop Chair", originally designed in 1965 with a steel tube base and finally put into production made entirely in wood in 1985 (for PP Mobler). Wegner retired from public life only in the last decade of his life.

Papa Bear Chair

Description
Designer

The sectional elements of Camaleonda sofa can be used freely and apart from one another. The backs and armrests are provided with rings and carabiners, which allows the user to create a perfect 'seating landscape'. The sofa is very comfortable and the fact this wonderful piece is modular, provides endless flexible solutions for any project or living room.

Material & Feature:

Structure: Frame made from naturally rot resistant Merbau wood; No chemical treatment
Constructed of shaped polyurethane foam with 3 distinct dense layers
Solid wood legs with black stain
Fabric, Aniline/Vintage Leather Leather upholstery (C.O.M available)
All materials are Flame resistant & non-toxic (Baby Friendly)

Dimensions :

Width: 37.75" x Depth: 37.57" x Height: 26.37"
Seat Height: 15.75"

* All measurements are approximations.

Mario Bellini is an Italian architect and designer known for his sleek and sophisticated couches, sofas, and dining chairs. Motivated by style as well as functionality, the artist’s creations solve everyday problems one may encounter in the home. He is commonly associated with his Camaleonda modular sofa, a set of square seats that can be separated and rearranged.Born on February 1, 1935 in Milan, Italy, he attended the Polytechnic University of Milan and earned a PhD in architecture in 1959. After completing his education, Bellini was hired as a consultant to Italian electronics company Olivetti, where he remodelled the typewriter, giving it a wedge-like body and a rubber-skin keyboard. The artist also became well known for his furniture designs at this time, designing his trademark office chairs—Figura, Persona, Imago, and Forma. Since the 1980s, he mostly worked on architectural projects, designing the the Sheik Zayed Museum in 2007 and the London Link Bridge at Deustche Bank in 2010. Today, Bellini lives and works in Milan, Italy. His work is currently held in the collections of The Museum of Modern Art in New York, the Dallas Museum of Art, and the Cooper Hewitt Smithsonian Museum of Design in New York, among others.

Mario Bellini Camaleonda Sofa | Right Corner

Sofas

Description
Designer

The Pavilion Bench was first created by designer Ludwig Mies van der Rohe in 1930, and was named for its similarity to the well-known Barcelona Pavilion Chair. The original Barcelona Bench design was first used in America as part of Mies van der Rohe's Bachelor Pad exhibit.
The contemporary modern design of the Pavilion Bench will complement any room with its refined lines and luxurious genuine Italian leather upholstery. The tufted surface provides a padded and comfortable seat cushion, which spans the entire length of the bench. The cushion is attached to a stained, solid ash wood frame, using leather upholstery straps and is supported by tubular polished stainless steel legs.

Material & Feature:

Solid wood frame with walnut finish; Polished #304 grade stainless steel legs with chrome finish

High elasticity dacron-wrapped foam with genuine down feather layer
Medium firm cushion seat feel (cushion softness customizable)
Top Grain/Aniline Leather upholstery (C.O.M available)
All materials are fire-resistant & non-toxic (Baby friendly)
Light assembly required
Dye lots may vary slightly

Dimensions:

4FT: Width: 48.8" x Depth: 17.3" x Height: 18.9"
6FT: Width: 76.8" x Depth: 16.9" x Height: 18.9"
Cushion Thickness: 3.9"
Product Weight: 4FT: 28.7 lbs; 6FT: 41.9l bs

* All measurements are approximations.

Ludwig Mies van der Rohe (born Maria Ludwig Michael Mies; March 27, 1886 - August 17, 1969) was a German-American architect. He is commonly referred to and was addressed as Mies, his surname. Along with Le Corbusier and Frank Lloyd Wright, he is widely regarded as one of the pioneering masters of modern architecture.
Mies, like many of his post-World War I contemporaries, sought to establish a new architectural style that could represent modern times just as Classical and Gothic did for their own eras. He created an influential twentieth-century architectural style, stated with extreme clarity and simplicity. His mature buildings made use of modern materials such as industrial steel and plate glass to define interior spaces. He strove toward an architecture with a minimal framework of structural order balanced against the implied freedom of free-flowing open space. He called his buildings "skin and bones" architecture. He sought a rational approach that would guide the creative process of architectural design, but he was always concerned with expressing the spirit of the modern era. He is often associated with his quotation of the aphorisms, "less is more" and "God is in the details".

Pavilion Bench

Size

Description
Designer

The Circle Chair shows that Wegner was able to maintain his enthusiasm and innovative spirit despite an already long career. The idea of making a chair based on the most simple and elegant shape of them all, the circle, remained a distant dream until Hans J. Wegner eventually completed the design at the age of 72. This bright sparkle, this tickling thought, matured over a lifetime and became one of his most visionary projects, posing great challenges for PP Mbler's workshop as its construction would push the limits of the possible. It was necessary for master of crafts Sren Holst Pedersen and master journeyman Henry Fisker to develop a special machine for manufacturing it in wood - which Wegner himself actually did not think was even possible.
Consequently the Circle Chair turned out to be one of Wegner's most characteristic and aesthetic designswhile still offering great comfort and flexibility. Despite its size, the Circle Chair is light, practical, and easy to move around.
The Circle Chair elevates Wegner into the exclusive league of artists who maintained their consistency and innovation throughout their career.

Material & Feature:

Structure: hardwood frame with double dowesl and corner-block-reinforcing with balanced tension flag line

Medium firm cushion seat feel, with fabric upholstery (C.O.M available)
Solid wood legs/frame with natural oak finish; Two c asters included

All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 44" x Depth: 36.6" x Height: 37"
Seat Height: 16.5"

* All measurements are approximations.

Hans Jrgensen Wegner, (April 2, 1914" January 26, 2007), was a world renowned Danish furniture designer. His high quality and thoughtful work, along with a concerted effort from several of his manufacturers,1 contributed to the international popularity of mid-century Danish design. His style is often described as Organic Functionality, a modernist school with emphasis on functionality. This school of thought arose primarily in Scandinavian countries with contributions by Poul Henningsen, Alvar Aalto, and Arne Jacobsen. In his lifetime he designed over 500 different chairs, over 100 of which were put into mass production and many of which have become recognizable design icons.
Wegner worked for some time for Arne Jacobsen, a successful Danish designer. Wegner was in charge of the furniture in the Aarhus Municipal Hall, which Jacobsen designed.3 After some years under Jacobsen, Wegner started his own company. Along with fellow architect Brge Mogensen, he designed furniture for FDB (a Danish chain of grocery stores), spearheaded by Erik Kold" who founded an organization of Danish furniture makers that launched Danish design abroad.
In his later years Wegner became more attached to PP Mbler (which produces many of pieces originally designed for Johannes Hansen) and for whom he designed several chairs late in his life. He remained active throughout his life. An example of his later work is the"Hoop Chair", originally designed in 1965 with a steel tube base and finally put into production made entirely in wood in 1985 (for PP Mbler). Wegner retired from public life only in the last decade of his life.

Hans Wegner Circle Chair

Frame

Description
Designer

The sectional elements of Camaleonda sofa can be used freely and apart from one another. The backs and armrests are provided with rings and carabiners, which allows the user to create a perfect 'seating landscape'. The sofa is very comfortable and the fact this wonderful piece is modular, provides endless flexible solutions for any project or living room.

Material & Feature:

Structure: Frame made from naturally rot resistant Merbau wood; No chemical treatment
Constructed of shaped polyurethane foam with 3 distinct dense layers
Solid wood legs with black stain
Fabric, Aniline/Vintage Leather Leather upholstery (C.O.M available)
All materials are Flame resistant & non-toxic (Baby Friendly)

Dimensions :

Left Section - Width: 101.6" x Depth: 37.75" x Height: 26.4" x Seat Height:  15.7"
Right Section - Width: 113.25" x Depth: 63.75" x Height: 26.4" x Seat Height:  15.7"

* All measurements are approximations.

Mario Bellini is an Italian architect and designer known for his sleek and sophisticated couches, sofas, and dining chairs. Motivated by style as well as functionality, the artist’s creations solve everyday problems one may encounter in the home. He is commonly associated with his Camaleonda modular sofa, a set of square seats that can be separated and rearranged.Born on February 1, 1935 in Milan, Italy, he attended the Polytechnic University of Milan and earned a PhD in architecture in 1959. After completing his education, Bellini was hired as a consultant to Italian electronics company Olivetti, where he remodelled the typewriter, giving it a wedge-like body and a rubber-skin keyboard. The artist also became well known for his furniture designs at this time, designing his trademark office chairs—Figura, Persona, Imago, and Forma. Since the 1980s, he mostly worked on architectural projects, designing the the Sheik Zayed Museum in 2007 and the London Link Bridge at Deustche Bank in 2010. Today, Bellini lives and works in Milan, Italy. His work is currently held in the collections of The Museum of Modern Art in New York, the Dallas Museum of Art, and the Cooper Hewitt Smithson7,715.00Design in New York, among others.

Mario Bellini Camaleonda Sofa | Combination 007

Description
Designer

The distinguished character of the CH101 Lounge Chair joins the series of sofas by Hans J. Wegner. It is a sumptuous easy chair that works well on its own, in groups, or with the CH100 series of sofas. CH101 is hand made on a solid beech inner frame with polished stainless steel legs, visible frame and armrest fronts. Cushions are fully upholstered on all sides, built around a foam core wrapped in down and foam granulate.

Material & Feature:

Structure: hardwood frame treated for durability & pests control using a non-toxic Kiln-dried treatment, with highly resilient urethane foam
Polished #304 grade stainless steel legs with chrome finish
Medium firm cushion seat feel (cushion softness customizable)
Fabric, Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 32.3" x Depth: 31.1" x Height: 29.1"
Seat Height: 17.5"
Seat Depth: 20.5"
Seat Cushion: Width: 24.0" x Depth: 22.8"
Armrest Thickness: 3.9"
Armrest Height: 24.4"

* All measurements are approximations.

Hans Jorgensen Wegner, (April 2, 1914 - January 26, 2007), was a world renowned Danish furniture designer. His high quality and thoughtful work, along with a concerted effort from several of his manufacturers, contributed to the international popularity of mid-century Danish design. His style is often described as Organic Functionality, a modernist school with emphasis on functionality. This school of thought arose primarily in Scandinavian countries with contributions by Poul Henningsen, Alvar Aalto, and Arne Jacobsen. In his lifetime he designed over 500 different chairs, over 100 of which were put into mass production and many of which have become recognizable design icons.
Wegner worked for some time for Arne Jacobsen, a successful Danish designer. Wegner was in charge of the furniture in the Aarhus Municipal Hall, which Jacobsen designed. After some years under Jacobsen, Wegner started his own company. Along with fellow architect Borge Mogensen, he designed furniture for FDB (a Danish chain of grocery stores), spearheaded by Erik Kold - who founded an organization of Danish furniture makers that launched Danish design abroad.
In his later years Wegner became more attached to PP Mobler (which produces many of pieces originally designed for Johannes Hansen) and for whom he designed several chairs late in his life. He remained active throughout his life. An example of his later work is the"Hoop Chair", originally designed in 1965 with a steel tube base and finally put into production made entirely in wood in 1985 (for PP Mbler). Wegner retired from public life only in the last decade of his life.

Hans Wegner Ch101 Chair

Description
Designer

The Le Corbusier LC2 Armchair was designed for the 1929 Salon d"Automne. The design features an external frame made of highly polished tubular steel. The four cushions, one on each side, back and bottom are made of medium density foam for firm support and comfort. The top-grain genuine leather is expertly hand-sewn and piped. One of the most functional and efficient mid-century designs. The LC2 and LC3 style items are popular in both commercial and residential environments.

Material & Feature:

Frame structure: highly polished #304 grade tubular stainless steel frame with chrome finish; nylon webbing (replaceable)
High elasticity dacron-wrapped foam with genuine down feather layer
Medium firm cushion seat feel (cushion softness customizable)
Top Grain/Aniline Leather upholstery (C.O.M available)
All the cushions are removable
All materials are fire-resistant & non-toxic (Baby friendly)
Customization available - Request with Customer Service

Dimensions:

Width: 29.9" x Depth: 27.6" x Height: 27.6"
Seat Height: 19.3"
Seat Depth: 20.5"
Seat Cushion: Width: 17.7" x Depth: 20.5"
Armrest Thickness: 5.3"

* All measurements are approximations.

Le Corbusier was born as Charles-douard Jeanneret-Gris (1887-1914) in La Chaux-de-Fonds, a small city in Neuchtel canton in north-western Switzerland, in the Jura mountains, just 5 kilometres (3.1 mi) across the border from France.
He began experimenting with furniture design in 1928 after inviting the architect, Charlotte Perriand, to join his studio. His cousin, Pierre Jeanneret, also collaborated on many of the designs. Before the arrival of Perriand, Le Corbusier relied on ready-made furniture to furnish his projects, such as the simple pieces manufactured by Thonet, the company that manufactured his designs in the 1930s.
In 1928, Le Corbusier and Perriand began to put the expectations for furniture Le Corbusier outlined in his 1925 book L"Art Dcoratif d"aujourd"hui into practice. In the book he defined three different furniture types: type-needs, type-furniture, and human-limb objects. He defined human-limb objects as:"Extensions of our limbs and adapted to human functions that are type-needs and type-functions, therefore type-objects and type-furniture. The human-limb object is a docile servant. A good servant is discreet and self-effacing in order to leave his master free. Certainly, works of art are tools, beautiful tools. And long live the good taste manifested by choice, subtlety, proportion, and harmony".
The first results of the collaboration were three chrome-plated tubular steel chairs designed for two of his projects, The Maison la Roche in Paris and a pavilion for Barbara and Henry Church. The line of furniture was expanded for Le Corbusier"s 1929 Salon d"Automne installation,"Equipment for the Home".

Le Corbusier Lc2 Armchair

Description
Designer

"Those who look at a sofa must visually perceive a sense of both mental and physical comfort." Patricia Urquiola has conveyed this concept to the armchair Husk by designing a stiff body made of Hirek that contains a soft cushion divided into portions, which seem to underscore its ergonomic profile. It is endowed with an original spirit that merges with various styles. Three cushion types: standard, which is large and enveloping, or headrest. It is a swivel chair.

Material & Feature:

Molded fiberglass shell with shiny finish, available in color white / black
Seat & back cushion: high elasticity dacron-wrapped foam with genuine down feather layer
Fabric upholstery (C.O.M available)
D ie-cast aluminium legs various colors: white/black(customized color available)
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 32.3" x Depth: 29.9" x Height: 36.2"
Seating Height: 17.7"

* All measurements are approximations.

Spanish by birth, and Italian by choice, Patricia Urquiola was born in Oviedo, Spain and studied architecture in Madrid before graduating from the Milan Politecnico in 1989. The key words for her work are: rigour and emotion, innovation and mental comfort. She was mentored by some of the masters of Italian industrial design: Achille Castiglioni oversaw her graduate thesis, and Vico Magistretti, with whom she designed her first projects. She learned her craft in Italy, and opened a studio in Milan in 2001, where she has developed a truly global enterprise. Some highlights from her career include her encounter with Maddalena de Padova (1990), her collaboration with Piero Lissoni (1996-2000), and her partnership with Patrizia Moroso (since 1998) which led to the design of the Step Sofa, eventually debuting at the Saloni Milano and launching her into the spotlight at the young age of 40. Amidst all of these accomplishments, she had a stint at Lissoni Associati, beginning in 1993, where she developed furniture for Italian giants Cappellini and Cassina. Her designs are unconventional, emphatic, and experimental, blending humanist sensibilities and technical expertise" qualities that also inform her work as an architect. The Mandarin Oriental Hotel in Barcelona is one of her many architectural projects.

Husk Chair - Aluminium Base

Shell Color

Leg Finish

Description
Designer

The sectional elements of Camaleonda sofa can be used freely and apart from one another. The backs and armrests are provided with rings and carabiners, which allows the user to create a perfect 'seating landscape'. The sofa is very comfortable and the fact this wonderful piece is modular, provides endless flexible solutions for any project or living room.

Material & Feature:

Structure: Frame made from naturally rot resistant Merbau wood; No chemical treatment
Constructed of shaped polyurethane foam with 3 distinct dense layers
Solid wood legs with black stain
Fabric, Aniline/Vintage Leather Leather upholstery (C.O.M available)
All materials are Flame resistant & non-toxic (Baby Friendly)

Dimensions :

Width: 37.75" x Depth: 37.75" x Height: 26.37"
Seat Height: 15.75"

* All measurements are approximations.

Mario Bellini is an Italian architect and designer known for his sleek and sophisticated couches, sofas, and dining chairs. Motivated by style as well as functionality, the artist’s creations solve everyday problems one may encounter in the home. He is commonly associated with his Camaleonda modular sofa, a set of square seats that can be separated and rearranged.Born on February 1, 1935 in Milan, Italy, he attended the Polytechnic University of Milan and earned a PhD in architecture in 1959. After completing his education, Bellini was hired as a consultant to Italian electronics company Olivetti, where he remodelled the typewriter, giving it a wedge-like body and a rubber-skin keyboard. The artist also became well known for his furniture designs at this time, designing his trademark office chairs—Figura, Persona, Imago, and Forma. Since the 1980s, he mostly worked on architectural projects, designing the the Sheik Zayed Museum in 2007 and the London Link Bridge at Deustche Bank in 2010. Today, Bellini lives and works in Milan, Italy. His work is currently held in the collections of The Museum of Modern Art in New York, the Dallas Museum of Art, and the Cooper Hewitt Smithsonian Museum of Design in New York, among others.

Mario Bellini Camaleonda Sofa | Left Corner

Description

The Egg chair was designed in 1958 by architect and designer Arne Jacobsen.
It was created specifically for the Radisson SAS hotel in Copenhagen, Denmark. It is believed that the Egg Chair was inspired at the time by Eero Saarinen's "Womb Chair". The unique shape of the Egg Chair provides a level of privacy with its"winged design." The Egg Chair originated from Jacobsen's garage, and was originally cast in plaster. Today, the chair has an adjustable tilt feature and is formed with fiberglass, with high-density polyurethane foam padding around the entire chair structure.

Material & Feature:

Molded fiberglass shell with highly resilient urethane foam
Fabric, Classic Suede, Top Grain/Aniline Leather upholstery (C.O.M available)
Polished #304 grade stainless steel base with matte finish
Control level allows for tilt function for added versatility
360 degree swivel
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 35.4" x Depth: 34.6" x Height: 42.5"
Seat Width: 18.9" x Depth: 17.3" x Height: 17.7" (not adjustable)
Seat Cushion Width: 15"

* All measurements are approximations.

Egg Chair

Description
Designer

Hans Wegner, the famed designer, believed that furniture was a form of art that was meant for the human body. This belief can be easily noticed in the Halyard Chair created by Wenger. You can lounge in this cradle-like chair comfortably for long periods without any problem. With its perfect balance and strong build, the Flag Halyard Chair is one of the best examples of what modern design is capable of achieving.

Material & Feature:

Frame & Legs: polished #304 grade stainless steel with powder-coated white finish
Balanced tension flag line
High elasticity dacron-wrapped foam with aniline/Vintage Leather leather upholstery (C.O.M available)
Long-haired Australian sheepskin is included

Dimensions:

Width: 42.1" x Depth: 46.5" x Height: 31.9"
Seat Width: 21.7" x Depth: 9.8" x Height: 18"
Head Cushion Thickness: 4.7"

* All measurements are approximations.

Hans Jrgensen Wegner, (April 2, 1914" January 26, 2007), was a world renowned Danish furniture designer. His high quality and thoughtful work, along with a concerted effort from several of his manufacturers,1 contributed to the international popularity of mid-century Danish design. His style is often described as Organic Functionality, a modernist school with emphasis on functionality. This school of thought arose primarily in Scandinavian countries with contributions by Poul Henningsen, Alvar Aalto, and Arne Jacobsen. In his lifetime he designed over 500 different chairs, over 100 of which were put into mass production and many of which have become recognizable design icons.
Wegner worked for some time for Arne Jacobsen, a successful Danish designer. Wegner was in charge of the furniture in the Aarhus Municipal Hall, which Jacobsen designed.3 After some years under Jacobsen, Wegner started his own company. Along with fellow architect Brge Mogensen, he designed furniture for FDB (a Danish chain of grocery stores), spearheaded by Erik Kold" who founded an organization of Danish furniture makers that launched Danish design abroad.
In his later years Wegner became more attached to PP Mbler (which produces many of pieces originally designed for Johannes Hansen) and for whom he designed several chairs late in his life. He remained active throughout his life. An example of his later work is the"Hoop Chair", originally designed in 1965 with a steel tube base and finally put into production made entirely in wood in 1985 (for PP Mbler). Wegner retired from public life only in the last decade of his life.

Flag Halyard Chair - Natural Cord Color

Description
Designer

Our classic Wicker bench reimagined as a gorgeous bench in a versatile all-natural shade. The seats are woven from lightweight yet durable natural paper cord, making them fabulously family-friendly and great for the kitchen or patio. We love its go-anywhere style.

Material & Feature:

Solid ash wood with Natural Ash or Oiled Walnut finish
Seat hand woven seat with durable paper cord
Wood treatment: Eco oil-based stain
All materials are non-toxic (Baby Friendly)
Fully Assembled

Dimensions:

Width: 47" x Depth: 15.7" x Height: 16.5"
Product Weight: 16.5lbs

* All measurements are approximations

Wicker Bench

Color

Description
Designer

Designed in the 1960s, distinguished by it's iconic wire base, the soft curvatures of this classic series are finely constructed with detail from reinforced stainless steel rods and welded to horizontal and edge framing wire for a uniquely stable foundation. A stand-alone statement piece or the perfect addition to the Warren Dining Table, the Warren Platner chair is evenly upholstered across the alluring and wide back frame and firmly cushioned for endless hours of enjoyment.

Material & Feature:

Frame: Polished #304 grade stainless steel with chrome finish
Seat: molded fiberglass shell with highly resilient urethane foam
Premium Fabric, Classic Suede, Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
All materials are fire-resistant & non-toxic (Baby friendly)
Product fully assembled

Dimensions:

Width: 27.2" x Depth: 21.7" x Height: 28.7"
Seat Width: 17.7" x Depth: 18.9" x Height: 18.9"
Armrest Height: 25.6"
Cushion thickness: 3.15"
Product Weight: 21 lbs

* All measurements are approximations.

American architect and interior designer Warren Platner was born in Baltimore, Maryland in 1919. Platner attended Cornell University, graduating with a degree in architecture in 1941. Shortly after, he began working with legendary architects Raymond Loewy and I.M. Pei from 1945 to 1950, and with Eero Saarinen from 1960 to 1965. During this time he was part of the design process of many historically important projects including the Dulles International Airport, in Washington, D.C., the Repertory Theater at Lincoln Center, and several dormitories for Yale University. Platner joined Kevin Roche's firm as the head of interior design, becoming more involved with interior and industrial design, as he believed that the essence and character of a building's design should come from within.
In 1967, having gained a wealth of expertise and knowledge from working for architect-design luminaries, Platner decided to open his own firm, Platner Associates. Not limiting itself to architecture, it also experimented in furniture design, lighting, textiles, and interiors. From the late 1960s onwards, he exhibited widely and worked on a variety of interior design and architecture projects, including the interior design of the Ford Foundation headquarters (1967) in New York, the Georg Jensen Design Center (1968) also in New York, the interior to the American Restaurant in Kansas (1974), the interiors for Water Tower Place (1976) in Chicago, and the Windows on the World Restaurant (1976) atop the World Trade Center in New York.
In the 1960s, as the modernist movement became more expressive, Platner focused on a quieter aesthetic, wishing to create more graceful structures. In 1966 Platner, in collaboration with Knoll , unveiled the Platner Collection - a series of sleek modern chairs, ottomans and tables that rest on an intricately sculpted base of cylindrical steel rods replicating a moir pattern. Requiring over 1,000 welds for one piece alone, the complex design is a close marriage of architecture and industrial design. Though Platner designed other pieces, the Platner Collection was his most renowned collection that ultimately made a name for himself in furniture design.

Warren Platner Armchair - Chrome Base

Arm Chairs

Description
Designer

Ispired by the original 1966 Platner Collection designed by Warren Platner, this lounge chair captures the iconic Modernist era style. Both elegant and whimsical, the stainless steel wire base was designed to resemble a shiny sheaf of wheat. The design provides not just a unique look, but also full support and stability for the seating shell. In displayed chair, high-density foam cushioning has been upholstered in a soft cashmere blend upholstery for luxurious comfort. Both a joy to look at an sit in, this piece of mid century furniture truly reflects Platner's definition of a classic!

Material & Feature:

Frame: Polished #304 grade stainless steel with Gun Metal Black finish
Back & Seat: Molded fiberglass shell with highly resilient urethane foam
Premium Fabric,Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width 33" x Depth: 24" x Height: 27"
Seat Height: 18"

* All measurements are approximations.

American architect and interior designer Warren Platner was born in Baltimore, Maryland in 1919. Platner attended Cornell University, graduating with a degree in architecture in 1941. Shortly after, he began working with legendary architects Raymond Loewy and I.M. Pei from 1945 to 1950, and with Eero Saarinen from 1960 to 1965. During this time he was part of the design process of many historically important projects including the Dulles International Airport, in Washington, D.C., the Repertory Theater at Lincoln Center, and several dormitories for Yale University. Platner joined Kevin Roche"s firm as the head of interior design, becoming more involved with interior and industrial design, as he believed that the essence and character of a building"s design should come from within.
In 1967, having gained a wealth of expertise and knowledge from working for architect-design luminaries, Platner decided to open his own firm, Platner Associates. Not limiting itself to architecture, it also experimented in furniture design, lighting, textiles, and interiors. From the late 1960s onwards, he exhibited widely and worked on a variety of interior design and architecture projects, including the interior design of the Ford Foundation headquarters (1967) in New York, the Georg Jensen Design Center (1968) also in New York, the interior to the American Restaurant in Kansas (1974), the interiors for Water Tower Place (1976) in Chicago, and the Windows on the World Restaurant (1976) atop the World Trade Center in New York.
In the 1960s, as the modernist movement became more expressive, Platner focused on a quieter aesthetic, wishing to create more graceful structures. In 1966 Platner, in collaboration with Knoll , unveiled the Platner Collection"a series of sleek modern chairs, ottomans and tables that rest on an intricately sculpted base of cylindrical steel rods replicating a moir pattern. Requiring over 1,000 welds for one piece alone, the complex design is a close marriage of architecture and industrial design. Though Platner designed other pieces, the Platner Collection was his most renowned collection that ultimately made a name for himself in furniture design.

Warren Platner Lounge Chair - Gun Metal Black Base

Description
Designer

A very comfortable seat, the Charles Sofa is a welcoming shelter to lie down in. This is the new concept of the Charles system by Antonio Citterio, which has become in time a classical element of interior design, a huge market success since its creation in 1997. Charles includes an extensive family of elements that can meet every furnishing requirement, even the most personal demand for comfort.

Material & Feature:

Structure: Frame made from naturally rot resistant Merbau wood; No chemical treatment
Cushions filled with high resiliency foam with feather-down wrap
Medium firm cushion seat feel (Cushion softness customizable)
Fabric, Classic Suede, Top Grain / Aniline Leather upholstery (C.O.M available)
#304 grade stainless steel legs with brushed finish
All materials are Flame resistant & non-toxic (Baby Friendly)
More configurations are available as per request

Dimensions :

Small Left Module - Width: 38.2" x Depth: 62.2" x Height: 27"
Small Right Module -Width: 62.2" x Depth: 38.2" x "
Small Seat Height: 16.5"
Large Left Module - Width: 38.2" x Depth: 62.2" x Height: 27"
Large Right Module -Width: 89.8” x Depth: 38.2" x "
Large Seat Height: 16.5"

*Product displayed upholstered in Aniline Leather Black, Large Size

Click and view full size image * All measurements are approximations.

Simon Legald graduated from The Royal Danish Academy of Fine Arts in the summer of 2012. His work consists of both small and large scale products. Simons designs are often created in a dialogue between craftsmanship and industry. He also likes to incorporate the techniques that are necessary for the structure of a product into the design by highlighting them visually.

Charles Sectional Sofa

Sectionals

Description
Designer

A contemporary, streamlined desk which allows for hidden electrical wiring.

Material & Feature:

Natural walnut veneer over MDF
Stainless Steel base with brushed finish
Assembly required

Dimensions:

Width: 80" x Depth: 31.5" x Height: 29.5"
Interior cabinet dimensions: Width: 14" x Depth: 14.6" x Height: 2"
Distance between legs: 35.2"
Product Weight: 220lbs

* All measurements are approximations.

Naver Sren Nissen and Ebbe Gehl are both originally trained as cabinetmakers from Rud Rasmussen's Snedkerier in Copenhagen. Then, they also both studied furniture architecture from the Copenhagen School of Decorative Arts. Their style has renewed the Danish design tradition, and over the years, they have received numerous awards for their unique and functional designs, which have also brought them international recognition.

Naver 1340 Desk

Veneer

Desks

Description
Designer

The sectional elements of Camaleonda sofa can be used freely and apart from one another. The backs and armrests are provided with rings and carabiners, which allows the user to create a perfect 'seating landscape'. The sofa is very comfortable and the fact this wonderful piece is modular, provides endless flexible solutions for any project or living room.

Material & Feature:

Structure: Frame made from naturally rot resistant Merbau wood; No chemical treatment
Constructed of shaped polyurethane foam with 3 distinct dense layers
Solid wood legs with black stain
Fabric, Aniline/Vintage Leather Leather upholstery (C.O.M available)
All materials are Flame resistant & non-toxic (Baby Friendly)

Dimensions :

Width: 113.4" x Depth: 37.8" x Height: 26.4"

Seat Height: 15.7"

* All measurements are approximations.

Mario Bellini is an Italian architect and designer known for his sleek and sophisticated couches, sofas, and dining chairs. Motivated by style as well as functionality, the artist’s creations solve everyday problems one may encounter in the home. He is commonly associated with his Camaleonda modular sofa, a set of square seats that can be separated and rearranged.Born on February 1, 1935 in Milan, Italy, he attended the Polytechnic University of Milan and earned a PhD in architecture in 1959. After completing his education, Bellini was hired as a consultant to Italian electronics company Olivetti, where he remodelled the typewriter, giving it a wedge-like body and a rubber-skin keyboard. The artist also became well known for his furniture designs at this time, designing his trademark office chairs—Figura, Persona, Imago, and Forma. Since the 1980s, he mostly worked on architectural projects, designing the the Sheik Zayed Museum in 2007 and the London Link Bridge at Deustche Bank in 2010. Today, Bellini lives and works in Milan, Italy. His work is currently held in the collections of The Museum of Modern Art in New York, the Dallas Museum of Art, and the Cooper Hewitt Smithson7,715.00Design in New York, among others.

Mario Bellini Camaleonda Sofa | Combination 008

Description

The DAW Fiberglass Armchair was one of the first industrially manufactured reinforced plastic chairs. The organically shaped fiberglass shell was a completely new structural form in the industry when introduced in the mid-century, but prevails today as timeless and iconic. This premium reproduction includes a high back, deep seat, and waterfall edge, as well as premium cashmere over the whole front face of the chair for added luxury.

Material & Feature:

Molded fiberglass shell with gloss finish
Upholstered in grey cashmere
Solid wood legs with natural color finish
Designed for comfort with high density, Dacron-wrapped foam that is fire resistant and non-toxic
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 24.4" x Depth: 24.4" x Height: 31.5"
Seat Height: 18.3"
Armrest Height: 26.4"-26.8"

* All measurements are approximations.

Daw Chair - Upholstered Fiberglass

Chairs

Description
Designer

Featuring Mouille's hallmark signature, the Tripod Desk Lamp is a desktop or bedside interpretation of his original Three-Arm Lamp and maintains the original's kinetic, sculptural aesthetic.

Material & Feature:

Pivoted arms made from curved steel
Black lacquered aluminium reflector with a white interior
Brass ball joints
Black cord with switch
Compatible with E12 Standard light bulb base
Rated for a standard 50W maximum incandescent bulb, not included
Compatible with a wide range of 5W Max LEDs

Dimensions:

Width: 12" x Height: 16" x Depth: 14"
Cord Length: 59"

* All measurements are approximations.

Serge Mouille"s parents, a policeman and a seamstress, were disappointed by his decision, at the age of 13, to enroll in the School of Applied Arts" silver workshop. The youngest student there, he embraced metallurgy and silversmithing" and was so gifted at the trade, he started teaching at 25. After getting his degree, he worked for a few different companies and apprenticed under Gabriel Lacroix before starting his own workshop.
trung

Serge Mouille Tripod Desk Lamp

Task Lamps

Description
Designer

The Grant Featherston Contour Lounge Chair & Ottoman updates the classic armchair design to create a fresh, contemporary look that opens up your modern living space and infuses it with a warm, welcoming calm. The modern lounge chair is defined by its oversized seating enhanced with plush cushioning, body-cradling curves, and your choice of soft, luxurious upholstery. Armrests offer extra comfort and support while button tufts on the backrest provide stylish accenting, classic of mid-century modern design. Exposed wooden legs give off an organic vibe while ensuring a sturdy and durable stance. The stylish and customizable Grant Featherston Contour Lounge Chair is available in a beautiful array of color and material options to complement every taste and design scheme. From plush shearling to cozy cashmere to luxurious leather, the sky's the limit.

Material & Feature:

Molded fiberglass shell with highly resilient urethane foam
Medium firm cushion seat feel
Fabric, Faux Sheepskin, Aniline/Vintage Leather, Cowhide leather upholstery with buttons (C.O.M available)
Solid Ash wood legs with natural or walnut finish
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Chair: Width: 27.55" x Depth: 31.1" x Height: 36.22"
Seat Width: 16.14"(narrow position) - 18.89"(wide position)
Seat Height: 13.77" x Depth: 17.71"
Armrest Height: 22"
Ottoman: Width: 26" x Depth: 17.32" x Height: 16.14"

* All measurements are approximations.

Born in 1922 (Geelong, Victoria), Grant Featherston is commonly regarded as Australia's most renowned furniture designer of all time. Featherston was self-taught, and before serving in the army during WWII, designed lighting and glass panels. His focus shifted to furniture after the war. Hi works have been featured in numerous museum exhibits and his modernist chairs, which had been featured in prominent Australian galleries such as the Peter Bray Gallery, are highly collectible works.
His most iconic work is the The Contour Lounge Chair (also known as the Contour Chair R160). His works convey a strong Scandinavian influence, and in turn, became very influential in post-war "atomic-age" mid-century design. His works have received many awards, and still inspire modern designers of today. In the mid 1950's Grant formed a partnership (both professionally and in marriage) with Mary Currey. The two worked together as a team through his passing in 1995, in the fields of furniture, graphics and exhibitions.

Grant Featherston Contour Lounge Chair & Ottoman

Description
Designer

The CH25 Easy Chair was one of the first chairs inspired by modern Danish design and has sustained popularity for its ease of comfort and adaptability as a simple lounge chair. It was a revolutionary contribution to structural design for its use of woven paper cord as a substitution material during the Second World War. It takes a skilled craftsman 10 hours to hand weave this pattern for the unique seat and back, resulting in an incredible lounge chair with the timeless warmth of wicker and wood.

Material & Feature:

Solid Ash wood with natural or Walnut finish
Hand woven paper cord seat

Dimensions:

" x Depth: 28" x Height: 28.7"
Seat Height: 14"

* All measurements are approximations.

Hans Jrgensen Wegner, (April 2, 1914" January 26, 2007), was a world renowned Danish furniture designer. His high quality and thoughtful work, along with a concerted effort from several of his manufacturers,1 contributed to the international popularity of mid-century Danish design. His style is often described as Organic Functionality, a modernist school with emphasis on functionality. This school of thought arose primarily in Scandinavian countries with contributions by Poul Henningsen, Alvar Aalto, and Arne Jacobsen. In his lifetime he designed over 500 different chairs, over 100 of which were put into mass production and many of which have become recognizable design icons.
Wegner worked for some time for Arne Jacobsen, a successful Danish designer. Wegner was in charge of the furniture in the Aarhus Municipal Hall, which Jacobsen designed.3 After some years under Jacobsen, Wegner started his own company. Along with fellow architect Brge Mogensen, he designed furniture for FDB (a Danish chain of grocery stores), spearheaded by Erik Kold" who founded an organization of Danish furniture makers that launched Danish design abroad.
In his later years Wegner became more attached to PP Mbler (which produces many of pieces originally designed for Johannes Hansen) and for whom he designed several chairs late in his life. He remained active throughout his life. An example of his later work is the"Hoop Chair", originally designed in 1965 with a steel tube base and finally put into production made entirely in wood in 1985 (for PP Mbler). Wegner retired from public life only in the last decade of his life.

Ch25 Easy Chair

Frame Finish

Description
Designer

In the 1930s, Eero Saarinen created a range of organically-shaped plywood chairs. These went on to win the MoMA-sponsored 1940 Organic Design in Home Furnishings competition. This work inspired Saarinen to design a chair that would provide exceptional comfort from its shell alone, and not just from the furnishing. His luxurious and sculptural Executive Side Chair and the matching Executive Armchair were the results. The design won the 1969 Museum of Modern Art Award and the West Germany Federal Award for Industrial Design.

Material & Feature:

Seat: Molded fiberglass shell
High elasticity dacron-wrapped foam with genuine down feather layer
Premium Fabric, Classic Suede, Top Grain / Aniline Leather upholstery (C.O.M available)
Solid wood legs with Natural Ash, Walnut and Black Stain finish
All materials are Flame resistant & non-toxic (Baby Friendly)
Customization available - Request with Customer Service
Product fully assembled

Dimensions:

Width: 26" x Depth: 24.75" x Height: 31.5"
Seat Width: 19.3" x Depth: 18.2" x Height: 19"
Armrest Height: 25.2"
Cushion Thickness: 3.5"
Product Weight: 26.5lbs

* All measurements are approximations.

The purpose of architecture is to shelter and enhance man's life on earth and to fulfill his belief in the nobility of his existence," said Eero Saarinen in 1959. Saarinen's architectural legacy communicates this sentiment of giddy potential and unfettered optimism in post-war America. Iconic projects like the Gateway Arch in St. Louis, Washington D.C.'s Dulles International Airport Terminal and the Kresge Auditorium on MIT"s campus express his groundbreaking brand of midcentury modernism.
Born in Finland to famed architect Eliel Saarinen and textile designer Loja Saarinen, Eero immigrated with his family to the United States in 1923. Settling in Michigan, Eliel co-founded the Cranbrook Academy of Art and designed most of the buildings for the campus, now a National Historic Landmark, while the young Eero worked alongside his father as a student apprentice.
In 1934, Saarinen graduated from the School of Architecture at Yale University. As his career flourished, he was criticized for changing his style depending on his client's needs and desires. The architect, however, saw his clients as"co-creators" and was dedicated to pushing the established boundaries of modernism, what he called the"measly ABC." Clients understood this creative potential. After his father's death in 1950, Saarinen became principal partner of Saarinen & Associates, and the business thrived" landing him on the cover of Time magazine in 1956. Poised at the center of America"s post-war expansion, Saarinen created a visual vocabulary for both corporate and college campuses, including headquarters for John Deere, IBM and CBS, and buildings for Vassar College, MIT and his alma mater, Yale.
Saarinen's illustrious career was cut short with his untimely death in 1961, at age 51, while having surgery for a brain tumor. (Coincidentally, his wife Aline would die from the same affliction, a decade later.) His partners at Saarinen & Associates, Kevin Roche and John Dinkeloo, completed his 10 remaining projects. In 2002, Roche donated Saarinen's papers and drawings to the Yale University Library, which created a renewed interest in Saarinen's life and work, including the establishment of Eero Saarinen: Shaping the Future, an exhibition and archival project dedicated to preserving the midcentury master's legacy.

Saarinen Executive Armchair - Wood Legs

Office Chairs

Description
Designer

Exclusive to Tulip Table & Eternity Modern! We have a stunning selection of 3 marbleized quartz table tops. Our creative production design team have curated the cleanest, purist style contrasted with soft, yet elegant grey veining designs. The quartz tulip table is truly an exquisite statement piece and an opulent addition to any dining room. Our Calacatta Quartz© table tops are made from natural ground quartz with resin and ribbons of pigment resulting in an exquisite marbleized surface. It is highly durable, resistant to cracks, stains and chips with a beautiful gloss finish. And with the stone being non-porous, sealing or waxing is not required! Since Calacatta Quartz© is an engineered stone, we are able to control the consistency of the background and veining details, hence also resulting in less material waste!

Material & Feature:

NEW table height: 30" (Standard dining table height)
Expertly created with natural ground Quartz and Resin
Highly Durable
Resistant to cracks, chips and stains
Soft, grey ribbon veining throughout with a seamless white background
Semi-Gloss finish
Each Quartz table top is unique and will vary in color tone, veining and surface texture

Dimensions:

Size 48" - 47.24"
Size 52" - 51.97"
Size 60" - 60.24"
Table Height: 30"

* All measurements are approximations.

Finnish-American Eero Saarinen (1910 –1961) was famous for varying his style according to the demands of the project. His father taught at the Cranbrook Academy of Art, where Eero took classes and formed relationships with fellow student Florence Knoll. Saarinen studied sculpture at the Académie de la Grande Chaumière in Paris, France, and later at the Yale School of Architecture, completing his studies in 1934. He joined the US Military, where he was assigned to draw illustrations for bomb disassembly manuals and to provide designs for the Situation Room in the White House. He founded his own office in 1950, after his father’s death. His first success, the “Tulip Chair” was produced by the Knoll company, beginning a long relationship between Knoll and Saarinen. While still working for his father, he won the design competition for the Jefferson National Expansion Memorial, in St. Louis, aka the Gateway Arch.

Dining Tables

Description
Designer

Finn Juhl designed a wide range of furniture with frames of steel pipes. This drawer cabinet with three colored trays hang like a floating, separate element under the light steel construction of the Nyhavn table in order to reach "visual lightness".

Material & Feature:

Natural walnut veneer over MDF
Matte lacquered wood drawers
Black powder coated stainless steel with solid walnut wood feet
Assembly Required

Dimensions:

Width: 80" x Depth: 30" x Height: 28.7"
Product Weight: 150lbs

* All measurements are approximations.

When you look at the graceful shapes and sensual curves of Finn Juhl"s work, you may be shocked to realize that he designed these pieces 60 to 70 years ago. A pioneering force in his own country, Finn Juhl is also credited, along with fellow Danes Arne Jacobsen, Hans Wegner, Borge Mogensen and Poul Kjaerholm, with introducing Danish modern to midcentury America.
Although he initially wanted to become an art historian, his father persuaded him to attend the Royal Danish Academy of Fine Arts School of Architecture. By 1934, he had a prestigious position with architect Vilhelm Lauritzen and was exploring the functionalism movement by creating clean, geometrical buildings like the broadcasting house Radiohuset, a pinnacle of Danish architecture that now houses the Royal Danish Academy of Music.
Juhl considered himself an architect of the interior as well as the exterior. He began designing furniture like the Poet Sofa (1941) for use in his own home, located north of Copenhagen. Juhl felt that furniture, handicraft and art should create a completeness of the house, which in his case was decorated with works by the Danish painters of the time. Today, the Finn Juhl House" an early example of open-plan design with views to its garden from every room" is part of the Ordrupgaard Museum.
In 1937, Juhl began collaborating with master cabinetmaker Niels Vodder, and the pair was the buzz of the 1945 Cabinetmakers" Guild exhibition with their expressive, sculptural pieces. One such item was the Model 45 Armchair (1945), which broke from tradition by freeing the upholstered areas from the wood frame.
At age 39, Juhl made his U.S. debut in 1951 at the Good Design exhibit in Chicago and at MoMA in New York, and he represented Denmark in creating the interior of a meeting hall at the United Nations headquarters. A few years later, SAS asked Juhl to redesign the interior of its air terminals in Europe and Asia.
Finn Juhl is still winning awards decades after his death: The Wallpaper Design Award 2010 was awarded to the Baker Sofa (1951) in the category of Best Reissue.

Finn Juhl Nyhavn Desk

Description
Designer

Obviously soft padding like a warm invitation. Sumptuous sitting in a perfectly shaped shell. Safe and protected. Kyo Lounge appeals to our sensitive side. High-grade leather, fine seam patterns and a base with soft curves are the hallmarks of quality second to none. Take a seat, lean back, relax. The headrest provides additional security. A special retreat" for yourself, for discussions, for concentration and new ideas. In a lobby or lounge, in the office or at home.

Material & Feature:

Molded fiberglass shell with highly resilient urethane foam
Medium firm cushion seat feel (cushion softness customizable)
Premium Fabric, Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
4-star swivel base made from highly polished aluminium with matte black finish
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 31" x Depth: 32" x Height: 44"
Seat Height: 18"

* All measurements are approximations.

PearsonLloyd is a product, furniture and innovation design studio led by founders Luke Pearson and Tom Lloyd, and run from a studio in Shoreditch, East London. For the last twenty years, the agency has designed products, systems and environments for the home, workplace, transport and healthcare sectors. Its close relationship with clients including consumer brands, manufacturers and retailers has given the agency unparalleled experience in understanding the needs of users and the demands of business.
The agency"s work is driven by a need to understand and interpret a world that is experiencing rapid and often unexpected change. Its in depth research into these changes" in both the material and digital world" enables PearsonLloyd to create design solutions that are appropriate and relevant for manufacturers, brands and users. The studio is highly collaborative in its approach. It embraces the restrictions imposed by product type, function, material and process and delivers products that are beautiful, efficient and useful.
Luke and Tom were awarded the distinction of Royal Designers for Industry by The Royal Society of Arts in 2008 and in 2012 were named in the top 50 designers"Shaping the Future" by Fast-Co Magazine in New York. They have lectured for a number of years at ECAL and the RCA and regularly talk at international platforms.

Kyo Lounge Chair - High Back

Description
Designer

The perfect balance"literally"between art and furniture. Sculptor Isamu Noguchi created his distinctive table by joining a curved, wood base with a freeform glass top. The ethereal result does not diminish the practical design"a sturdy and durable table. This marriage of sculptural form and everyday function has made the EM coffee table an understated and beautiful element in homes and offices since its introduction in 1948.

Material & Feature:

Top: 19mm thickness tempered glass
Solid wood legs with Natural Ash, Solid American walnut finish

Dimensions:

Table Width: 49.2" x Depth: 35.4" x Height: 15.7"
Wood base Width: 30.7" x Height: 15"

* All measurements are approximations.

Perhaps more than any other midcentury master, Isamu Noguchi blurred the lines between public and personal, between art and design. His career was defined by experimenting, learning and creating."You can find out how to do something and then do it," he said,"or do something and then find out what you did."
Born in Los Angeles to an American mother and Japanese father, Noguchi lived in Japan until the age of 13. While later studying pre-med at Columbia University, he took night classes in sculpture and found his true calling."Everything is sculpture," he asserted."Any material, any idea without hindrance born into space, I consider sculpture." In 1927, he left for Paris to study with sculptor Constantin Brncui, which led him to embrace modernism and abstraction.
In and out of New York in the"30s, Noguchi began to make a name for himself, partially through the diversity of his endeavors."To limit yourself to a particular style may make you an expert of that particular viewpoint or school," he said,"but I do not wish to belong to any school; I am always learning, always discovering." In 1935, Noguchi began a lifelong collaboration with choreographer Martha Graham. He designed sets for her, for choreographers Merce Cunningham, Erick Hawkins and George Balanchine and for composer John Cage. After working with muralist Diego Rivera in Mexico City, he also became inspired by and known for large public sculptures, the first of which was commissioned by the Associated Press in 1938.
All along, Noguchi was careful not to limit himself to one discipline. With a deep and abiding connection to Japan and its culture and to friends and collaborators in addition to Graham" including Buckminster Fuller, Louis Kahn and George Nelson" Noguchi kept his work and inspiration diverse and eclectic. His trademark glass-topped Noguchi Table, introduced the following year, remains in production today.
A few years before his death in 1988, Noguchi opened the Isamu Noguchi Garden Museum in Long Island City, New York. Now known as the Noguchi Museum, it continues to be devoted to the preservation and interpretation of its founder"s work.

Em Coffee Table

Base

Coffee Tables

Description
Designer

The impressive Bibendum Chair is an innovative design from 1929. The piece comprises of padded circular tubes, which not only create the modern profile of the furniture but also ensure great seating comfort. Eileen Gray named the design Bibendum after the world-famous Michelin Man, which the chair resembles. The strong presence of the Bibendum Chair will create an artistic focal point in any environment. Admired by numerous art and design critics alike, the Bibendum Chair carries the same attractive appeal almost a century after its creation.

Material & Feature:

Molded fiberglass shell with highly resilient urethane foam
Fabric, Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
Polished #304 grade stainless steel legs with chrome finish
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 35" x Depth: 31" x Height: 29"
Seat Height: 16"

* All measurements are approximations.

Born in Enniscorthy, County Wexford, Ireland in 1878, Eileen Gray spent her childhood in London and was among the first women to be admitted to the Slade, where she took up painting in 1898 before undergoing an apprenticeship in a London lacquer workshop. The experience she gained in working in this highly specialised medium was to influence her profoundly when she moved to Paris in 1902. After further training in lacquer work and cabinet making, she quickly established herself as one of the leading designers of the lacquered screens and decorative panels so beloved by the followers of art deco, and even managed to cause a riot by showing a stark white lacquered boudoir at the 14th Salon des Artistes Dcorateurs in 1923.
In 1922 she opened her own gallery, Jean Dsert, in Rue du Fauborg Saint Honor as an outlet for her designs. During the 1920s and 1930s she became one of the leading exponents of the revolutionary new theories of design and construction. She worked closely with many of the outstanding figures of the modern movement, including Le Corbusier and J.J.P Oud. Well to the fore of the group she exhibited chrome, steel tube and glass furniture in 1925 - the same year as Mies van der Rohe and Marcel Breuer and well before Le Corbusier. The furniture was used in Eileen Gray's own interiors, the most celebrated of which was that completed in 1922 for the famous modiste, Madame Mathieu-Lvy (better known as Suzanne Talbot). Her interior design schemes of the period seem both modern and stylish even today.
Eileen Gray's next major contribution to design was in architecture. Encouraged by Le Corbusier and J.J.P Oud, she designed two houses in the Alpes Maritimes, one at Roquebrune which was built from 1926-1929, and the other at Castellar, built from 1932-1934. Both houses are considered to be among the purest examples of domestic architecture and interior design of the period. The inter-war years also saw Eileen Gray's 'Centre des Vacances' project, which was shown in Le Corbusier's Pavilion des Temps Nouveaux at the Paris International Exhibition of 1937.
After the war, and up to her death in 1976, Eileen Gray continued to work as a designer on both major projects like the Cultural and Social Centre, which occupied her from 1946-1949, and on a number of smaller furniture designs. One of her last tasks was to work with Zeev Aram on the introduction of her designs onto the world market. Examples of her early work are in the V&A collection and her E1027 adjustable table is in the permanent design collection of The Museum of Modern Art, New York; these make a fitting tribute to her contribution to modern design. The Royal Society of Arts appointed her a Royal Designer for Industry in 1972.
Eileen Gray died in Paris in 1976.
Aram Designs holds the worldwide head licence for Eileen Gray Designs and is the only UK source for the authentic products.

Eileen Gray Bibendum Chair

Description

The Walnut Stool was originally designed by in 1960. This premium reproduction is hand-crafted from solid ash and stained with a dark walnut finish. Each piece is produced from a single piece of solid hardwood, unlike many reproductions which are made from joined (laminated) wood pieces.
**Please note that owing to the natural material used (natural wood) in the stools, some discoloration and cracking may occur over time. This is a natural process that develops as the stool is trying to reach equilibrium with its environment (mainly the wood stool reacts differently with excess or lack of humidity). In order to strengthen the integrity of the stools, sometimes wood filler is used. However, this will not at all affect the function of the product.

Material & Feature:

Hand-crafted from solid ash hardwood with dark walnut stain
May be purchased individually or as a set of three.When ordering, be sure to specify which style (A / B / C)

Dimensions:

Diameter: 13" x Height: 15"

* All measurements are approximations.

Walnut Stool

Type

Description
Designer

Inspired by the original 1966 Platner Collection designed by Warren Platner, this lounge chair captures the iconic Modernist era style. Both elegant and whimsical, the stainless steel wire base was designed to resemble a shiny sheaf of wheat. The design provides not just a unique look, but also full support and stability for the seating shell. In displayed chair, high-density foam cushioning has been upholstered in a soft cashmere blend upholstery for luxurious comfort. Both a joy to look at an sit in, this piece of mid century furniture truly reflects Platner's definition of a classic!

Material & Feature:

Frame: Polished #304 grade stainless steel with Gold finish
Back & Seat: molded fiberglass shell with highly resilient urethane foam
Premium Fabric, Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width 33" x Depth: 24" x Height: 27"
Seat Height: 18"

* All measurements are approximations.

American architect and interior designer Warren Platner was born in Baltimore, Maryland in 1919. Platner attended Cornell University, graduating with a degree in architecture in 1941. Shortly after, he began working with legendary architects Raymond Loewy and I.M. Pei from 1945 to 1950, and with Eero Saarinen from 1960 to 1965. During this time he was part of the design process of many historically important projects including the Dulles International Airport, in Washington, D.C., the Repertory Theater at Lincoln Center, and several dormitories for Yale University. Platner joined Kevin Roche"s firm as the head of interior design, becoming more involved with interior and industrial design, as he believed that the essence and character of a building"s design should come from within.
In 1967, having gained a wealth of expertise and knowledge from working for architect-design luminaries, Platner decided to open his own firm, Platner Associates. Not limiting itself to architecture, it also experimented in furniture design, lighting, textiles, and interiors. From the late 1960s onwards, he exhibited widely and worked on a variety of interior design and architecture projects, including the interior design of the Ford Foundation headquarters (1967) in New York, the Georg Jensen Design Center (1968) also in New York, the interior to the American Restaurant in Kansas (1974), the interiors for Water Tower Place (1976) in Chicago, and the Windows on the World Restaurant (1976) atop the World Trade Center in New York.
In the 1960s, as the modernist movement became more expressive, Platner focused on a quieter aesthetic, wishing to create more graceful structures. In 1966 Platner, in collaboration with Knoll , unveiled the Platner Collection"a series of sleek modern chairs, ottomans and tables that rest on an intricately sculpted base of cylindrical steel rods replicating a moir pattern. Requiring over 1,000 welds for one piece alone, the complex design is a close marriage of architecture and industrial design. Though Platner designed other pieces, the Platner Collection was his most renowned collection that ultimately made a name for himself in furniture design.